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The Triumph of Bacchus
Oil on canvas. After 1635
Finoglia, Paolo Domenico
The Triumph of Bacchus
Oil on canvas. After 1635
Finoglia, Paolo Domenico

Paolo Domenico Finoglia was deeply involved in the creation of paintings for the History of Rome cycle at the Buen Retiro Palace. His participation includes this superb Triumph of Bacchus, a Gladiator [+]

Masinissa Mourning Over the Death of Sophonisba (?)
Oil on canvas. XVII century
Finoglia, Paolo Domenico
Masinissa Mourning Over the Death of Sophonisba (?)
Oil on canvas. XVII century
Finoglia, Paolo Domenico

Within the large series of paintings dedicated to the history of Rome, this work and Meleager’s Hunt (P2320) belong to a small group of scenes from mythology and the history of Antiquity. This is undo [+]

Roman Athletes
Oil on canvas. Ca. 1640
Falcone, Aniello
Roman Athletes
Oil on canvas. Ca. 1640
Falcone, Aniello

This work belongs to a group from the History of Rome series for the Buen Retiro Palace. Dedicated to depictions of Roman public pastimes, the group includes athletes, gladiators, chariots, animal fig [+]

Funeral Rites for a Roman Emperor
Oil on canvas. 1634 - 1635
Domenichino (Domenico Zampieri)
Funeral Rites for a Roman Emperor
Oil on canvas. 1634 - 1635
Domenichino (Domenico Zampieri)

This is the best-documented painting in the entire History of Rome cycle. It is also one of the works that raises the most questions about aspects as important as its authorship and its subject matter [+]

Lupercalia
Oil on canvas. Ca. 1635
Camassei, Andrea
Lupercalia
Oil on canvas. Ca. 1635
Camassei, Andrea

Lupercalia was a festival involving sacrifices to the two deities associated, respectively, with fecundity and childbirth: Pan and Lucina. As part of the celebrations, the men whipped their wives to m [+]

Exterior of Saint Peter’s, Rome
Oil on canvas. Ca. 1636
Codazzi, Viviano
Exterior of Saint Peter’s, Rome
Oil on canvas. Ca. 1636
Codazzi, Viviano

This painting depicts the façade of Saint Peter’s as it was designed by the architect Carlo Maderno and before the re-modelling undertaken by Gian Lorenzo Bernini, who had the clock tower on th [+]

Two Wrestlers
Oil on canvas. Ca. 1637
Fracanzano, Cesare
Two Wrestlers
Oil on canvas. Ca. 1637
Fracanzano, Cesare

This work belongs to a group from the History of Rome series for the Buen Retiro Palace. Dedicated to depictions of Roman public pastimes, the group includes athletes, gladiators, chariots, animal fig [+]

Constantine’s Triumphal Entry in Rome
Oil on canvas. 1636 - 1638
Gargiulo, Domenico, Called Micco Spadaro; Codazzi, Viviano
Constantine’s Triumphal Entry in Rome
Oil on canvas. 1636 - 1638
Gargiulo, Domenico, Called Micco Spadaro; Codazzi, Viviano

This work and Vespasian’s Triumphal Entry in Rome (P237) are among the earliest examples of the collaboration between Domenico Gargiulo (also known as Micco Spadaro) and Viviano Codazzi, in which the [+]

Figure of a Woman
Oil on canvas. 1636
Ribera, Jusepe de, lo Spagnoletto
Figure of a Woman
Oil on canvas. 1636
Ribera, Jusepe de, lo Spagnoletto

This work is a fragment of a painting that showed the visit of the god of wine to mortals, as is Detail of the Head of Bacchus (P-1123) and another painting in Bogotá. The work, based on an Hel [+]

Women Gladiators
Oil on canvas. XVII century
Vaccaro, Andrea (Attributed To)
Women Gladiators
Oil on canvas. XVII century
Vaccaro, Andrea (Attributed To)

This work belongs to a group from the History of Rome series for the Buen Retiro Palace. Dedicated to depictions of Roman public pastimes, the group includes athletes, gladiators, chariots, animal fig [+]

Sacrifice to Bacchus
Oil on canvas. Ca. 1634
Stanzione, Massimo
Sacrifice to Bacchus
Oil on canvas. Ca. 1634
Stanzione, Massimo

While it is first listed in 1666 at the Alcázar, where it hung alongside Ribera’s Fable of Bacchus or Teoxenia (of which only three fragments have survived: two at the Museo del Prado and one i [+]

The Hunt of Meleager
Oil on canvas. 1634 - 1639
Poussin, Nicolas
The Hunt of Meleager
Oil on canvas. 1634 - 1639
Poussin, Nicolas

Until very recently there was total confusion as to the origin of this painting and the circumstances surrounding its entry into the Royal Collection. Its original owner was formerly thought to have b [+]

The Circus Maximus in Rome
Oil on canvas. Ca. 1638
Gargiulo, Domenico, Called Micco Spadaro; Codazzi, Viviano
The Circus Maximus in Rome
Oil on canvas. Ca. 1638
Gargiulo, Domenico, Called Micco Spadaro; Codazzi, Viviano

This is one of four depictions of spectacles from ancient Rome that Domenico Gargiulo and Viviano Codazzi painted for the large History of Rome series at the Buen Retiro Palace. Of those four, in whic [+]

Roman Gladiators with Wooden Swords
Oil on canvas. 1635 - 1639
Romanelli, Giovanni Francesco
Roman Gladiators with Wooden Swords
Oil on canvas. 1635 - 1639
Romanelli, Giovanni Francesco

Until 1956, this painting was attributed to Pietro da Cortona, an understandable mistake, given how close Romanelli’s style was to that of his teacher. In fact, it appears as such in Charles II’s will [+]

Gladiators Fighting
Oil on canvas. XVII century
Lanfranco, Giovanni Di Stefano (Workshop Of)
Gladiators Fighting
Oil on canvas. XVII century
Lanfranco, Giovanni Di Stefano (Workshop Of)

This work belongs to a group from the History of Rome series for the Buen Retiro Palace. Dedicated to depictions of Roman public pastimes, the group includes athletes, gladiators, chariots, animal fig [+]

View of the Gardens of the Villa Medici, Rome
Oil on canvas. Ca. 1630
Velázquez, Diego Rodríguez de Silva y
View of the Gardens of the Villa Medici, Rome
Oil on canvas. Ca. 1630
Velázquez, Diego Rodríguez de Silva y

A masterpiece in the history of Western landscape painting, in which Velázquez set out his idea of landscape without any narrative excuse to justify it, this Roman scene and its companion work [+]

Landscape with Saint Paul the Hermit
Oil on canvas. 1637 - 1638
Poussin, Nicolas
Landscape with Saint Paul the Hermit
Oil on canvas. 1637 - 1638
Poussin, Nicolas

Nicolas Poussin has a curious relation to the Buen Retiro Palace. Úbea considers him the determinant artist among all those who took part in its decorative project. That could explain why he wa [+]

Sacrifice for a Roman Emperor
Oil on canvas. Ca. 1635
Lanfranco, Giovanni Di Stefano
Sacrifice for a Roman Emperor
Oil on canvas. Ca. 1635
Lanfranco, Giovanni Di Stefano

This painting belongs to the Neapolitan group of scenes of ancient Roman life that were ordered in the early to mid 1630s by the Viceroy of Naples, the Count of Monterrey, to decorate the Buen Retiro [+]

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