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Christ preaching to the multitude
Pencil, Grey-brown ink, White lead, Wash on dark yellow paper. Late XVI century
Anonymous
Christ preaching to the multitude
Pencil, Grey-brown ink, White lead, Wash on dark yellow paper. Late XVI century
Anonymous

In spite of the optimism about the drawing´s authorship expressed by one of its earlier owners, this is surely a copy after a sixteenth-century Venetian composition, which I have not yet identified. T [+]

Two Standing Winged Angels
Pencil, Grey-brown ink on green paper. Second half of the XVI century
Anonymous
Two Standing Winged Angels
Pencil, Grey-brown ink on green paper. Second half of the XVI century
Anonymous

This is a good facsimile copy of a drawing formerly in the collection of Prof. Van Regteren Altena, Amsterdam. Another copy of the Amsterdam drawing is in the British Royal Collection, Windsor Castle. [+]

Gaius Fabricius Luscinus Refusing Gifts from Pyrrhus
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on paper. XVI century
Anonymous
Gaius Fabricius Luscinus Refusing Gifts from Pyrrhus
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on paper. XVI century
Anonymous

This drawing is after the one of the scenes painted by Polidoro between the windows of second floor of the Palazzo Milesi, Rome. [+]

Nude youth, a cloak slung over his shoulder, wielding a club
Pencil, Grey-brown ink on yellow paper. XVI century
Anonymous
Nude youth, a cloak slung over his shoulder, wielding a club
Pencil, Grey-brown ink on yellow paper. XVI century
Anonymous

This is the companion to the drawing D01646. The execution of the hands and hair is especially characteristic of Ludovico Carracci´s style. [+]

Group of Elders from St. Paul Preaching at Athens / Caryatid and Studies of a Bull and a Lion
Pencil, Grey-brown ink on yellow paper. Early XIX century
Anonymous
Group of Elders from St. Paul Preaching at Athens / Caryatid and Studies of a Bull and a Lion
Pencil, Grey-brown ink on yellow paper. Early XIX century
Anonymous

Although the line work of the drawing has the appearance of being sixteenth century, it is indeed hard to see lay-lines in the paper. since there are no old inscriptions on the drawing itself, nor any [+]

Two Women Seeking Directions from a Man
Pencil, Grey-brown ink on paper. Second half of the XVI century
Anonymous
Two Women Seeking Directions from a Man
Pencil, Grey-brown ink on paper. Second half of the XVI century
Anonymous

Perhaps by a Spanish follower of Federico Zuccari who was accomplished at representing hunting scenes. [+]

Two satyrs pursuing two nymphs
Pencil, Grey-brown ink, Wash on yellow paper. 1540 - 1560
Anonymous
Two satyrs pursuing two nymphs
Pencil, Grey-brown ink, Wash on yellow paper. 1540 - 1560
Anonymous

Although clearly not from the hand of Nicolò dell´Abate (1509 or 1512-1571), the composition reflected by this drawing seems Emilian, and there are slight echoes of the style of the Parmese Jac [+]

Landscape
Pencil, Grey-brown ink on dark yellow paper. XVIII century
Anonymous
Landscape
Pencil, Grey-brown ink on dark yellow paper. XVIII century
Anonymous

Dibujo de mano de imitador de Guercino del s. XVIII, del que se conservan numerosos (véase D00788) apuntes repartidos en las mas importantes colecciones europeas y americanas, como originales del arti [+]

The Three Marys
Pencil, Grey-brown ink, White lead, Wash on yellow paper. XVI century
Anonymous
The Three Marys
Pencil, Grey-brown ink, White lead, Wash on yellow paper. XVI century
Anonymous

Apparently Italian [+]

Frieze with Episodes from the Life of Mucius Scaevola
Pencil, Grey-brown ink, Wash on paper attached to canvas. Ca. 1600
Anonymous
Frieze with Episodes from the Life of Mucius Scaevola
Pencil, Grey-brown ink, Wash on paper attached to canvas. Ca. 1600
Anonymous

The composition shows the following episodes from the first floor of the painted frieze on the facade of the Palazzo Ricci, Rome: Mucius Scaevola crossing the Tiber to take the Etruscan camp of King L [+]

The Virgin and Child appearing to Sts. Peter and Augustine, with God-the-Father in the Heavens
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous
The Virgin and Child appearing to Sts. Peter and Augustine, with God-the-Father in the Heavens
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous

[+]

The Virgin, surrounded by angels, appearing to a Pope, a King and a Doge, in the Presence of Kings, Bishops, Monks and Nuns
Pencil, Pencil ground, Grey wash, Grey-brown ink, Grey-brown wash, White lead on paper. XVI century
Anonymous
The Virgin, surrounded by angels, appearing to a Pope, a King and a Doge, in the Presence of Kings, Bishops, Monks and Nuns
Pencil, Pencil ground, Grey wash, Grey-brown ink, Grey-brown wash, White lead on paper. XVI century
Anonymous

The composition, which I have been unable so far to identify, may have been taken from a print. The inventor of the design was evidently either Venetian or Veronese. [+]

Bearded man, three quarter lenght
Pencil, Grey-brown ink on paper. Ca. 1600
Anonymous
Bearded man, three quarter lenght
Pencil, Grey-brown ink on paper. Ca. 1600
Anonymous

Formerly attributed to Bartolomeo Passerotti (1529-1592), presumably on account of the broad cross-hatching in pen, a technique that is characteristic of drawings by this artist. On the other hand, th [+]

Angel holding back a drapery
Pencil, Grey-brown ink on brown paper. XVI century
Anonymous
Angel holding back a drapery
Pencil, Grey-brown ink on brown paper. XVI century
Anonymous

In spite of the pentiment in the area of the angel´s upper right arm, the handling of this drawing is poor and is evidently by a minor artist, possibly copying a figure from the work of a master. [+]

Dead Christ, surrounded by the Instruments of the Passion, with God the Father and the Holy Spirit
Pencil, Grey-brown ink, Wash on paper. Second half of the XVI century
Anonymous
Dead Christ, surrounded by the Instruments of the Passion, with God the Father and the Holy Spirit
Pencil, Grey-brown ink, Wash on paper. Second half of the XVI century
Anonymous

Although the present composition is ultimately dependent in origin on Albrecht Dürer´s great woodcut of the Trinity, a Florentine interpretation of the design is evident in the conception of the [+]

The Apparition of the Virgin to Saint Bernard
Black chalk, Pencil, Grey-brown ink on dark yellow paper. 1601 - 1650
Anonymous
The Apparition of the Virgin to Saint Bernard
Black chalk, Pencil, Grey-brown ink on dark yellow paper. 1601 - 1650
Anonymous

Dibujo en el que se representa a la Virgen en pie a la izquierda que avanza de frente sobre una nube sostenida por angelitos. A la derecha en la parte baja, San Bernardo aparece arrodillado. Copia pos [+]

Christ blessing a kneeling woman
Pencil, Grey-brown ink, Wash on yellow paper. Ca. 1600
Anonymous
Christ blessing a kneeling woman
Pencil, Grey-brown ink, Wash on yellow paper. Ca. 1600
Anonymous

The old attribution is to Titian (c. 1485-1576). The style seems however to be either Emilian or Lombard, from the mid-to-late sixteenth century. [+]

Standing woman clothed in classical dress
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous
Standing woman clothed in classical dress
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous

[+]

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