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Ferdinand IV (1751-1825) was the third son of Charles VII of Naples and his wife, Maria Amalia of Saxony. When his father acceded to the Spanish throne as Charles III in 1759, he became king of Naples [+]
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A full-length portrait of Queen María Luis de Parma (1751-1819), wife of King Carlos IV (1748-1819), wearing a large feathered hat and French lace, with a seventeenth-century style bustle and t [+]
This is an official portrait of Felipe V (1683-1746), the first Bourbon king of Spain. The grandson of Louis XIV (1638-1715) of France, he was born in Versailles and was proclaimed King of Spain in 17 [+]
Born to an Austrian Catholic family, Juan Everardo Nithard (Falkenstein, 1607-Rome, 1681)became a Jesuit. His solid grounding in theology led Emperor Ferdinand III to appoint him confessor to his chil [+]
Alberto de Austria, the sovereign prince of the Low Countries, is dressed in black and sits under a canopy indicating that this is a court portrait. Unlike the customary indoor portraits, this one is [+]
In this full-length portrait, King Carlos IV (1748-1819) wears a red frock coat adorned with silver and carries a ruler´s staff. His decorations include the Golden Fleece and the sash of the ord [+]
This is a preparatory sketch for The Family of Charles IV. Don Francisco de Paula (1794-1865) was the youngest child of María Luisa and popularly rumoured to be the son of Manuel Godoy. In 1819 [+]
This canvas, which retains its original frame, was painted around 1789 as a pair to a portrait of Charles IV to mark the couple`s ascent to the throne, referred to by the crown, sceptre and ermine man [+]
Felipe III´s daughter, Anne of Austria, married young Louis XIII in 1615. She is depicted wearing black, French-style clothing, seated under a green canopy that is embroidered with fleurs de lis from [+]
An equestrian portrait of a picador, wearing a short bullfighting suit and hat and carrying a long pike. The background is a landscape with a river. X-rays of this work show that this picador is paint [+]
The Museo del Prado’s collections include an important group of paintings by Juan de Correa de Vivar, an artist based in Toledo who must have been born at the beginning of the 16th century in the town [+]
Philip II (r. 1556-98) was Titian´s most important patron, and together they forged one of the most fruitful artistic relationships of the European Renaissance. Philip surpassed all of the Venetian pa [+]
This portrait presents the lady at full length, dressed in the fashion of the time in a tulle gown with lace details. Goya perfectly captures the translucence of the fabric, through which we see the s [+]
The principal beams are decorated with secular scenes, including dances, jousts or men fighting monsters, and with the coats-of-arms of Castile and León and those of the Luna and Rojas families [+]
Like the portrait of her husband (P01683), Isabel Clara Eugenia, ruler of the Low Countries, is depicted sitting under a red canopy on a balcony open to landscape. In this case, the palace visible in [+]
Herrera Barnuevo was Charles II`s court painter, executing portraits of him between 1667 and 1671. These images include numerous elements referring to the young monarch`s royal status. Here various pu [+]
This is a preparatory sketch for The Family of Charles IV. Brother of Charles IV, the sitter was born in Naples in 1755. In 1795 he married his niece, the Infanta María Amalia, who died without [+]
