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The Birth of the Virgin
Ink, Grey-brown wash on grey paper. XVII century
Anonymous (Copy Giordano, Luca)
The Birth of the Virgin
Ink, Grey-brown wash on grey paper. XVII century
Anonymous (Copy Giordano, Luca)

Este dibujo representa el estilo gráfico de Giordano, y se relaciona con el lienzo Nacimiento de la Virgen de la iglesia veneciana de Santa Maria della Salute, fechado en 1667, ya que son idénticas al [+]

The Martyrdom of Saint Stephen
Black chalk, Pencil, Grey-brown ink, Blue wash on yellow paper. XVII century
Zanchi, Antonio
The Martyrdom of Saint Stephen
Black chalk, Pencil, Grey-brown ink, Blue wash on yellow paper. XVII century
Zanchi, Antonio

Dibujo en el que se representa en el centro, arrodillado, el Santo rodeado de los sayones que le arrojan piedras. Mientras que en la parte superior es representada la Trinidad (Texto extractado de Men [+]

Putti supporting roundels framed in decorative strap-work
Pencil, Grey-brown ink, Wash on paper. XVI century
Anonymous
Putti supporting roundels framed in decorative strap-work
Pencil, Grey-brown ink, Wash on paper. XVI century
Anonymous

These two drawings, mounted together, carry a traditional attribution to Baglione (c.1575-1643/44), which is surely incorrect, if one compares the style which that of the St. Jerome in the Prado (D01 [+]

Sheet of studies with a happy and three lions rampant
Pencil, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous
Sheet of studies with a happy and three lions rampant
Pencil, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous

An old attribution to Agostino Carracci (1557-1602) appears on the reserve of the sheet. In a note on the modern museum matte, Keith Andrews suggested Battista Franco?, to which comment Catherine Monb [+]

The Immaculate Conception
Pencil, Grey-brown wash on yellow paper. 1630 - 1640
Cano, Alonso (?)
The Immaculate Conception
Pencil, Grey-brown wash on yellow paper. 1630 - 1640
Cano, Alonso (?)

The Virgin appears full length, standing on the crescent moon and held by three cherubs. Her hands are joined and her head is gently tilted to the right. Wethey does not consider this a work by Cano, [+]

The Apparition of the Virgin to Saint Bernard
Black chalk, Pencil, Grey-brown ink on dark yellow paper. 1601 - 1650
Anonymous
The Apparition of the Virgin to Saint Bernard
Black chalk, Pencil, Grey-brown ink on dark yellow paper. 1601 - 1650
Anonymous

Dibujo en el que se representa a la Virgen en pie a la izquierda que avanza de frente sobre una nube sostenida por angelitos. A la derecha en la parte baja, San Bernardo aparece arrodillado. Copia pos [+]

The Death of the Virgin
Black chalk, Pencil, Grey ink, Grey wash, Grey-brown wash on white paper. XVIII century
Giaquinto, Corrado
The Death of the Virgin
Black chalk, Pencil, Grey ink, Grey wash, Grey-brown wash on white paper. XVIII century
Giaquinto, Corrado

En el centro de la composición, la Virgen dormida sobre el lecho; a su alrededor, los Apóstoles en actitudes varias; en primer término, una joven arrodillada; en la parte superior, la figura de Dios P [+]

The Immaculate Conception
Pencil, Red ink, Grey-brown wash, Reddish wash on paper. XVII century
Ribalta, Francisco (Attributed To)
The Immaculate Conception
Pencil, Red ink, Grey-brown wash, Reddish wash on paper. XVII century
Ribalta, Francisco (Attributed To)

En pie sobre el creciente de la luna, al cual se enrosca el dragón infernal, alza sus ojos al cielo. De su cuerpo parten rayos luminosos, y rodea su cabeza la corona de estrellas. Ángeles mancebos y n [+]

The Immaculate Conception
Pencil, Grey-brown ink on yellow laid paper. XVIII century
Castillo, José del
The Immaculate Conception
Pencil, Grey-brown ink on yellow laid paper. XVIII century
Castillo, José del

Sentada sobre una nube, con las manos sobre el pecho y coronada de estrellas, aplasta con el pie derecho la serpiente que se enrosca junto al creciente de la luna. A su derecha un angel mancebo y otro [+]

The Assumption of the Virgin
Pencil, Grey wash, Grey-brown ink on dark yellow paper. Mid-XVIIIcentury
Kuntz, Thaddëus
The Assumption of the Virgin
Pencil, Grey wash, Grey-brown ink on dark yellow paper. Mid-XVIIIcentury
Kuntz, Thaddëus

En la parte inferior los apóstoles se agrupan alrededor del sepulcro vacío de la Virgen, uno arrodillado en primer término alza la cabeza y otro tras él extiende los brazos. En la parte superior la Vi [+]

Two Studies of a Standing Man
Pencil, Grey-brown ink on yellow paper. First half of the XVI century
Anonymous (Circle Of Parmigianino. Girolamo Francesco Maria Mazzola)
Two Studies of a Standing Man
Pencil, Grey-brown ink on yellow paper. First half of the XVI century
Anonymous (Circle Of Parmigianino. Girolamo Francesco Maria Mazzola)

[+]

St. John the Baptist baptizing Christ
Pencil, Grey-brown ink, Wash on paper. Second half of the XVI century
Luini, Aurelio
St. John the Baptist baptizing Christ
Pencil, Grey-brown ink, Wash on paper. Second half of the XVI century
Luini, Aurelio

Close in to this drawing in handling and figure types is the Two studies for a David and Goliath in the Staatlichen Graphischen Sammlung, Munic (inv. no. 2680). [+]

The Virgin and Child with Angels
Pencil, Grey wash, Grey-brown ink on white paper. First third of the XVIII century
Anonymous
The Virgin and Child with Angels
Pencil, Grey wash, Grey-brown ink on white paper. First third of the XVIII century
Anonymous

La Virgen, en pie a la derecha, sostiene al Niño sobre un cojín; dos ángeles arrodillados, le ofrecen frutos. La composición, enmarcada a pluma, es dibujo napolitano del primer tercio del siglo XVIII, [+]

Jacob’s Dream
Ink, Grey-brown wash on dark yellow paper. Ca. 1720
Pò, Giacomo del
Jacob’s Dream
Ink, Grey-brown wash on dark yellow paper. Ca. 1720
Pò, Giacomo del

En la parte baja, Jacob recostado en tierra dormido y tras él la escala con los ángeles que suben y bajan, y en lo alto, Dios Padre.Atribuido de antiguo a Gaulli y publicado como tal, ha de ser consid [+]

The Virgin and Child with Saints
Pencil, Grey wash, Grey-brown ink on dark yellow paper. First half of the XVIII century
Anonymous
The Virgin and Child with Saints
Pencil, Grey wash, Grey-brown ink on dark yellow paper. First half of the XVIII century
Anonymous

La composición, terminada en medio punto. En la gloria la Virgen sentada con el Niño; más abajo, sobre nubes, un santo obispo con varios ángeles, y en tierra, San Roque, arrodillado de perfil hacia la [+]

Pietà
Black chalk, Ink, Grey-brown wash on dark yellow paper. Early XVIII century
Rolli, Giuseppe Maria
Pietà
Black chalk, Ink, Grey-brown wash on dark yellow paper. Early XVIII century
Rolli, Giuseppe Maria

En el dibujo se representa a la derecha Nicodemo que sostiene a Cristo muerto, a quien la Magdalena besa los pies; mientras que a la izquierda dos mujeres y un ángel acompañan a la Virgen. Los modelos [+]

The Annunciation
Pencil, Red chalk, Grey-brown ink on dark yellow paper. Last third of the XVII century
Calandrucci, Giacinto (Attributed To)
The Annunciation
Pencil, Red chalk, Grey-brown ink on dark yellow paper. Last third of the XVII century
Calandrucci, Giacinto (Attributed To)

El dibujo presenta a la izquierda, la Virgen arrodillada, con las manos cruzadas sobre el pecho; a la derecha, el ángel ofrece una azucena; en la parte superior, Gloria de angelitos. El original esta [+]

Figure of Christ, from a Composition of “Noli me tangere”
Pencil, Grey-brown ink on paper. First half of the XVII century
Anonymous (Copy Barocci, Federico)
Figure of Christ, from a Composition of “Noli me tangere”
Pencil, Grey-brown ink on paper. First half of the XVII century
Anonymous (Copy Barocci, Federico)

The drawing was almost certainly copied from the corresponding detail in an engraving by Luca Ciamberlano of 1609, which reproduces the painting by Barocci commissioned by Buonvisi family of Lucca and [+]

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