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Pandora (?)
Pencil, Grey-brown wash on laid paper. Second half of the XVIII century
Paret y Alcázar, Luis
Pandora (?)
Pencil, Grey-brown wash on laid paper. Second half of the XVIII century
Paret y Alcázar, Luis

La composición del dibujo se enmarca en un óvalo. En él se representa en pie a Pandora, apoyada en una caja de forma de urna con la llave en la mano derecha, con la cabeza doblada, pensativa, sobre la [+]

The Banquet of Herod
Pencil, Pencil ground, Grey-brown ink, Wash on paper. Early Finales del siglo XVI - XVII century
Maganza, Alessandro
The Banquet of Herod
Pencil, Pencil ground, Grey-brown ink, Wash on paper. Early Finales del siglo XVI - XVII century
Maganza, Alessandro

Maganza´s work belongs to the mainstream of painting in the Veneto during the last years of the sixteenth century and the first decades of the seventeenth. His drawings, especially, reveal the i [+]

Pentecost
Pencil, Pencil ground, Grey-brown ink, Wash on paper. Second half of the XVI century
Paggi, Giovanni Battista (Attributed To)
Pentecost
Pencil, Pencil ground, Grey-brown ink, Wash on paper. Second half of the XVI century
Paggi, Giovanni Battista (Attributed To)

While in their collections, Brun´s (?) and Fernández Durán seem to have maintained the traditional attribution to Campi. In a note on the modern museum mount, Anna Forlani suggested the [+]

A dignitary kneeling before a Pope, receiving a chain of office and other rewards [The Painter, Architect and Writer Giorgio Vasari being Honored by Pope Pius V (?)]
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. 1570 - 1579
Zuccaro, Federico
A dignitary kneeling before a Pope, receiving a chain of office and other rewards [The Painter, Architect and Writer Giorgio Vasari being Honored by Pope Pius V (?)]
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. 1570 - 1579
Zuccaro, Federico

Gabriele Finaldi was the first to point out that the seated pope seems to be Pius V (Ghislieri), the Dominican, pro-Spanish pontiff who reigned from 1566 to 1572. As Cardinal Ghislieri, he held the of [+]

Gaius Fabricius Luscinus Refusing Gifts from Pyrrhus
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on paper. XVI century
Anonymous
Gaius Fabricius Luscinus Refusing Gifts from Pyrrhus
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on paper. XVI century
Anonymous

This drawing is after the one of the scenes painted by Polidoro between the windows of second floor of the Palazzo Milesi, Rome. [+]

Saint John the Baptist
Black chalk, Pencil, Red chalk, Grey-brown wash on dark yellow paper. XVII century
Tiarini, Alessandro
Saint John the Baptist
Black chalk, Pencil, Red chalk, Grey-brown wash on dark yellow paper. XVII century
Tiarini, Alessandro

Dibujo en el que se presenta San Juan Bautista de frente, con las manos juntas y la pierna derecha doblada y apoyada en una roca; en otra, el cordero dormido y en la parte superior Dios Padre (Texto e [+]

August and the sybil
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. XVI century
India, Bernardino
August and the sybil
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. XVI century
India, Bernardino

Traditionally attributed to Nicolò dell´Abate (c. 1512-1571). In the elegantly classical arrangement of the composition, the drawing shows knowledge of the work of Giuseppe Porta, called Salvia [+]

The Virgin Appears to Saint Felix of Cantalice
Pencil, Grey-brown wash on yellow laid paper. 1653 - 1657
Cano, Alonso
The Virgin Appears to Saint Felix of Cantalice
Pencil, Grey-brown wash on yellow laid paper. 1653 - 1657
Cano, Alonso

La Virgen se encuentra sentada sobre unas nubes, en la parte superior derecha, y el Niño se aleja de su madre para dirigirse hacia San Félix, cuyos brazos abiertos esperan al pequeño que ha sido confi [+]

Saints Nícholas of Bari, Francis, and Margaret of Antioch
Pencil, Grey-brown ink, Wash on paper. Early Segunda mitad del siglo XVI - XVII century
Malosso (Attributed To)
Saints Nícholas of Bari, Francis, and Margaret of Antioch
Pencil, Grey-brown ink, Wash on paper. Early Segunda mitad del siglo XVI - XVII century
Malosso (Attributed To)

[+]

Temperance, Hope, Wisdom and Chastity
Pencil, Pencil strokes, Grey-brown wash, White lead on brown paper. 1669 - 1671
Baciccia
Temperance, Hope, Wisdom and Chastity
Pencil, Pencil strokes, Grey-brown wash, White lead on brown paper. 1669 - 1671
Baciccia

The Genoese painter Giovanni Battista Gaulli, known as Baciccio, arrived in Rome in 1657, escaping the plague that had devastated his native city and his family. According to his biographer Lione Pasc [+]

Frieze with Episodes from the Life of Mucius Scaevola
Pencil, Grey-brown ink, Wash on paper attached to canvas. Ca. 1600
Anonymous
Frieze with Episodes from the Life of Mucius Scaevola
Pencil, Grey-brown ink, Wash on paper attached to canvas. Ca. 1600
Anonymous

The composition shows the following episodes from the first floor of the painted frieze on the facade of the Palazzo Ricci, Rome: Mucius Scaevola crossing the Tiber to take the Etruscan camp of King L [+]

Saint John the Evangelist
Pencil, Pencil strokes, Grey-brown wash on white paper. 1769
Tiepolo, Giovanni Battista
Saint John the Evangelist
Pencil, Pencil strokes, Grey-brown wash on white paper. 1769
Tiepolo, Giovanni Battista

Traditionally, this work was considered a preparatory sketch for the frescoes on the dome of the collegiate church at La Granja. In 1768 Charles III initiated the decoration of that church, and its do [+]

The Surrender of Jülich
Pencil, Pencil ground, Grey-brown wash on yellow paper. 1634
Leonardo, Jusepe
The Surrender of Jülich
Pencil, Pencil ground, Grey-brown wash on yellow paper. 1634
Leonardo, Jusepe

Preparatorio para el grupo principal del lienzo pintado en 1634 para el Salón de Reinos del Buen Retiro, hoy en el Museo del Prado (P00858). Los dos generales a caballo son Ambrosio Spínola y Felipe M [+]

The Virgin, surrounded by angels, appearing to a Pope, a King and a Doge, in the Presence of Kings, Bishops, Monks and Nuns
Pencil, Pencil ground, Grey wash, Grey-brown ink, Grey-brown wash, White lead on paper. XVI century
Anonymous
The Virgin, surrounded by angels, appearing to a Pope, a King and a Doge, in the Presence of Kings, Bishops, Monks and Nuns
Pencil, Pencil ground, Grey wash, Grey-brown ink, Grey-brown wash, White lead on paper. XVI century
Anonymous

The composition, which I have been unable so far to identify, may have been taken from a print. The inventor of the design was evidently either Venetian or Veronese. [+]

Four Saints
Pencil, Grey ink, Grey-brown ink, White lead, Wash on dark yellow paper. Early Finales del siglo XVI - XVII century
Schiaminosi, Rafaello (Attributed To)
Four Saints
Pencil, Grey ink, Grey-brown ink, White lead, Wash on dark yellow paper. Early Finales del siglo XVI - XVII century
Schiaminosi, Rafaello (Attributed To)

Schiaminossi was a Tuscan engraver and painter and a follower of Raphael (1483-1520) and the Sienese Ventura Salimbeni (1568-before of 1613). The style of this drawing seems however to be Roman, from [+]

Dead Christ, surrounded by the Instruments of the Passion, with God the Father and the Holy Spirit
Pencil, Grey-brown ink, Wash on paper. Second half of the XVI century
Anonymous
Dead Christ, surrounded by the Instruments of the Passion, with God the Father and the Holy Spirit
Pencil, Grey-brown ink, Wash on paper. Second half of the XVI century
Anonymous

Although the present composition is ultimately dependent in origin on Albrecht Dürer´s great woodcut of the Trinity, a Florentine interpretation of the design is evident in the conception of the [+]

The Mystic Marriage of Saint Catherine
Black chalk, Ink, Grey-brown wash on white paper. 1607
Rovere, Giovanni Battista Della
The Mystic Marriage of Saint Catherine
Black chalk, Ink, Grey-brown wash on white paper. 1607
Rovere, Giovanni Battista Della

Dibujo en el que se representa ante un fondo de paisaje, en primer termino, arrodillada, a Santa Catalina a quien el Niño entrega el anillo. Como su compañero D02070, el dibujo aparece firmado y fecha [+]

Pilgrim Saint [?St. James] Appearing to a Nun
Pencil, Grey-brown ink, Wash on yellow paper. Early Finales del siglo XVI - XVII century
Vanni, Francesco (Attributed To)
Pilgrim Saint [?St. James] Appearing to a Nun
Pencil, Grey-brown ink, Wash on yellow paper. Early Finales del siglo XVI - XVII century
Vanni, Francesco (Attributed To)

The composition is evidently connected with an engraving. [+]

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