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St. John the Evangelist
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. Second half of the XVI century
Bellini, Filippo (Attributed To)
St. John the Evangelist
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. Second half of the XVI century
Bellini, Filippo (Attributed To)

Formerly classified as anonymous Italian. The style brings to mind some aspects of Bellini´s pen-and-wash drawings, especially the large, almost grotesque hands with stubby fingers-with only three on [+]

Christ preaching to the multitude
Pencil, Grey-brown ink, White lead, Wash on dark yellow paper. Late XVI century
Anonymous
Christ preaching to the multitude
Pencil, Grey-brown ink, White lead, Wash on dark yellow paper. Late XVI century
Anonymous

In spite of the optimism about the drawing´s authorship expressed by one of its earlier owners, this is surely a copy after a sixteenth-century Venetian composition, which I have not yet identified. T [+]

Allegory of the House of Barberini
Black chalk, Pencil, Grey-brown wash, White lead on white paper. 1631
Cortona, Pietro Da (Pietro Berrettini)
Allegory of the House of Barberini
Black chalk, Pencil, Grey-brown wash, White lead on white paper. 1631
Cortona, Pietro Da (Pietro Berrettini)

This drawing depicts the story of the nymphs Florilla and Melissa, twin daughters of Heaven and the Earth, lovers of music (Florilla) and flowers (Melissa), the honeymaker. The young nymphs were respe [+]

An Elderly Couple Entreated by a Young Woman
Pencil, Grey-brown ink on blue paper. Second half of the XVI century
Luini, Aurelio
An Elderly Couple Entreated by a Young Woman
Pencil, Grey-brown ink on blue paper. Second half of the XVI century
Luini, Aurelio

This impressive study is a rare example of Aurelio Luini´s finished drawings in pen. The artist is better known for his more rapid pen studies, a feature of which is a rather ragged, disorderly [+]

The Martyrdom of Saint Stephen
Black chalk, Pencil, Grey-brown ink, Blue wash on yellow paper. XVII century
Zanchi, Antonio
The Martyrdom of Saint Stephen
Black chalk, Pencil, Grey-brown ink, Blue wash on yellow paper. XVII century
Zanchi, Antonio

Dibujo en el que se representa en el centro, arrodillado, el Santo rodeado de los sayones que le arrojan piedras. Mientras que en la parte superior es representada la Trinidad (Texto extractado de Men [+]

Presentation of the Virgin in the Temple
Pencil, Grey-brown ink, White lead, Wash on blue paper. Third quarter of the XVI century
Trometta
Presentation of the Virgin in the Temple
Pencil, Grey-brown ink, White lead, Wash on blue paper. Third quarter of the XVI century
Trometta

By far the most prestigious commission of Trometta´s entire career was the fresco decoration of the ceiling of the choir of the church of S. Maria in Aracoeli, Rome. On 30 January 1565 he contracted t [+]

Gaius Fabricius Luscinus Refusing Gifts from Pyrrhus
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on paper. XVI century
Anonymous (Copy Polidoro Da Caravaggio)
Gaius Fabricius Luscinus Refusing Gifts from Pyrrhus
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on paper. XVI century
Anonymous (Copy Polidoro Da Caravaggio)

This drawing is after the one of the scenes painted by Polidoro between the windows of second floor of the Palazzo Milesi, Rome. [+]

Huntsman on Horseback Chasing a Stag in a Wood, Watched by a Maiden
Pencil, Pencil ground, Grey-brown ink, Wash on paper. Second third of the XVI century
Il Bergamasco
Huntsman on Horseback Chasing a Stag in a Wood, Watched by a Maiden
Pencil, Pencil ground, Grey-brown ink, Wash on paper. Second third of the XVI century
Il Bergamasco

The traditional attribution to Castello, which appears in an old inscription on the reverse of the mount, needs to be taken seriously. Not only is the pen work reminiscent of Castello´s handling of th [+]

God the Father with Angels Appearing among Clouds
Pencil ground, Grey-brown ink, White lead, Wash on green paper. Second half of the XVI century
Farinati, Paolo
God the Father with Angels Appearing among Clouds
Pencil ground, Grey-brown ink, White lead, Wash on green paper. Second half of the XVI century
Farinati, Paolo

Farinati was one of the most prolific draftsmen active in Verona in the second half of the sixteenth century. His pictorial approach to drawing -many of his studies are carried out largely with the br [+]

August and the sybil
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. XVI century
India, Bernardino
August and the sybil
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. XVI century
India, Bernardino

Traditionally attributed to Nicolò dell´Abate (c. 1512-1571). In the elegantly classical arrangement of the composition, the drawing shows knowledge of the work of Giuseppe Porta, called Salvia [+]

Winged angels seated on clouds
Pencil, Pencil ground, Grey ink, Grey-brown ink, Wash on brown paper. XVI century
Anonymous (Circle Of India, Bernardino)
Winged angels seated on clouds
Pencil, Pencil ground, Grey ink, Grey-brown ink, Wash on brown paper. XVI century
Anonymous (Circle Of India, Bernardino)

The old attribution CORREGIO, in which both Brun (?) and Fernández Durán may have believed, is not correct. The drawing displays some stylistic traits associable with Bernardino India, t [+]

Group of Elders from St. Paul Preaching at Athens / Caryatid and Studies of a Bull and a Lion
Pencil, Grey-brown ink on yellow paper. Early XIX century
Anonymous (Copy Raphael (Raffaello Sanzio))
Group of Elders from St. Paul Preaching at Athens / Caryatid and Studies of a Bull and a Lion
Pencil, Grey-brown ink on yellow paper. Early XIX century
Anonymous (Copy Raphael (Raffaello Sanzio))

Although the line work of the drawing has the appearance of being sixteenth century, it is indeed hard to see lay-lines in the paper. since there are no old inscriptions on the drawing itself, nor any [+]

Architectural Elevation of an Interior, with Two Clerestory Windows and Part of a Vaulted Ceiling, Putti Supporting Swags of Fruit and Effigies of St. Michael and the Annunciate Virgin
Pencil, Grey-brown ink, Grey-brown wash, White lead, Yellow wash on paper. Second half of the XVI century
Vecchi, Giovanni de
Architectural Elevation of an Interior, with Two Clerestory Windows and Part of a Vaulted Ceiling, Putti Supporting Swags of Fruit and Effigies of St. Michael and the Annunciate Virgin
Pencil, Grey-brown ink, Grey-brown wash, White lead, Yellow wash on paper. Second half of the XVI century
Vecchi, Giovanni de

This is an entirely characteristic work of Giovanni de´ Vecchi. The two imprese, in the panel´s lower center, which might otherwise provide evidence as to the church decoration here designed, are alas [+]

The Virgin and Child with the Infant Saint John the Baptist
Ink, Grey-brown wash on white paper. XVIII century
Martini, Biagio
The Virgin and Child with the Infant Saint John the Baptist
Ink, Grey-brown wash on white paper. XVIII century
Martini, Biagio

La composición terminada en un arco mixtilíneo y ligeramente vista de abajo arriba. En el centro, la Virgen sentada, a su derecha el niño Jesús apoyado en la cuna la abraza y se vuelve hacia el espect [+]

St. Margaret
Pencil, Pencil ground, Grey-brown ink, Wash on brown paper. Early Finales del siglo XVI - XVII century
Anonymous (Circle Of Villamena, Francesco)
St. Margaret
Pencil, Pencil ground, Grey-brown ink, Wash on brown paper. Early Finales del siglo XVI - XVII century
Anonymous (Circle Of Villamena, Francesco)

In spite of the traditional attribution to Lorenzo Sabbatini (ca. 1530-1576), this drawing appears to be by Villena as other drawings, though it lacks and old inscription giving it to Villamena. [+]

Presentation in the Temple
Pencil, Pencil ground, Grey-brown ink, Wash on paper. Early Segunda mitad del siglo XVI - XVII century
Poccetti, Bernardino Barbatelli (Attributed To)
Presentation in the Temple
Pencil, Pencil ground, Grey-brown ink, Wash on paper. Early Segunda mitad del siglo XVI - XVII century
Poccetti, Bernardino Barbatelli (Attributed To)

Florian Harb (2004), was the first to make the convincing suggestion, on stylistic grounds, that this drawing could be by Poccetti. [+]

Studies of Figures and Animals
Pencil, Grey-brown ink on brown paper. Late XVI - Primer cuarto del siglo XVII century
Villamena, Francesco (Attributed To)
Studies of Figures and Animals
Pencil, Grey-brown ink on brown paper. Late XVI - Primer cuarto del siglo XVII century
Villamena, Francesco (Attributed To)

This adn the following eight drawings appear to be by the same mediocre hand, by whom there are several other drawings in the Prado scattered throughout the collection under a number of different attr [+]

Two satyrs pursuing two nymphs
Pencil, Grey-brown ink, Wash on yellow paper. 1540 - 1560
Anonymous
Two satyrs pursuing two nymphs
Pencil, Grey-brown ink, Wash on yellow paper. 1540 - 1560
Anonymous

Although clearly not from the hand of Nicolò dell´Abate (1509 or 1512-1571), the composition reflected by this drawing seems Emilian, and there are slight echoes of the style of the Parmese Jac [+]

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