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The Immaculate Conception
Pencil, Grey-brown wash on yellow paper. 1630 - 1640
Cano, Alonso (?)
The Immaculate Conception
Pencil, Grey-brown wash on yellow paper. 1630 - 1640
Cano, Alonso (?)

The Virgin appears full length, standing on the crescent moon and held by three cherubs. Her hands are joined and her head is gently tilted to the right. Wethey does not consider this a work by Cano, [+]

Saint Michael
Pencil, Grey-brown wash on yellow paper. XVII century
Camilo, Francisco
Saint Michael
Pencil, Grey-brown wash on yellow paper. XVII century
Camilo, Francisco

El Arcángel aparece representado armado, con casco emplumado, con la espada flamígera en la mano derecha y sosteniendo una filacteria con su lema (QVIS VT DEVS = Quién como Dios) en la izquierda, mien [+]

The Birth of Saint John the Baptist
Pencil, Grey-brown wash on yellow laid paper. Second half of the XVI century
Barroso, Miguel
The Birth of Saint John the Baptist
Pencil, Grey-brown wash on yellow laid paper. Second half of the XVI century
Barroso, Miguel

Dibujo en el que se representa en primer término, a la izquierda, a tres mujeres que sostienen al Bautista recién nacido. A la derecha, Zacarías escribe el nombre de San Juan, atendido por otros dos p [+]

Saint Anthony Abbot
Pencil, Grey-brown wash on yellow laid paper. Second half of the XVI century
Cincinato, Romolo
Saint Anthony Abbot
Pencil, Grey-brown wash on yellow laid paper. Second half of the XVI century
Cincinato, Romolo

El Santo aparece representado en pie, dentro de en una hornacina, sosteniendo un báculo con la mano derecha y un libro en la izquierda; a sus pies, como símbolo parlante, el cerdo y un brasero encendi [+]

Theatre set
Pencil, Grey wash on dark yellow paper. Early XVIII century
Galli Da Bibiena, Francesco
Theatre set
Pencil, Grey wash on dark yellow paper. Early XVIII century
Galli Da Bibiena, Francesco

The son of painter Giovanni Maria Galli da Bibiena and brother of Ferdinando Galli da Bibiena, Francesco was raised in a family of artists and took an early interest in architecture and set design. He [+]

The Adoration of the Magi
Black chalk, Pencil, Grey-brown wash on white paper. 1600 - 1625
Anonymous
The Adoration of the Magi
Black chalk, Pencil, Grey-brown wash on white paper. 1600 - 1625
Anonymous

Dibujo en el que se representa el tema de la Adoración de los Reyes Magos. Es obra de principios del siglo XVII. (Texto extractado de Mena Marqués, M.: Catálogo de dibujos. VI. Dibujos italianos del s [+]

The Virgin and Child with Saints
Pencil, Grey-brown wash on dark yellow paper. XVIII century
Bigari, Vittorio Maria
The Virgin and Child with Saints
Pencil, Grey-brown wash on dark yellow paper. XVIII century
Bigari, Vittorio Maria

En el centro, la Virgen sentada con el Niño, sobre nubes, ofrece rosarios o escapularios a varios santos arrodillados sobre nubes a su alrededor. A su derecha, San José, Santo Domingo y San Luis Gonza [+]

The Virgin and Child
Black chalk, Pencil, Grey wash on white paper. Early XVII century
Ridolfi, Carlo
The Virgin and Child
Black chalk, Pencil, Grey wash on white paper. Early XVII century
Ridolfi, Carlo

El dibujo presenta a la Virgen sentada de frente, con el Niño Jesús sobre las rodillas. De pequeñas dimensiones y de una gran delicadeza, que parece enlazar estilísticamente con la escuela veneciana d [+]

The Virgin and Child
Pencil, Grey-brown wash, White lead on brown paper. 1675 - 1700
Anonymous
The Virgin and Child
Pencil, Grey-brown wash, White lead on brown paper. 1675 - 1700
Anonymous

Dibujo en el que se representa a la Virgen sentada de frente que sostiene al Niño Jesús en el regazo. Es dibujo boloñés de finales del siglo XVII, que deriva del estilo de Marcantonio Franceschini y p [+]

Rest on The Flight into Egypt
Pencil, Grey-brown wash on dark yellow paper. XVII century
Cittadini, Pier Francesco (Attributed To)
Rest on The Flight into Egypt
Pencil, Grey-brown wash on dark yellow paper. XVII century
Cittadini, Pier Francesco (Attributed To)

El dibujo presenta en el centro a la Virgen sentada con el Niño sobre sus rodillas, conversa con San José sentado a su derecha.Es posiblemente aceptable la atribución antigua a Cittadini, aunque no se [+]

The Pentecost
Black chalk, Pencil, Grey-brown wash on dark yellow paper. First third of the XVIII century
Procaccini, Andrea
The Pentecost
Black chalk, Pencil, Grey-brown wash on dark yellow paper. First third of the XVIII century
Procaccini, Andrea

Es apunte preparatorio para el óvalo del mismo tema que realizó Procaccini sobre la puerta de la sacristía nueva de Santa Maria dell Orto. En la Academia de San Fernando de Madrid se conserva una seri [+]

Judith with the Head of Holofernes
Black chalk, Grey-brown wash, White lead on grey paper. XVII century
Anonymous
Judith with the Head of Holofernes
Black chalk, Grey-brown wash, White lead on grey paper. XVII century
Anonymous

Dibujo en el que se representa a Judith, ricamente vestida, que sostiene la cabeza de Holofernes con la mano izquierda. Al fondo aparece la sirvienta. Se relaciona con la técnica de la xilografía al c [+]

Saint John the Evangelist
Pencil, Grey-brown wash on dark yellow paper. XVIII century
Piatti, Sante
Saint John the Evangelist
Pencil, Grey-brown wash on dark yellow paper. XVIII century
Piatti, Sante

El dibujo es similar a varios otros atribuidos a este artista en la colección Bertini de Calenzano. Sante Piatti (ca. 1687-1747) fue discípulo de Diamantini y, tal vez, de Gregorio Lazzarini, aunque s [+]

Sheet of studies with a happy and three lions rampant
Pencil, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous
Sheet of studies with a happy and three lions rampant
Pencil, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous

An old attribution to Agostino Carracci (1557-1602) appears on the reserve of the sheet. In a note on the modern museum matte, Keith Andrews suggested Battista Franco?, to which comment Catherine Monb [+]

Five figures contemplating an effigy of one of them
Pencil, Grey-brown ink, White lead, Wash on yellow paper. Early Finales del siglo XVI - XVII century
Anonymous (Circle Of Palma el Joven, Jacopo)
Five figures contemplating an effigy of one of them
Pencil, Grey-brown ink, White lead, Wash on yellow paper. Early Finales del siglo XVI - XVII century
Anonymous (Circle Of Palma el Joven, Jacopo)

[+]

The entry of Christ into Jerusalem
Pencil, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous
The entry of Christ into Jerusalem
Pencil, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous

A variant of this composition is to be found in the Cambiaso Album, no.20, D01864. [+]

The Coronation of the Virgin
Pencil, Grey-brown wash on dark yellow paper. Late XVII century
Anonymous
The Coronation of the Virgin
Pencil, Grey-brown wash on dark yellow paper. Late XVII century
Anonymous

The dry and less-than-energetic lines in this rather poor drawing suggest it is a copy. The scene reflects the style of the circle around Pietro de Cortona, and can therefore be dated from the late 17 [+]

St. John the Evangelist
Pencil, Grey-brown ink, Wash on yellow paper. Second third of the XVI century
Bertoia
St. John the Evangelist
Pencil, Grey-brown ink, Wash on yellow paper. Second third of the XVI century
Bertoia

Carderera probably accepted the old attribution to the Pellegrino Tibaldi (1527-1596), who had spent almost a decade in Spain at the end of his life, mostly working at El Escorial, and was an importan [+]

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