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Battle of the Lapiths and the Centaurs
Oil on canvas. 1835
Tegeo Díaz, Rafael
Battle of the Lapiths and the Centaurs
Oil on canvas. 1835
Tegeo Díaz, Rafael

According to Ovid, the marriage of Hippodamia to Pirithous sparked a mythical battle between their kinsmen, the lapiths and the centaurs. This theme appealed to artists as symbolising the battle betwe [+]

Moses striking the Water from the Rock
Oil on canvas. Ca. 1640
Assereto, Gioacchino
Moses striking the Water from the Rock
Oil on canvas. Ca. 1640
Assereto, Gioacchino

Moisés sacia la sed del pueblo de Israel durante su travesía del desierto (Exodo, 17, 3-7). Assereto es uno de los pintores más importantes de la escuela genovesa. En su estilo influyeron Giulio Cesar [+]

The Virgin and Child with Saints Elizabeth, John the Baptist and Catherine
Oil on canvas. 1624 - 1626
Vouet, Simon
The Virgin and Child with Saints Elizabeth, John the Baptist and Catherine
Oil on canvas. 1624 - 1626
Vouet, Simon

This almost family scene shows the Christ Child and Saint John embracing each other while their respective mothers, Mary and Elizabeth, look on. The moment is witnessed by Saint Catherine, who accompa [+]

Vulcan's Forge
Oil on canvas. 1630
Velázquez, Diego Rodríguez de Silva y
Vulcan's Forge
Oil on canvas. 1630
Velázquez, Diego Rodríguez de Silva y

A figure suddenly appears on the left in a forge where various blacksmiths are working, dressed in an orange robe and wearing a laurel wreath, with rays of light emerging from his head. This is Apollo [+]

Saint Peter freed by an Angel
Oil on canvas. Ca. 1622
Guercino (Giovanni Francesco Barbieri)
Saint Peter freed by an Angel
Oil on canvas. Ca. 1622
Guercino (Giovanni Francesco Barbieri)

A youthful looking angel with curly hair imperiously points out the path of freedom to an astonished Saint Peter, depicted as a man of advanced age confined in a prison. In the background, clad in a s [+]

The Incredulity of Saint Thomas
Oil on canvas. 1641 - 1649
Stom, Matthias (Also Called Stomer)
The Incredulity of Saint Thomas
Oil on canvas. 1641 - 1649
Stom, Matthias (Also Called Stomer)

The subject of this painting is taken from the Gospels (John 20:24–28). The scene depicts the moment when Thomas, seeking proof of the Resurrection, places his fingers in the wound in Christ’s right s [+]

Saint Joseph’s Dream
Oil on panel. Ca. 1697
Giordano, Luca
Saint Joseph’s Dream
Oil on panel. Ca. 1697
Giordano, Luca

La fe de san José fue probada con el embarazo de María. Como era hombre justo y no quería ponerla en evidencia, resolvió repudiarla en secreto. Así lo había planeado cuando un ángel se le apareció en [+]

Saint John the Baptist
Oil on canvas. 1645 - 1670
Anonymous
Saint John the Baptist
Oil on canvas. 1645 - 1670
Anonymous

San Juan Bautista aparece representado de medio cuerpo. La obra copia la composición análoga de Guercino, datada hacia 1645, que conserva la Pinacoteca Capitolina de Roma (inv. PC 286), donde ingresó [+]

Susannah and the Elders
Red chalk on dark yellow paper. XVIII century
Crespi, Giuseppe Maria
Susannah and the Elders
Red chalk on dark yellow paper. XVIII century
Crespi, Giuseppe Maria

A la derecha, Susana, sentada en una fuente de gran complicación decorativa; a la izquierda, los dos ancianos, ricamente vestidos, conversan entre sí y la señalan; al fondo, dos sirvientas.El dibujo l [+]

Saint Agnes
Red chalk on dark yellow paper. 1650 - 1660
Guercino (Giovanni Francesco Barbieri)
Saint Agnes
Red chalk on dark yellow paper. 1650 - 1660
Guercino (Giovanni Francesco Barbieri)

This drawing, formerly in the Spanish Royal Collection, was recognised as an autograph work by Guercino by Manuela Mena Marqués. The suggested date for it is around the 1650-60, when Guercino h [+]

Landscape
Pencil on dark yellow paper. XVIII century
Anonymous
Landscape
Pencil on dark yellow paper. XVIII century
Anonymous

El dibujo, realizado sobre un papel no verjurado y, por tanto, de los últimos años del siglo XVIII o principios del XIX, presenta claramente un estilo que funde el de los boloñeses del siglo XVII, com [+]

The Return of the Prodigal Son
Black chalk, Pencil, Grey-brown wash on dark yellow paper. XVIII century
Gandolfi, Mauro
The Return of the Prodigal Son
Black chalk, Pencil, Grey-brown wash on dark yellow paper. XVIII century
Gandolfi, Mauro

El dibujo lleva una antigua inscripción que parece atribuirlo al artista ferrarés Giuseppe Santi. No coincide, sin embargo, con el estilo de aquél, y se relaciona estrechamente con el modo de hacer de [+]

Landscape
Pencil, Grey-brown ink on dark yellow paper. XVIII century
Anonymous
Landscape
Pencil, Grey-brown ink on dark yellow paper. XVIII century
Anonymous

Dibujo de mano de imitador de Guercino del s. XVIII, del que se conservan numerosos (véase D00788) apuntes repartidos en las mas importantes colecciones europeas y americanas, como originales del arti [+]

Study of a prophet / Human figure with a child
Pencil, Grey-brown ink on dark yellow paper. Ca. 1627
Guercino (Giovanni Francesco Barbieri)
Study of a prophet / Human figure with a child
Pencil, Grey-brown ink on dark yellow paper. Ca. 1627
Guercino (Giovanni Francesco Barbieri)

This drawing was first identified by Manuela Mena Marqués as a preparatory study for Prophet Jeremiah, one of a group of six prophets painted in fresco by Guercino for the cupola of Piacenza’s [+]

Ecce Homo
Red chalk on dark yellow paper. XVII century
Anonymous
Ecce Homo
Red chalk on dark yellow paper. XVII century
Anonymous

El dibujo presenta a las figuras de medio cuerpo, el Cristo apoyado sobre el alfeizar en primer término, al fondo, un soldado sostiene la túnica. Enlazado estilísticamente con el modo de hacer de Guer [+]

Youth with a Turban
Red chalk on laid paper. 1758 - 1764
Maella, Mariano Salvador
Youth with a Turban
Red chalk on laid paper. 1758 - 1764
Maella, Mariano Salvador

This is the first of a revealing series of sketches that Maella made at the Palazzo Spada, which is almost certainly one of the Roman collections most accessible to artists with scant resources. The y [+]

Diógenes
Red chalk on dark yellow paper. XVII century
Anonymous
Diógenes
Red chalk on dark yellow paper. XVII century
Anonymous

En el dibujo se presenta una figura ante un fondo de paisaje, recostada en el suelo, con un cuenco en la mano. La obra, atribuida de antiguo a Guercino y publicada como tal, es, sin embargo, más tardí [+]

The Virgin and Child with Saints
Pencil, Grey-brown wash, White lead on brown paper. XVII century
Gennari, Benedetto (Attributed To)
The Virgin and Child with Saints
Pencil, Grey-brown wash, White lead on brown paper. XVII century
Gennari, Benedetto (Attributed To)

El dibujo es indudablemente boloñés de mediados del siglo XVII y lleva una antigua atribución a Benedetto Gennari. Es difícil, sin embargo, aceptarla sin reservas, ya que si bien recuerda en su severa [+]

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