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Helen’s move from Sparta to Troy is described very differently in the two oldest narratives. In the Iliad, Homer describes Helen’s reticence to abandon Menelaeus, suggesting she was kidnapped by Paris [+]
Giordano representa el combate entre Turno, rey de los Rútulos, y Eneas, príncipe troyano, hijo de Anquises y Venus. La escena tiene lugar en el Lacio, a donde llegó Eneas una vez concluida la Guerra [+]
As with the Rape of Hippodamia (P01658), this marriage scene was commissioned from Rubens as part of the mythological cycle drawn from Ovid´s Metamorphoses, which was to serve as the main artistic dec [+]
Both the royal inventories and Stchavinsky (1912) identify this scene as the story of Hecuba, wife of Priam of Troy. Wichmann (1923) disagrees, believing it to be the Finding of the bodies of Hero and [+]
This is a preliminary study for a scene from the Trojan War, painted for an unknown decorative scheme in the Royal Palace or another royal residence in Madrid. Agamemnon is about to sacrifice his daug [+]
As Homer tells it in The Iliad, Paris the shepherd, son of Priam, had to decide with of the three goddesses —Juno, Venus or Minerva— was the most beautiful, and give her the golden apple Mercury he ha [+]
The mythological story of the Judgment of Paris begins with the wedding of Thetis and Peleus, where Eris, goddess of Discord, challenged the most beautiful goddesses to take a golden apple which she t [+]
The encounter between Hercules and the Amazons, the ninth of his Labors, arose from his assignment to seize the girdle of Queen Hippolyte of the Amazons. Admete, the daughter of Eurystheus, had expres [+]
This is the most important work by the artist known as the “Spanish Canova”, in reference to the great master of Neo-classical sculpture, Antonio Canova, who was Álvarez Cubero’s master. The gr [+]
Fragment from an incomplete and fragmented Attic sarcophagus (E00118, E00120 and E00182) dating from around 250 A.D. with an especially interesting because it is the only example of its iconography. T [+]
Fragment from an incomplete and fragmented Attic sarcophagus (E00118, E00120 and E00180) dating from around 250 A.D. with an especially interesting because it is the only example of its iconography. T [+]
Fragment from an incomplete and fragmented Attic sarcophagus (E00118, E00120, E00180, E00182) dating from around 250 A.D. with an especially interesting because it is the only example of its iconograp [+]
Fragment from an incomplete and fragmented Attic sarcophagus (E00118, E00180 and E00182) dating from around 250 A.D. with an especially interesting because it is the only example of its iconography. T [+]
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