The itinerary <em>TITULORECORRIDO</em> has been successfully created. Now you can add in works from the Collection browser
<em>TITULOOBRA</em> added to <em>TITULORECORRIDO</em> itinerary

Collection <Back
Search

Explore the collection

Refine results
50 results
Philip IV on Horseback
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Philip IV on Horseback
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

The Feast of Bacchus
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1836
Blanco y Assensio, Alejandro -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Feast of Bacchus
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1836
Blanco y Assensio, Alejandro -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

Prince Baltasar Carlos
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
López, Juan Antonio -Lithographer- (The Original Work, According To Inscriptions, Attributed To Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Prince Baltasar Carlos
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
López, Juan Antonio -Lithographer- (The Original Work, According To Inscriptions, Attributed To Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

View of Zaragoza
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Asselineau, Leon-Augusto -Lithographer- (After Martínez del Mazo, Juan Bautista); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
View of Zaragoza
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Asselineau, Leon-Augusto -Lithographer- (After Martínez del Mazo, Juan Bautista); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

Es una litografía de Léon-Auguste Asselineau (1808–1889) que reproduce el óleo de Juan Bautista Martínez del Mazo del Museo Nacional del Prado (P00889). Esta estampa se entregaba con el cuadernillo CL [+]

The Cardinal-Infante Don Fernando de Austria, at the Battle of Nördlingen
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (The Original Work, According To Inscriptions, Attributed To Dyck, Anthony Van); Rubens, Peter Paul (After); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
The Cardinal-Infante Don Fernando de Austria, at the Battle of Nördlingen
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (The Original Work, According To Inscriptions, Attributed To Dyck, Anthony Van); Rubens, Peter Paul (After); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

The Cardinal-Infante Don Fernando de Austria, at the Battle of Nördlingen
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (The Original Work, According To Inscriptions, Attributed To Dyck, Anthony Van); Rubens, Peter Paul (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Cardinal-Infante Don Fernando de Austria, at the Battle of Nördlingen
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (The Original Work, According To Inscriptions, Attributed To Dyck, Anthony Van); Rubens, Peter Paul (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

Philip II on Horseback
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (After Rubens, Peter Paul); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Philip II on Horseback
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (After Rubens, Peter Paul); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

Philip II on Horseback
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (After Rubens, Peter Paul); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
Philip II on Horseback
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (After Rubens, Peter Paul); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

Es una litografía, sin encuadernar, de Pierre-Jules Jollivet (1794-1871) que reproduce el lienzo de Rubens (P01686) conservado en el Museo Nacional del Prado. Esta estampa se entregaba con el cuaderni [+]

The Feast of Bacchus
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1836
Blanco y Assensio, Alejandro -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
The Feast of Bacchus
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1836
Blanco y Assensio, Alejandro -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

La litografía, realizada por Alejandro Blanco y Assensio, reproduce el lienzo de Velázquez (P01170) también conocido como El triunfo de Baco por su interpretación como una alegoría sobre el vino. Así [+]

Philip III on Horseback
Crayon lithography, Lithographic aquatint on wove paper. 1829 - 1832
Jollivet, Pierre-Jules -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Philip III on Horseback
Crayon lithography, Lithographic aquatint on wove paper. 1829 - 1832
Jollivet, Pierre-Jules -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Pierre-Jules Jollivet (1794-1871) que reproduce el lienzo de Velázquez conservado en el Museo Nacional del Prado (P1176). Esta estampa se entregaba con el cuadernillo LXVIII acomp [+]

Prince Baltasar Carlos
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
López, Juan Antonio -Lithographer- (The Original Work, According To Inscriptions, Attributed To Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Prince Baltasar Carlos
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
López, Juan Antonio -Lithographer- (The Original Work, According To Inscriptions, Attributed To Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Juan Antonio López (activo en Madrid entre 1826 y 1840) que reproduce un lienzo obra del taller de Diego Rodríguez de Silva y Velázquez conservado en el Museo Nacional del Prado ( [+]

The Surrender of Breda
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Decraene, Florentino -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Surrender of Breda
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Decraene, Florentino -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Florentino Decraene (1793-1852) que reproduce el lienzo de Velázquez conservado en el Museo Nacional del Prado (P01172). La estampa se encuadernó en el segundo volumen, cuadernill [+]

Prince Baltasar Carlos
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1836
López, Juan Antonio -Lithographer- (The Original Work, According To Inscriptions, Attributed To Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Prince Baltasar Carlos
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1836
López, Juan Antonio -Lithographer- (The Original Work, According To Inscriptions, Attributed To Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Juan Antonio López que reproduce un lienzo obra del taller de Diego Rodríguez de Silva y Velázquez conservada en el Museo Nacional del Prado (P01233).Baltasar Carlos había nacido [+]

The Recapture of San Juan in Puerto Rico
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Jollivet, Pierre-Jules -Lithographer- (After Cajés, Eugenio); Castello, Félix (The Original Work, According To Inscriptions, Attributed To); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
The Recapture of San Juan in Puerto Rico
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Jollivet, Pierre-Jules -Lithographer- (After Cajés, Eugenio); Castello, Félix (The Original Work, According To Inscriptions, Attributed To); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

Es una litografía de Pierre-Jules Jollivet que reproduce uno de los lienzos de la serie de batallas del Salón de Reinos del palacio del Buen Retiro de Eugenio Cajés conservado en el Museo Nacional del [+]

The Nativity
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1932
Avrial y Flores, José María -Lithographer- (After Barocci, Federico); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Nativity
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1932
Avrial y Flores, José María -Lithographer- (After Barocci, Federico); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de José María Avrial y Flores que reproduce el lienzo de Federico Barocci conservado en el Museo Nacional del Prado (P00018). Esta estampa se entregaba con el cuadernillo XCVII e iba [+]

The Calling of Saint Matthew
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Taylor, Isidore-Justine-Séverin -Lithographer- (Attributed To); Pareja, Juan de (After); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
The Calling of Saint Matthew
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Taylor, Isidore-Justine-Séverin -Lithographer- (Attributed To); Pareja, Juan de (After); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

Aunque la estampa está firmada por F. Taylor, esta litografía que reproduce el óleo de Juan de Pareja conservado en el Museo Nacional del Prado (P01041), se atribuye a Isidore-Justine-Séverin Taylor ( [+]

The Virgin and Child with the Infant Saint John the Baptist
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Guglielmi, Augusto -Lithographer- (The Original Work, According To Inscriptions, Attributed To Not Identified); Orley, Bernard Van (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Virgin and Child with the Infant Saint John the Baptist
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Guglielmi, Augusto -Lithographer- (The Original Work, According To Inscriptions, Attributed To Not Identified); Orley, Bernard Van (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Augusto Guglielmi (activo en Madrid entre 1829 y 1837) que reproduce un lienzo de Bernard van Orley (P01932) cuya autoría era desconocida en el siglo XIX tal y como figura en la e [+]

The Nativity
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1829 - 1932
Avrial y Flores, José María -Lithographer- (After Barocci, Federico); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Nativity
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1829 - 1932
Avrial y Flores, José María -Lithographer- (After Barocci, Federico); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de José María Avrial y Flores que reproduce el lienzo de Federico Barocci conservado en el Museo Nacional del Prado (P00018). Esta estampa se entregaba con el cuadernillo XCVII e iba [+]

Up