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Saint Peter weeping
Oil on canvas. 1620 - 1630
Anonymous
Saint Peter weeping
Oil on canvas. 1620 - 1630
Anonymous

After denying that he was a follower of Christ, Saint Peter repented of his actions. This canvas deploys the chromatic restraint and compositional rigour of Velázquez’s early works, combined he [+]

Altarpiece of Saint Christopher
Tempera on panel. Late XIII century
Anonymous
Altarpiece of Saint Christopher
Tempera on panel. Late XIII century
Anonymous

This small altarpiece, divided into three horizontal and three vertical rows, is dedicated to Saint Christopher, who protects against sudden death. His image occupies the central row, which is topped [+]

Christ the Saviour
Oil on panel. XVII century
Anonymous
Christ the Saviour
Oil on panel. XVII century
Anonymous

[+]

The Saviour
Oil on panel. Late XV century
Anonymous (Workshop Of Bellini, Giovanni)
The Saviour
Oil on panel. Late XV century
Anonymous (Workshop Of Bellini, Giovanni)

A bust of Christ, dressed in purple and with the holy halo. He appears as the Savior of Humanity over a dark background. This is a replica of a work by the same name signed by Giovanni Bellini (“IOANN [+]

Christ the Saviour
Oil on panel. Ca. 1510
Anonymous
Christ the Saviour
Oil on panel. Ca. 1510
Anonymous

[+]

The Transit of Mary Magdalene
Oil on canvas. Late XVII century
Anonymous (Copy Coello, Claudio)
The Transit of Mary Magdalene
Oil on canvas. Late XVII century
Anonymous (Copy Coello, Claudio)

The saint’s figure, with long blond tresses, occupies the center of the scene. Gazing at the heavens, she crosses her hands across her bosom in prayer. Her worn clothing is enveloped in large floating [+]

The Christian Soul accepts the Cross
Oil on canvas. Ca. 1630
Anonymous
The Christian Soul accepts the Cross
Oil on canvas. Ca. 1630
Anonymous

Totally surrounded by crosses, Christ accepts his penitence. He is followed by a young woman in the same pose wearing a wreath of flowers and identified as the Christian Soul. While this work is undou [+]

Christ crucified
Oil on canvas. XVII century
Anonymous
Christ crucified
Oil on canvas. XVII century
Anonymous

[+]

Christ Pantocrator held by four Angels, Hermitage of Vera Cruz, Maderuelo (Segovia)
Fresco painting on mural transferred to canvas. XII century
Anonymous
Christ Pantocrator held by four Angels, Hermitage of Vera Cruz, Maderuelo (Segovia)
Fresco painting on mural transferred to canvas. XII century
Anonymous

The mural paintings from the Hermitage of the Vera Cruz de Maderuelo were transferred to canvas in 1947 and reconstructed at the Prado Museum in a layout as faithful to the original as possible. The w [+]

Lower Part of God the Father, Hermitage of Vera Cruz, Maderuelo (Segovia)
Fresco painting on mural transferred to canvas. XII century
Anonymous
Lower Part of God the Father, Hermitage of Vera Cruz, Maderuelo (Segovia)
Fresco painting on mural transferred to canvas. XII century
Anonymous

The mural paintings from the Hermitage of the Vera Cruz de Maderuelo were transferred to canvas in 1947 and reconstructed at the Prado Museum in a layout as faithful to the original as possible. The w [+]

The Guils Frontal
Tempera on panel. Late XIII century
Anonymous
The Guils Frontal
Tempera on panel. Late XIII century
Anonymous

At the centre, the Pantocrator (Christ in majesty) is shown in a mandorla surrounded by the Tetramorph, the symbols of the four Evangelists. At either side, the upper register shows scenes from the li [+]

Sacred Heart
Gelatin / collodion on photographic paper. Ca. 1900
Anonymous -Photographer- (After Samsó, Juan)
Sacred Heart
Gelatin / collodion on photographic paper. Ca. 1900
Anonymous -Photographer- (After Samsó, Juan)

La fotografía reproduce una escultura del Sagrado Corazón de Jesús -de Juan Samsó y Lengly- que coincide en iconografía, actitud y composición con la versión del Sagrado Corazón de Jesús, del mismo au [+]

The Crowning with Thorns
Pencil, Red chalk, Grey-brown wash on white paper. 1601 - 1625
Anonymous
The Crowning with Thorns
Pencil, Red chalk, Grey-brown wash on white paper. 1601 - 1625
Anonymous

El dibujo representa a Cristo sentado en el centro y a ambos lados dos sayones que le colocan la corona de espinas mientras que al fondo dos personajes asisten a la escena. No es aceptable la antigua [+]

St. Christopher
Pencil, Grey-brown ink on paper. XVI century
Anonymous (Follower Of Cambiaso, Luca)
St. Christopher
Pencil, Grey-brown ink on paper. XVI century
Anonymous (Follower Of Cambiaso, Luca)

[+]

Dead Christ, surrounded by the Instruments of the Passion, with God the Father and the Holy Spirit
Pencil, Grey-brown ink, Wash on paper. Second half of the XVI century
Anonymous
Dead Christ, surrounded by the Instruments of the Passion, with God the Father and the Holy Spirit
Pencil, Grey-brown ink, Wash on paper. Second half of the XVI century
Anonymous

Although the present composition is ultimately dependent in origin on Albrecht Dürer´s great woodcut of the Trinity, a Florentine interpretation of the design is evident in the conception of the [+]

Christ carrying the Cross
Red chalk on yellow laid paper. Mid-XVIIcentury
Anonymous
Christ carrying the Cross
Red chalk on yellow laid paper. Mid-XVIIcentury
Anonymous

Cristo camina de frente mientras que dos ángeles niños, llorosos, le flanquean.De mediados de siglo. Es posible que el dibujo reproduzca una imagen de culto en su altar. (Texto extractado de Pérez Sán [+]

The Holy Family with Angels
Pencil, Pencil strokes, Grey-brown wash on white paper. Early XVIII century
Anonymous
The Holy Family with Angels
Pencil, Pencil strokes, Grey-brown wash on white paper. Early XVIII century
Anonymous

En la parte baja, San José sentado sobre un sepulcro, sostiene al niño Jesús sobre sus rodillas; ante el dos ángeles le muestran una corona de espinas y el paño de la Verónica. Al fondo, la Virgen. En [+]

The Crucifixion
Pencil, Grey-brown wash on yellow paper. Early XVII century
Anonymous
The Crucifixion
Pencil, Grey-brown wash on yellow paper. Early XVII century
Anonymous

En el dibujo se representa a Cristo desnudo, sentado sobre la Cruz. Un sayón en primer término cava el suelo; otro barrena en uno de los brazos. A la derecha un grupo de soldados, a la izquierda las M [+]

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