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Garland of Flowers with a Landscape
Oil on canvas. 1652
Arellano, Juan de
Garland of Flowers with a Landscape
Oil on canvas. 1652
Arellano, Juan de

Flower painting experienced its greatest development in the Netherlands -there were both Flemish and Dutch schools- and in the different regions of Italy. Both Northern and Mediterranean artists produ [+]

Garland of Flowers with a Landscape
Oil on canvas. 1652
Arellano, Juan de
Garland of Flowers with a Landscape
Oil on canvas. 1652
Arellano, Juan de

Flower painting experienced its greatest development in the Netherlands -there were both Flemish and Dutch schools- and in the different regions of Italy. Both Northern and Mediterranean artists produ [+]

The Feast of Bacchus
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1836
Blanco y Assensio, Alejandro -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
The Feast of Bacchus
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1836
Blanco y Assensio, Alejandro -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

La litografía, realizada por Alejandro Blanco y Assensio, reproduce el lienzo de Velázquez (P01170) también conocido como El triunfo de Baco por su interpretación como una alegoría sobre el vino. Así [+]

The Feast of Bacchus
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1836
Blanco y Assensio, Alejandro -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
The Feast of Bacchus
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1836
Blanco y Assensio, Alejandro -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

La litografía, realizada por Alejandro Blanco y Assensio, reproduce el lienzo de Velázquez (P01170) también conocido como El triunfo de Baco por su interpretación como una alegoría sobre el vino. Así [+]

The Feast of Bacchus
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1836
Blanco y Assensio, Alejandro -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Feast of Bacchus
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1836
Blanco y Assensio, Alejandro -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

The Feast of Bacchus
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1836
Blanco y Assensio, Alejandro -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Feast of Bacchus
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1836
Blanco y Assensio, Alejandro -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

La litografía, realizada por Alejandro Blanco y Assensio, reproduce el lienzo de Velázquez (P01170) también conocido como El triunfo de Baco por su interpretación como una alegoría sobre el vino. Así [+]

The Feast of Bacchus
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1836
Blanco y Assensio, Alejandro -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Feast of Bacchus
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1836
Blanco y Assensio, Alejandro -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

La litografía, realizada por Alejandro Blanco y Assensio, reproduce el lienzo de Velázquez (P01170) también conocido como El triunfo de Baco por su interpretación como una alegoría sobre el vino. Así [+]

The Feast of Bacchus
Taille douce: etching and engraving on laid paper. 1793
Salvador Carmona, Manuel -Engraver- (After Velázquez, Diego Rodríguez de Silva y); Cruz Vázquez, Manuel de la; Imprenta Real
The Feast of Bacchus
Taille douce: etching and engraving on laid paper. 1793
Salvador Carmona, Manuel -Engraver- (After Velázquez, Diego Rodríguez de Silva y); Cruz Vázquez, Manuel de la; Imprenta Real

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]

Cup with the Four Seasons
Gold, Rock crystal / hyaline quartz, Enamel. 1570 - 1600
Fontana, Annibale -Designer- (?); Workshop Of The Sarachi
Cup with the Four Seasons
Gold, Rock crystal / hyaline quartz, Enamel. 1570 - 1600
Fontana, Annibale -Designer- (?); Workshop Of The Sarachi

This vessel has an ovate bowl with six gadroons and a lobed mouth. The shaft is formed by a triple knop, the upper and lower ones covered by enamelled gold mounts and the central one carved out of the [+]

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