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Christ preaching to the multitude
Pencil, Grey-brown ink, White lead, Wash on dark yellow paper. Late XVI century
Anonymous
Christ preaching to the multitude
Pencil, Grey-brown ink, White lead, Wash on dark yellow paper. Late XVI century
Anonymous

In spite of the optimism about the drawing´s authorship expressed by one of its earlier owners, this is surely a copy after a sixteenth-century Venetian composition, which I have not yet identified. T [+]

Gaius Fabricius Luscinus Refusing Gifts from Pyrrhus
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on paper. XVI century
Anonymous (Copy Polidoro Da Caravaggio)
Gaius Fabricius Luscinus Refusing Gifts from Pyrrhus
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on paper. XVI century
Anonymous (Copy Polidoro Da Caravaggio)

This drawing is after the one of the scenes painted by Polidoro between the windows of second floor of the Palazzo Milesi, Rome. [+]

Winged angels seated on clouds
Pencil, Pencil ground, Grey ink, Grey-brown ink, Wash on brown paper. XVI century
Anonymous (Circle Of India, Bernardino)
Winged angels seated on clouds
Pencil, Pencil ground, Grey ink, Grey-brown ink, Wash on brown paper. XVI century
Anonymous (Circle Of India, Bernardino)

The old attribution CORREGIO, in which both Brun (?) and Fernández Durán may have believed, is not correct. The drawing displays some stylistic traits associable with Bernardino India, t [+]

Group of Elders from St. Paul Preaching at Athens / Caryatid and Studies of a Bull and a Lion
Pencil, Grey-brown ink on yellow paper. Early XIX century
Anonymous (Copy Raphael (Raffaello Sanzio))
Group of Elders from St. Paul Preaching at Athens / Caryatid and Studies of a Bull and a Lion
Pencil, Grey-brown ink on yellow paper. Early XIX century
Anonymous (Copy Raphael (Raffaello Sanzio))

Although the line work of the drawing has the appearance of being sixteenth century, it is indeed hard to see lay-lines in the paper. since there are no old inscriptions on the drawing itself, nor any [+]

St. Margaret
Pencil, Pencil ground, Grey-brown ink, Wash on brown paper. Early Finales del siglo XVI - XVII century
Anonymous (Circle Of Villamena, Francesco)
St. Margaret
Pencil, Pencil ground, Grey-brown ink, Wash on brown paper. Early Finales del siglo XVI - XVII century
Anonymous (Circle Of Villamena, Francesco)

In spite of the traditional attribution to Lorenzo Sabbatini (ca. 1530-1576), this drawing appears to be by Villena as other drawings, though it lacks and old inscription giving it to Villamena. [+]

Two satyrs pursuing two nymphs
Pencil, Grey-brown ink, Wash on yellow paper. 1540 - 1560
Anonymous
Two satyrs pursuing two nymphs
Pencil, Grey-brown ink, Wash on yellow paper. 1540 - 1560
Anonymous

Although clearly not from the hand of Nicolò dell´Abate (1509 or 1512-1571), the composition reflected by this drawing seems Emilian, and there are slight echoes of the style of the Parmese Jac [+]

Landscape
Pencil, Grey-brown ink on dark yellow paper. XVIII century
Anonymous (Manner Of Guercino (Giovanni Francesco Barbieri))
Landscape
Pencil, Grey-brown ink on dark yellow paper. XVIII century
Anonymous (Manner Of Guercino (Giovanni Francesco Barbieri))

Dibujo de mano de imitador de Guercino del s. XVIII, del que se conservan numerosos (véase D00788) apuntes repartidos en las mas importantes colecciones europeas y americanas, como originales del arti [+]

Allegorical Female from a Fresco in the Sala Constantino in the Vatican
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on paper. XVI century
Anonymous (Copy Romano, Giulio (Giovanni Francesco Penni))
Allegorical Female from a Fresco in the Sala Constantino in the Vatican
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on paper. XVI century
Anonymous (Copy Romano, Giulio (Giovanni Francesco Penni))

Allegorical Female from a Fresco in the Sala Constantino in the Vatican. [+]

Moses about to Break the Tablets of the Law
Pencil, Grey-brown ink, Wash on brown paper. XVI century
Anonymous (Copy After Parmigianino. Girolamo Francesco Maria Mazzola)
Moses about to Break the Tablets of the Law
Pencil, Grey-brown ink, Wash on brown paper. XVI century
Anonymous (Copy After Parmigianino. Girolamo Francesco Maria Mazzola)

This is a sixteenth-century copy after Parmigianino’s fresco of Moses in the Steccata at Parma [+]

Youth in classical dress, standing with his head in profile to the left and holding a staff in his left hand
Pencil, Grey-brown ink on brown paper. XVI century
Anonymous (Circle Of Carpi, Girolamo Da)
Youth in classical dress, standing with his head in profile to the left and holding a staff in his left hand
Pencil, Grey-brown ink on brown paper. XVI century
Anonymous (Circle Of Carpi, Girolamo Da)

[+]

The Three Marys
Pencil, Grey-brown ink, White lead, Wash on yellow paper. XVI century
Anonymous
The Three Marys
Pencil, Grey-brown ink, White lead, Wash on yellow paper. XVI century
Anonymous

Apparently Italian [+]

Frieze with Episodes from the Life of Mucius Scaevola
Pencil, Grey-brown ink, Wash on paper attached to canvas. Ca. 1600
Anonymous (Copy Polidoro Da Caravaggio)
Frieze with Episodes from the Life of Mucius Scaevola
Pencil, Grey-brown ink, Wash on paper attached to canvas. Ca. 1600
Anonymous (Copy Polidoro Da Caravaggio)

The composition shows the following episodes from the first floor of the painted frieze on the facade of the Palazzo Ricci, Rome: Mucius Scaevola crossing the Tiber to take the Etruscan camp of King L [+]

Five figures contemplating an effigy of one of them
Pencil, Grey-brown ink, White lead, Wash on yellow paper. Early Finales del siglo XVI - XVII century
Anonymous (Circle Of Young Palma (Jacopo Negretti))
Five figures contemplating an effigy of one of them
Pencil, Grey-brown ink, White lead, Wash on yellow paper. Early Finales del siglo XVI - XVII century
Anonymous (Circle Of Young Palma (Jacopo Negretti))

[+]

The Virgin and Child appearing to Sts. Peter and Augustine, with God-the-Father in the Heavens
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous
The Virgin and Child appearing to Sts. Peter and Augustine, with God-the-Father in the Heavens
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous

[+]

Bearded man, three quarter lenght
Pencil, Grey-brown ink on paper. Ca. 1600
Anonymous
Bearded man, three quarter lenght
Pencil, Grey-brown ink on paper. Ca. 1600
Anonymous

Formerly attributed to Bartolomeo Passerotti (1529-1592), presumably on account of the broad cross-hatching in pen, a technique that is characteristic of drawings by this artist. On the other hand, th [+]

Angel holding back a drapery
Pencil, Grey-brown ink on brown paper. XVI century
Anonymous
Angel holding back a drapery
Pencil, Grey-brown ink on brown paper. XVI century
Anonymous

In spite of the pentiment in the area of the angel´s upper right arm, the handling of this drawing is poor and is evidently by a minor artist, possibly copying a figure from the work of a master. [+]

Dead Christ, surrounded by the Instruments of the Passion, with God the Father and the Holy Spirit
Pencil, Grey-brown ink, Wash on paper. Second half of the XVI century
Anonymous
Dead Christ, surrounded by the Instruments of the Passion, with God the Father and the Holy Spirit
Pencil, Grey-brown ink, Wash on paper. Second half of the XVI century
Anonymous

Although the present composition is ultimately dependent in origin on Albrecht Dürer´s great woodcut of the Trinity, a Florentine interpretation of the design is evident in the conception of the [+]

Allegorical Male Figure [Falsehood(¿?)]
Pencil, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous (Copy Salviati, Francesco (Francesco De' Rossi))
Allegorical Male Figure [Falsehood(¿?)]
Pencil, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous (Copy Salviati, Francesco (Francesco De' Rossi))

Paul Joannides has suggested that a corresponding figure may appear in Salviati´s fresco decoration in the Sala dell´Udienza, the Palazzo Vecchio, Florence. The man has three faces and three animal ma [+]

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