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The Garden of Earthly Delights is Bosch’s most complex and enigmatic creation. For Falkenburg the overall theme of The Garden of Earthly Delights is the fate of humanity, as in The Haywain (P02052), a [+]
The triptych belonged to Leonor de Mascarenhas (1503-1584), a Portuguese lady who moved to Spain in 1526 and was aya to Philip II and afterwards to his son Don Carlos. When in 1564 she founded the con [+]
This triptych was executed for the church of Saint Gudule in Brussels. According to Carel van Mander (1604) it was subsequently sold "for a very high price to Spain". Philip II sent it to El Escorial [+]
A rhomboidal garland of flowers surrounds grisaille figures of the Virgin and Child with Saint John. This is one of many examples of the collaboration between the Jesuit painter specializing in still [+]
A sketch for a ceiling at Madrid´s Royal Palace, painted in 1794. Bayeu used grisaille technique: a monochrome depiction in shades of gray and chestnut brown. The Spanish Monarchy is represented [+]
The Triptych in the Museo del Prado labeled as Scenes from the Life of Christ is a pivotal work in the story of Valencian painting in the fifteenth century and in the transmission of the style and tec [+]
The Redemption Triptych (P1888, P1889 P1890, P1891, P1892) consists of three scenes. The central one shows Christ on the Cross, with the Virgin and Saint John under an archway with Gothic tracery lead [+]
The theme of this triptych is the advent of salvation -a message about the universality of Redemption. The Eucharistic meaning inherent in the theme of Saint Gregory’s Mass is also found in The Adorat [+]
A lush garland of flowers, including roses and jasmine, surrounds a grisaille bust of the Virgin Mary. The motif of the Virgin surrounded by a garland of flowers was very frequent in Baroque Flemish p [+]
This is the right wing of the Genealogy of the Virgin altarpiece which the Count of Barajas donated to Philip II, according to the inventory of the Alcazar of Madrid of 1600. On the reverse, Saint Ber [+]
Two scenes are represented in this work. On the left, in a circular, Romanesque interior covered with a dome, is the Miracle of the flowering Rod, which designated Joseph as the man to marry Mary. In [+]
The left panel shows the expulsion of Adam and Eve from paradise, with the Original Sin seen in the background and scenes from the Creation appear on the Gothic portico. The central panel includes a s [+]
Bosch thus shows how man, irrespective of his social class or place of origin, is so possessed by the desire to enjoy and acquire material possessions that he allows himself to be deceived or seduced [+]
As Pieter J. van Thiel suggests, this painting may be a copy made after an engraving by Jan Muller (1590) of Cornelisz. van Haarlem`s original Fortune bestowing her Favours, today at the Musée [+]
Francisco Bayeu, who came from minor nobility, trained in Zaragoza under José Luzán (who, years later, would also teach Francisco de Goya). However, a decisive change in the young Bayeu& [+]
This painting commemorates events that took place in 1571: the defeat of the Turkish armada at Lepanto on October 7, and the birth of the infante Fernando, heir to the throne, on December 5th. The pro [+]
This canvas and its pendant (P7930) must have been part of a series of similar works painted between 1670 and 1680, as indicated by a third piece (Abelló Collection). Together, they bear witnes [+]
The left panel shows the expulsion of Adam and Eve from paradise, with the Original Sin seen in the background and scenes from the Creation appear on the Gothic portico. The central panel includes a s [+]
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