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Traditionally attributed to Nicolò dell´Abate (c. 1512-1571). In the elegantly classical arrangement of the composition, the drawing shows knowledge of the work of Giuseppe Porta, called Salvia [+]
Formerly attributed to the Emilian painter and draughtsman Prospero Fontana (before 1512-1597). IN a note on the modern museum mount, dated 1981, J. A. Gere rightly suggested that this is by the Veron [+]
The correct attribution to India, also a painter from Verona and one of a number of local followers of Veronese (1528-1588), is Alessandro Ballarin´s. India worked almost exclusively in and around his [+]
The use of light brown wash is characteristic of India´s style, as is the quirky drawing of the hair of many of the figures, especially that of the two ecclesiastics kneeling in the left foreground. T [+]
The drawing carries an old attribution to Poccetti (1548-1612). There is much in the delicate rendering of the figures, especially in their facial type and coiffure , to suggest the hand of Bernardino [+]
Traditionally placed in collection as: BERETTINI DA CORTONA. The style, especially the handling of the hermaphroditic caryatid, top right, with large, pendulous breasts, seems characteristic of the B [+]
