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¡Que Necedad! darles destinos en la niñez
Brush, Bistre, Grey-brown ink, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de
¡Que Necedad! darles destinos en la niñez
Brush, Bistre, Grey-brown ink, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

La huebera
Brush, Bistre, Grey-brown ink, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de
La huebera
Brush, Bistre, Grey-brown ink, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

Be Vd. que expresión, pues no lo cree el marido
Brush, Bistre, Grey-brown ink, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de
Be Vd. que expresión, pues no lo cree el marido
Brush, Bistre, Grey-brown ink, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

Mejor fuera vino
Brush, Bistre, Grey-brown ink, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de
Mejor fuera vino
Brush, Bistre, Grey-brown ink, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

This smells of magic
Brush, Pencil, Grey-brown ink, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de
This smells of magic
Brush, Pencil, Grey-brown ink, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

Estas Brujas lo diran
Brush, Grey-brown ink, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de
Estas Brujas lo diran
Brush, Grey-brown ink, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

She leaves it wondering
Brush, Bistre, Grey-brown ink, Black chalk lines, Wash on laid paper. 1812 - 1814
Goya y Lucientes, Francisco de
She leaves it wondering
Brush, Bistre, Grey-brown ink, Black chalk lines, Wash on laid paper. 1812 - 1814
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

A lo menos hace algo
Brush, Pencil, Bistre, Grey-brown ink, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de
A lo menos hace algo
Brush, Pencil, Bistre, Grey-brown ink, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

Edad con desgracias
Brush, Pencil, Grey-brown ink, Iron gall ink, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de
Edad con desgracias
Brush, Pencil, Grey-brown ink, Iron gall ink, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

Con la musica à otra parte
Brush, Pencil, Bistre, Grey-brown ink, Iron gall ink, Wash, Scraping out on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de
Con la musica à otra parte
Brush, Pencil, Bistre, Grey-brown ink, Iron gall ink, Wash, Scraping out on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

Good woman, seemingly
Brush, Bistre, Grey-brown ink, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de
Good woman, seemingly
Brush, Bistre, Grey-brown ink, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

Didn’t you know what you were carrying on your back?
Brush, Bistre, Grey-brown ink, Black chalk lines, Wash on laid paper. 1812 - 1814
Goya y Lucientes, Francisco de
Didn’t you know what you were carrying on your back?
Brush, Bistre, Grey-brown ink, Black chalk lines, Wash on laid paper. 1812 - 1814
Goya y Lucientes, Francisco de

The last part of Album C -drawings 119 through 131- consists of a group of images that present clergy of both sexes with a degree of irony emphasized by the titles that Goya wrote on each page. Critic [+]

It will be the same
Pencil, Red chalk, Grey-brown wash on dark yellow laid paper. 1810 - 1814
Goya y Lucientes, Francisco de
It will be the same
Pencil, Red chalk, Grey-brown wash on dark yellow laid paper. 1810 - 1814
Goya y Lucientes, Francisco de

This is one of the six strange ink drawings that has been included in the group of preparatory drawings for the Disasters of War, although they are very different in conception, composition, technique [+]

Lux ex tenebris
Brush, Bistre, Grey-brown ink, Black chalk lines, Wash on laid paper. 1812 - 1814
Goya y Lucientes, Francisco de
Lux ex tenebris
Brush, Bistre, Grey-brown ink, Black chalk lines, Wash on laid paper. 1812 - 1814
Goya y Lucientes, Francisco de

The woman in the air, who almost certainly holds the text of the Constitution of 1812, personifies Truth, which illuminates everything, as opposed to the forces of the Ancien Régime represented [+]

Divine Freedom
Brush, Bistre, Grey-brown ink, Pencil strokes, Iron gall ink, Wash on laid paper. 1812 - 1814
Goya y Lucientes, Francisco de
Divine Freedom
Brush, Bistre, Grey-brown ink, Pencil strokes, Iron gall ink, Wash on laid paper. 1812 - 1814
Goya y Lucientes, Francisco de

Towards the end of Album C there are various drawings in which Freedom, Reason or Justice play a leading role, either as allegories or through textual references. This has led historians such as Jos&e [+]

Divine Reason. Don’t leave any undealt with
Brush, Bistre, Grey-brown ink, Wash on laid paper. 1812 - 1814
Goya y Lucientes, Francisco de
Divine Reason. Don’t leave any undealt with
Brush, Bistre, Grey-brown ink, Wash on laid paper. 1812 - 1814
Goya y Lucientes, Francisco de

The woman in the drawing is an allegorical representation of Reason, whose fundaments are Truth and Justice. With a set of scales in her left hand and a whip in her right, she strides forward, whippin [+]

Por Liberal?
Brush, Bistre, Grey-brown ink, Iron gall ink, Wash on laid paper. 1810 - 1811
Goya y Lucientes, Francisco de
Por Liberal?
Brush, Bistre, Grey-brown ink, Iron gall ink, Wash on laid paper. 1810 - 1811
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

War Scene
Red chalk, Grey-brown wash on dark yellow laid paper. 1810 - 1814
Goya y Lucientes, Francisco de
War Scene
Red chalk, Grey-brown wash on dark yellow laid paper. 1810 - 1814
Goya y Lucientes, Francisco de

This drawing related to the Disasters was never engraved. It is technically and stylistically related to five other ink drawings included in the group of preparatory drawings for The Disasters of War [+]

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