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St. Martin of Tours dividing his cloak with the beggar
Pencil, Pencil ground, Grey-brown ink on paper. XVI century
Anonymous
St. Martin of Tours dividing his cloak with the beggar
Pencil, Pencil ground, Grey-brown ink on paper. XVI century
Anonymous

The prototype by Cambiaso copied here is a drawing in the Art Museum, Princeton University (inv. no. 49-74). Another School version, evidently superior to the Prado copy, was formerly in the Köni [+]

Christ preaching to the multitude
Pencil, Grey-brown ink, White lead, Wash on dark yellow paper. Late XVI century
Anonymous
Christ preaching to the multitude
Pencil, Grey-brown ink, White lead, Wash on dark yellow paper. Late XVI century
Anonymous

In spite of the optimism about the drawing´s authorship expressed by one of its earlier owners, this is surely a copy after a sixteenth-century Venetian composition, which I have not yet identified. T [+]

Venus and Cupid
Pencil, Grey-brown ink on paper. XVI century
Anonymous
Venus and Cupid
Pencil, Grey-brown ink on paper. XVI century
Anonymous

The drawing has been detached from the Album page and the old numbering lost. Cupid is here represented as older than on the other composition of the subject from the Album group. That he is indeed Cu [+]

The Birth of the Virgin
Ink, Grey-brown wash on grey paper. XVII century
Anonymous (Copy Giordano, Luca)
The Birth of the Virgin
Ink, Grey-brown wash on grey paper. XVII century
Anonymous (Copy Giordano, Luca)

Este dibujo representa el estilo gráfico de Giordano, y se relaciona con el lienzo Nacimiento de la Virgen de la iglesia veneciana de Santa Maria della Salute, fechado en 1667, ya que son idénticas al [+]

Half-lenght Composition, with Male Figures
Pencil, Grey-brown ink on yellow paper. Early Finales del siglo XVI - XVII century
Anonymous (Circle Of Villamena, Francesco)
Half-lenght Composition, with Male Figures
Pencil, Grey-brown ink on yellow paper. Early Finales del siglo XVI - XVII century
Anonymous (Circle Of Villamena, Francesco)

This drawing appears to be by Villena as other drawings, though it lacks and old inscription giving it to Villamena. The composition shows knowledge of the work of Agostino Carracci (1557-1602) and Pa [+]

Adam and Eve
Pencil, Pencil ground, Grey ink, Grey-brown ink, Wash on yellow paper. Early Finales del siglo XVI - XVII century
Anonymous (Circle Of Villamena, Francesco)
Adam and Eve
Pencil, Pencil ground, Grey ink, Grey-brown ink, Wash on yellow paper. Early Finales del siglo XVI - XVII century
Anonymous (Circle Of Villamena, Francesco)

This drawing appears to be by Villamena, though it lacks and old inscription giving it to him. There is perhaps some influence of Federico Zuccaro (1540/41-1609), detectable in the figure of Adam, as [+]

Two Standing Winged Angels
Pencil, Grey-brown ink on green paper. Second half of the XVI century
Anonymous (Copy After Parmigianino. Girolamo Francesco Maria Mazzola)
Two Standing Winged Angels
Pencil, Grey-brown ink on green paper. Second half of the XVI century
Anonymous (Copy After Parmigianino. Girolamo Francesco Maria Mazzola)

This is a good facsimile copy of a drawing formerly in the collection of Prof. Van Regteren Altena, Amsterdam. Another copy of the Amsterdam drawing is in the British Royal Collection, Windsor Castle. [+]

Venus and Cupid
Pencil, Grey-brown ink on paper. XVI century
Anonymous
Venus and Cupid
Pencil, Grey-brown ink on paper. XVI century
Anonymous

[+]

The Resurrection of Christ
Pencil, Grey-brown ink, Wash on paper. XVI century
Anonymous
The Resurrection of Christ
Pencil, Grey-brown ink, Wash on paper. XVI century
Anonymous

According to the Suidas, the drawing is similar in composition to the altarpiece in S. Bartolommeo degli Armeni, Genoa. This design was recycled in another altarpiece of the subject in S. Giovanni Bat [+]

Four putti flying
Pencil, Pencil ground, Grey-brown ink, Wash on paper. XVI century
Anonymous
Four putti flying
Pencil, Pencil ground, Grey-brown ink, Wash on paper. XVI century
Anonymous

Two other directly corresponding School versions of this drawing are know: one is in the Uffizi, Florence; the second, with the putto top left cut away, is in the Galleria Estense, Modena (inv. no. 66 [+]

Gaius Fabricius Luscinus Refusing Gifts from Pyrrhus
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on paper. XVI century
Anonymous (Copy Polidoro Da Caravaggio)
Gaius Fabricius Luscinus Refusing Gifts from Pyrrhus
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on paper. XVI century
Anonymous (Copy Polidoro Da Caravaggio)

This drawing is after the one of the scenes painted by Polidoro between the windows of second floor of the Palazzo Milesi, Rome. [+]

Nude youth, a cloak slung over his shoulder, wielding a club
Pencil, Grey-brown ink on yellow paper. XVI century
Anonymous (Circle Of Carracci, Ludovico)
Nude youth, a cloak slung over his shoulder, wielding a club
Pencil, Grey-brown ink on yellow paper. XVI century
Anonymous (Circle Of Carracci, Ludovico)

This is the companion to the drawing D01646. The execution of the hands and hair is especially characteristic of Ludovico Carracci´s style. [+]

The Coronation of the Virgin
Pencil ground, Grey-brown ink, Wash on brown paper. Late XVI century
Anonymous
The Coronation of the Virgin
Pencil ground, Grey-brown ink, Wash on brown paper. Late XVI century
Anonymous

Inspired by a composition of Palma Giovane (c. 1548-1628) or another Venetian painter of the period. [+]

Winged angels seated on clouds
Pencil, Pencil ground, Grey ink, Grey-brown ink, Wash on brown paper. XVI century
Anonymous (Circle Of India, Bernardino)
Winged angels seated on clouds
Pencil, Pencil ground, Grey ink, Grey-brown ink, Wash on brown paper. XVI century
Anonymous (Circle Of India, Bernardino)

The old attribution CORREGIO, in which both Brun (?) and Fernández Durán may have believed, is not correct. The drawing displays some stylistic traits associable with Bernardino India, t [+]

Saint Bartholomew
Pencil, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous (Copy Raphael (Raffaello Sanzio))
Saint Bartholomew
Pencil, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous (Copy Raphael (Raffaello Sanzio))

This is copied from one of a seres of engravings of Twelve Apostles by Marco Dente da Ravenna, which is monogrammed R S (Raffaello Sanzio) as the inventor of the designs. The Prado drawing is derived [+]

Abraham receiving the three angels
Pencil, Grey-brown ink, White lead, Wash on dark yellow paper. XVI century
Anonymous (Circle Of Carracci, Ludovico)
Abraham receiving the three angels
Pencil, Grey-brown ink, White lead, Wash on dark yellow paper. XVI century
Anonymous (Circle Of Carracci, Ludovico)

The drawing was placed in Brun´s (?) collection as by the Ferrarese Benvenuti Tisi, called Garofalo (1481-1559). Both the composition and handling however reveal the influence of Ludovico Carracci, an [+]

The Lamentation over the Dead Body of Christ
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on paper. First half of the XVII century
Anonymous (Copy Polidoro Da Caravaggio)
The Lamentation over the Dead Body of Christ
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on paper. First half of the XVII century
Anonymous (Copy Polidoro Da Caravaggio)

In a pencil note on the old mount, Michael Hirst has written: Copy after lost Polidoro. The drawing is by a seventeenth-century hand, and it is not impossible that it is by Pietro Testa. [+]

Putti supporting roundels framed in decorative strap-work
Pencil, Grey-brown ink, Wash on paper. XVI century
Anonymous
Putti supporting roundels framed in decorative strap-work
Pencil, Grey-brown ink, Wash on paper. XVI century
Anonymous

These two drawings, mounted together, carry a traditional attribution to Baglione (c.1575-1643/44), which is surely incorrect, if one compares the style which that of the St. Jerome in the Prado (D01 [+]

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