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Angels and Putti amongst Clouds
Pencil, Chalk ground, Grey-brown ink, Wash on yellow paper. Third quarter of the XVI century
Samacchini, Orazio
Angels and Putti amongst Clouds
Pencil, Chalk ground, Grey-brown ink, Wash on yellow paper. Third quarter of the XVI century
Samacchini, Orazio

The fine pen lines and carefully modulated passages of wash are characteristic of Samacchini´s highly disciplined, if not somewhat academic, style of drawing. A similar tightness of execution is found [+]

Kneeling Shepherd, with an Ox and a Mule
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. Second half of the XVI century
Samacchini, Orazio
Kneeling Shepherd, with an Ox and a Mule
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. Second half of the XVI century
Samacchini, Orazio

Although formerly placed as anonymous Italian sixteenth century, this seems a characteristic study by Samacchini. It was made for a composition of the adoration of the shepherds. [+]

Two putti fighting
Pencil, Grey-brown ink on brown paper. Second half of the XVI century
Samacchini, Orazio (Attributed To)
Two putti fighting
Pencil, Grey-brown ink on brown paper. Second half of the XVI century
Samacchini, Orazio (Attributed To)

According to the opinion of Turner, the drawing is not by a Genoese hand, but seems closer in style to the work of Bolognese Samacchini: compare Angels and Putti amongst Clouds, where the morphology o [+]

The Virgin and the Child
Pencil, Pencil, Grey-brown ink, Wash on brown paper. Second half of the XVI century
Samacchini, Orazio (Attributed To)
The Virgin and the Child
Pencil, Pencil, Grey-brown ink, Wash on brown paper. Second half of the XVI century
Samacchini, Orazio (Attributed To)

The drawing´s former attribution was to Lorenzo Sabbatini (ca. 1530-1576), who like Samacchini, worked mostly in Bologna. The technique and handling, especially the angular treatment of the folds of d [+]

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