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Saint Cecilia
Oil on canvas. Ca. 1635
Poussin, Nicolas
Saint Cecilia
Oil on canvas. Ca. 1635
Poussin, Nicolas

Cecelia, patron saint of music, sits before a harpsichord that rests on a pedestal conceived as a sculpture, reading a score held by two child angels. She is wrapped in ocher robes that partially hide [+]

The Sense of Hearing
Oil on panel. 1617 - 1618
Rubens, Peter Paul; Brueghel The Elder, Jan (Jan 'velvet' Brueghel)
The Sense of Hearing
Oil on panel. 1617 - 1618
Rubens, Peter Paul; Brueghel The Elder, Jan (Jan 'velvet' Brueghel)

This set of paintings on the five senses (Sight, Hearing, Smell, Taste, Touch) was one of the most successful collaborations of Peter Paul Rubens and Jan Brueghel “the elder.” Rubens placed his figure [+]

The Concert
Oil on canvas. Ca. 1640
Falcone, Aniello
The Concert
Oil on canvas. Ca. 1640
Falcone, Aniello

Falcone painted the figures in this painting; the Neapolitan specialist Luca Forte probably painted the vase of flowers on the left. It looks like a portrait gallery of real people, one of whom -the b [+]

Taste, Hearing and Touch
Oil on unlined canvas. Ca. 1620
Brueghel The Elder, Jan (Jan 'velvet' Brueghel)
Taste, Hearing and Touch
Oil on unlined canvas. Ca. 1620
Brueghel The Elder, Jan (Jan 'velvet' Brueghel)

The dinner guests occupying the center of the composition symbolize the senses. Music and the singing children are hearing, and the young woman petting a mink is touch. The young woman preparing to ea [+]

Saint Cecilia
Black chalk, Grey-brown wash on yellow laid paper. Late XVIII century
Anonymous
Saint Cecilia
Black chalk, Grey-brown wash on yellow laid paper. Late XVIII century
Anonymous

Santa Cecilia sentada de perfil ante un clavicordio. Tras ella, entre nubes, dos ángeles niños y un querubín. De los últimos años del siglo a juzgar por el mueble del clave y su carácter casi neoclási [+]

Concert
Brush, Bistre, Wash on laid paper. 1794 - 1795
Goya y Lucientes, Francisco de
Concert
Brush, Bistre, Wash on laid paper. 1794 - 1795
Goya y Lucientes, Francisco de

In the first page of his Madrid Album, Goya depicted scenes of flirting between young people our walking, amorous affairs in meeting places on the outskirts of the city, and social gatherings. This dr [+]

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