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The Three Graces
Oil on oak panel. 1630 - 1635
Rubens, Peter Paul
The Three Graces
Oil on oak panel. 1630 - 1635
Rubens, Peter Paul

According to Hesiod’s Theogony, there were three Graces: Aglaia, which means radiance; Euphrosine, which means joy; and Thalia, which means flowering. Born of one of Zeus’s affairs, the three Graces w [+]

Charles IV and his Family honoured by the University of Valencia
Oil on canvas. 1802
López Portaña, Vicente
Charles IV and his Family honoured by the University of Valencia
Oil on canvas. 1802
López Portaña, Vicente

During his visit to Valencia in 1802, the Literary University of the city gave the King this painting which shows the university, personified as a young matron, introducing the royal family to the var [+]

Nymphs and Satyrs
Oil on canvas. Ca. 1615
Rubens, Peter Paul
Nymphs and Satyrs
Oil on canvas. Ca. 1615
Rubens, Peter Paul

The scene depicted in this painting relates to two stories told by the Roman poet Ovid. In Fasti (V, 121-24), he writes about a goat that suckled the infant Jupiter, who lost one of the lofty horns th [+]

Ceres and Pan
Oil on canvas. Ca. 1620
Rubens, Peter Paul (Workshop Of); Snyders, Frans
Ceres and Pan
Oil on canvas. Ca. 1620
Rubens, Peter Paul (Workshop Of); Snyders, Frans

As goddess of the Earth and agriculture, Ceres is depicted wearing a bundle of wheat spikes on her head. Beside her, Pan, the god of shepherds and herds, has a crown of oak leaves. Ceres symbolizes cu [+]

Briseis returned to Achilles by Nestor
Oil on panel. 1630 - 1635
Rubens, Peter Paul (And Workshop)
Briseis returned to Achilles by Nestor
Oil on panel. 1630 - 1635
Rubens, Peter Paul (And Workshop)

A model for the tapestry on the same subject that belongs to a series of eight about the Greek hero. The Story of Achilles is smaller than other projects by Rubens, but the quality of its sketches, mo [+]

Ceres and Two Nymphs
Oil on canvas. 1615 - 1617
Rubens, Peter Paul; Snyders, Frans
Ceres and Two Nymphs
Oil on canvas. 1615 - 1617
Rubens, Peter Paul; Snyders, Frans

Goddess of grains and the harvest, Ceres holds some corn cobs in her right hand while, with the left, she holds a horn of plenty. Two nymphs fill the cornucopia with fruits, symbolizing the Earth´s ge [+]

Abundance
Oil on canvas. 1770 - 1771
Castillo, José del
Abundance
Oil on canvas. 1770 - 1771
Castillo, José del

Paired with P07726, P07728 y P07729. These are sketches for cartoons for tapestries intended to adorn the King’s Antechamber known as the “Pieza de Conversación” in the Royal Palace of Madrid. [+]

An Offering to Flora
Oil on canvas. 1627
Hamen y León, Juan Van Der
An Offering to Flora
Oil on canvas. 1627
Hamen y León, Juan Van Der

A lady seated in a garden is handed a basket of roses by a boy. The profusion of flowers around her and the crown on her head, as well as her location in a courtly garden with a statue in the backgrou [+]

The Goddess Juno entering the Realm of Sleep
Oil on canvas. 1829
López Piquer, Luis
The Goddess Juno entering the Realm of Sleep
Oil on canvas. 1829
López Piquer, Luis

This is a preliminary oil sketch for the ceiling of the ante-chamber of Ferdinand VII’s bedroom in the Royal Palace in Madrid. Hymen, bearer of the flame of chaste love and the nuptial torch, leads th [+]

The Three Graces
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Feillet, Pierre Jacques -Lithographer- (After Rubens, Peter Paul); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Three Graces
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Feillet, Pierre Jacques -Lithographer- (After Rubens, Peter Paul); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Pierre Jacques Feillet (1794-1856) que reproduce el óleo de Rubens conservado en el Museo Nacional del Prado (P01670). Esta estampa se entregaba con el cuadernillo CLXV acompañado [+]

The Three Graces
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Feillet, Pierre Jacques -Lithographer- (After Rubens, Peter Paul); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Three Graces
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Feillet, Pierre Jacques -Lithographer- (After Rubens, Peter Paul); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Pierre Jacques Feillet (1794-1856) que reproduce el óleo de Rubens conservado en el Museo Nacional del Prado (P01670). Esta estampa se entregaba con el cuadernillo CLXV acompañado [+]

María Luisa of Parma, Princess of Asturias
Taille douce: etching and engraving on laid paper. 1778
Salvador Carmona, Juan Antonio; Corradi, Viuda de
María Luisa of Parma, Princess of Asturias
Taille douce: etching and engraving on laid paper. 1778
Salvador Carmona, Juan Antonio; Corradi, Viuda de

La estampa de María Luisa de Parma, dibujada y grabada por Juan Antonio Salvador Carmona, hace pareja con la estampa de Carlos IV. Se conocen cinco estados diferentes, todos ellos en la Biblioteca Nac [+]

The Three Graces
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Feillet, Pierre Jacques -Lithographer- (After Rubens, Peter Paul); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
The Three Graces
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Feillet, Pierre Jacques -Lithographer- (After Rubens, Peter Paul); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

Es una litografía de Pierre Jacques Feillet (1794-1856) que reproduce el óleo de Rubens conservado en el Museo Nacional del Prado (P01670). Esta estampa se entregaba con el cuadernillo CLXIV acompañad [+]

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