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Tityus
Oil on canvas. XVII century
Anonymous (Imitation Of Ribera, Jusepe de, lo Spagnoletto)
Tityus
Oil on canvas. XVII century
Anonymous (Imitation Of Ribera, Jusepe de, lo Spagnoletto)

The Palacio del Buen Retiro in Madrid boasted a full set of the Furias -Tantalus (P3784), Tityus (P3941), Ixion (P3785) and Sisyphus (P3942)-, now in the Museo del Prado; some scholars maintain that t [+]

Saint Peter weeping
Oil on canvas. 1620 - 1630
Anonymous
Saint Peter weeping
Oil on canvas. 1620 - 1630
Anonymous

After denying that he was a follower of Christ, Saint Peter repented of his actions. This canvas deploys the chromatic restraint and compositional rigour of Velázquez’s early works, combined he [+]

The Battle of San Quintín
Oil on canvas. After 1720
Anonymous (Copy After Giordano, Luca)
The Battle of San Quintín
Oil on canvas. After 1720
Anonymous (Copy After Giordano, Luca)

Los cuatro lienzos de esta serie (P186 a P189) fueron adquiridos por 1.500 pesetas a doña Pilar de la Torre el 21 de junio de 1876, en un lote de copias que forma la única serie completa conservada de [+]

Sísifo
Oil on canvas. XVII century
Anonymous (Imitation Of Ribera, Jusepe de, lo Spagnoletto)
Sísifo
Oil on canvas. XVII century
Anonymous (Imitation Of Ribera, Jusepe de, lo Spagnoletto)

The Palacio del Buen Retiro in Madrid boasted a full set of the Furias -Tantalus (P3784), Tityus (P3941), Ixion (P3785) and Sisyphus (P3942)-, now in the Museo del Prado; some scholars maintain that t [+]

The Arrival in England of Saint Ursula
Tempera on panel. 1425 - 1450
Anonymous
The Arrival in England of Saint Ursula
Tempera on panel. 1425 - 1450
Anonymous

These works formed the upper section of the Altar Piece of Saint Ursula in the church of San Pablo in Palencia. The style of these paintings, typical of the International Gothic, led them to originall [+]

Tantalus
Oil on canvas. XVII century
Anonymous (Imitation Of Ribera, Jusepe de, lo Spagnoletto)
Tantalus
Oil on canvas. XVII century
Anonymous (Imitation Of Ribera, Jusepe de, lo Spagnoletto)

The Palacio del Buen Retiro in Madrid boasted a full set of the Furias -Tantalus (P3784), Tityus (P3941), Ixion (P3785) and Sisyphus (P3942)-, now in the Museo del Prado; some scholars maintain that t [+]

The Petition of Saint Ursula's Hand in Marriage
Tempera on panel. 1425 - 1450
Anonymous
The Petition of Saint Ursula's Hand in Marriage
Tempera on panel. 1425 - 1450
Anonymous

These works formed the upper section of the Altar Piece of Saint Ursula in the church of San Pablo in Palencia. The style of these paintings, typical of the International Gothic, led them to originall [+]

Noah after the Flood
Oil on canvas. Second half of the XVI century
Anonymous (Workshop Of Bassano)
Noah after the Flood
Oil on canvas. Second half of the XVI century
Anonymous (Workshop Of Bassano)

If we compare this painting with the Animals Entering the Ark (P22), we find that the iconographic elements which identify the subject have been shifted to a middle plane -Noah thanking God for bringi [+]

Marianne of Austria, Queen of Spain
Oil on canvas. Second half of the XVII century
Anonymous
Marianne of Austria, Queen of Spain
Oil on canvas. Second half of the XVII century
Anonymous

Mariana de Austria (1634-1696) era hija del emperador Fernando III y de su esposa María. Contrajo matrimonio en 1649, cuando tenía 15 años, con su tío el rey de España Felipe IV, que contaba con 44 añ [+]

Saint Gregory the Great
Oil on canvas. Ca. 1630
Anonymous
Saint Gregory the Great
Oil on canvas. Ca. 1630
Anonymous

La obra no aparece registrada en el Inventario general de los cuadros de la Trinidad existentes en el depósito y escogidos por la Comisión de la Academia de San Fernando, en el que sí se registraron, [+]

Isabel Clara Eugenia
Oil on canvas. 1591 - 1592
Anonymous (After Sánchez Coello, Alonso); Kraek, Jan ( Also Called Giovanni Caracca)
Isabel Clara Eugenia
Oil on canvas. 1591 - 1592
Anonymous (After Sánchez Coello, Alonso); Kraek, Jan ( Also Called Giovanni Caracca)

Tras la muerte de Felipe II la corte quedó sumida en el luto, y así se hizo retratar su hija Isabel Clara Eugenia en esta obra. Viste saya negra de la que asoman manguillas de raso blanco con bordadur [+]

Gaius Fabricius Luscinus Refusing Gifts from Pyrrhus
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on paper. XVI century
Anonymous (Copy Polidoro Da Caravaggio)
Gaius Fabricius Luscinus Refusing Gifts from Pyrrhus
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on paper. XVI century
Anonymous (Copy Polidoro Da Caravaggio)

This drawing is after the one of the scenes painted by Polidoro between the windows of second floor of the Palazzo Milesi, Rome. [+]

The Death of Seneca
Red chalk on white paper. XVII century
Anonymous (Circle Of Maratta, Carlo)
The Death of Seneca
Red chalk on white paper. XVII century
Anonymous (Circle Of Maratta, Carlo)

Dibujo que presenta en el centro una estancia con arquitecturas clásicas donde Séneca, agonizante, aparece rodeado de figuras masculinas y femeninas; a la derecha, un joven sentado escribe el hecho en [+]

The death of Lucretia
Pencil, Pencil ground, Grey-brown ink, Wash on paper. XVI century
Anonymous (Follower Of Cambiaso, Luca)
The death of Lucretia
Pencil, Pencil ground, Grey-brown ink, Wash on paper. XVI century
Anonymous (Follower Of Cambiaso, Luca)

Este dibujo y el (D01727), son variantes de la misma composición, fueron relacionados por los Suida con el cuadro Lucrecia, de Cambiaso, fechable hacia 1575, que se encontraba antiguamente en una cole [+]

Unidentified scene from Ancient History
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on blue paper. Second half of the XVI century
Anonymous (Circle Of Zuccaro, Federico)
Unidentified scene from Ancient History
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on blue paper. Second half of the XVI century
Anonymous (Circle Of Zuccaro, Federico)

The original drawing recorded in this copy was probably intended as a design for maiolica. The subject may be Artaxerxes pointing to the head of Cyrus. [+]

Niobe Receiving Offerings
Pencil, Grey-brown ink, Wash on paper. XVI century
Anonymous (Copy After Polidoro Da Caravaggio)
Niobe Receiving Offerings
Pencil, Grey-brown ink, Wash on paper. XVI century
Anonymous (Copy After Polidoro Da Caravaggio)

The figures occur in the center and right of the central scene from the Story of Niobe, formerly on the facade of the Palazzo Milesi, Rome. The decorative pen-and-wash technique and Salviatesque style [+]

The death of Lucretia
Pencil, Pencil ground, Grey-brown ink, Wash on paper. XVI century
Anonymous (Follower Of Cambiaso, Luca)
The death of Lucretia
Pencil, Pencil ground, Grey-brown ink, Wash on paper. XVI century
Anonymous (Follower Of Cambiaso, Luca)

This drawing and D1728, which are variants of the same composition, were connected by the Suidas with Cambiaso´s painting of Lucretia, datable c. 1575, formerly in a private collection, Lugano, then i [+]

The Story of Niobe
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on paper attached to canvas. 1575 - 1580
Anonymous (Copy Polidoro Da Caravaggio)
The Story of Niobe
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on paper attached to canvas. 1575 - 1580
Anonymous (Copy Polidoro Da Caravaggio)

This is one of the few copies to survive showing the whole of Polidoro´s famous frieze with the Story of Niobe, painted below the windows of the first floor of the Palazzo Milesi, Via della Maschera d [+]

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