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The Christian Soul accepts the Cross
Oil on canvas. Ca. 1630
Anonymous
The Christian Soul accepts the Cross
Oil on canvas. Ca. 1630
Anonymous

Totally surrounded by crosses, Christ accepts his penitence. He is followed by a young woman in the same pose wearing a wreath of flowers and identified as the Christian Soul. While this work is undou [+]

Christ crucified
Oil on canvas. XVII century
Anonymous
Christ crucified
Oil on canvas. XVII century
Anonymous

[+]

Christ the Saviour
Oil on panel. XVII century
Anonymous
Christ the Saviour
Oil on panel. XVII century
Anonymous

[+]

Christ Pantocrator held by four Angels, Hermitage of Vera Cruz, Maderuelo (Segovia)
Fresco painting on mural transferred to canvas. XII century
Anonymous
Christ Pantocrator held by four Angels, Hermitage of Vera Cruz, Maderuelo (Segovia)
Fresco painting on mural transferred to canvas. XII century
Anonymous

The mural paintings from the Hermitage of the Vera Cruz de Maderuelo were transferred to canvas in 1947 and reconstructed at the Prado Museum in a layout as faithful to the original as possible. The w [+]

Christ the Saviour
Oil on panel. Ca. 1510
Anonymous
Christ the Saviour
Oil on panel. Ca. 1510
Anonymous

[+]

Saint Peter weeping
Oil on canvas. 1620 - 1630
Anonymous
Saint Peter weeping
Oil on canvas. 1620 - 1630
Anonymous

After denying that he was a follower of Christ, Saint Peter repented of his actions. This canvas deploys the chromatic restraint and compositional rigour of Velázquez’s early works, combined he [+]

Lower Part of God the Father, Hermitage of Vera Cruz, Maderuelo (Segovia)
Fresco painting on mural transferred to canvas. XII century
Anonymous
Lower Part of God the Father, Hermitage of Vera Cruz, Maderuelo (Segovia)
Fresco painting on mural transferred to canvas. XII century
Anonymous

The mural paintings from the Hermitage of the Vera Cruz de Maderuelo were transferred to canvas in 1947 and reconstructed at the Prado Museum in a layout as faithful to the original as possible. The w [+]

St. Christopher
Pencil, Grey-brown ink on paper. XVI century
Anonymous
St. Christopher
Pencil, Grey-brown ink on paper. XVI century
Anonymous

[+]

Ecce Homo
Pencil, Ink on dark yellow paper. Early XVII century
Anonymous
Ecce Homo
Pencil, Ink on dark yellow paper. Early XVII century
Anonymous

En el anverso se la hoja se representa un Ecce Homo de pie, casi de perfil, inclinado a la derecha. De comienzos de siglo y de nada fácil emplazamiento estilístico. Pegado en otro papel con fragmento [+]

Christ crucified
Black chalk, White chalk on laid paper. Second half of the XVIII century
Anonymous
Christ crucified
Black chalk, White chalk on laid paper. Second half of the XVIII century
Anonymous

Dibujo en el que se representa a Cristo crucificado de frente, con cuatro clavos y fondo de arquitectura. (Texto extractado de Pérez Sánchez, Alfonso E.: Catálogo de Dibujos. II. Dibujos Españoles. Si [+]

Dead Christ, surrounded by the Instruments of the Passion, with God the Father and the Holy Spirit
Pencil, Grey-brown ink, Wash on paper. Second half of the XVI century
Anonymous
Dead Christ, surrounded by the Instruments of the Passion, with God the Father and the Holy Spirit
Pencil, Grey-brown ink, Wash on paper. Second half of the XVI century
Anonymous

Although the present composition is ultimately dependent in origin on Albrecht Dürer´s great woodcut of the Trinity, a Florentine interpretation of the design is evident in the conception of the [+]

Christ carrying the Cross
Red chalk on yellow laid paper. Mid-XVIIcentury
Anonymous
Christ carrying the Cross
Red chalk on yellow laid paper. Mid-XVIIcentury
Anonymous

Cristo camina de frente mientras que dos ángeles niños, llorosos, le flanquean.De mediados de siglo. Es posible que el dibujo reproduzca una imagen de culto en su altar. (Texto extractado de Pérez Sán [+]

The Crowning with Thorns
Pencil, Red chalk, Grey-brown wash on white paper. 1601 - 1625
Anonymous
The Crowning with Thorns
Pencil, Red chalk, Grey-brown wash on white paper. 1601 - 1625
Anonymous

El dibujo representa a Cristo sentado en el centro y a ambos lados dos sayones que le colocan la corona de espinas mientras que al fondo dos personajes asisten a la escena. No es aceptable la antigua [+]

The Holy Family with Angels
Pencil, Pencil strokes, Grey-brown wash on white paper. Early XVIII century
Anonymous
The Holy Family with Angels
Pencil, Pencil strokes, Grey-brown wash on white paper. Early XVIII century
Anonymous

En la parte baja, San José sentado sobre un sepulcro, sostiene al niño Jesús sobre sus rodillas; ante el dos ángeles le muestran una corona de espinas y el paño de la Verónica. Al fondo, la Virgen. En [+]

The Crucifixion
Pencil, Grey-brown wash on yellow paper. Early XVII century
Anonymous
The Crucifixion
Pencil, Grey-brown wash on yellow paper. Early XVII century
Anonymous

En el dibujo se representa a Cristo desnudo, sentado sobre la Cruz. Un sayón en primer término cava el suelo; otro barrena en uno de los brazos. A la derecha un grupo de soldados, a la izquierda las M [+]

The Descent from the Cross
Pencil, Grey-brown wash on dark yellow paper. XVIII century
Anonymous
The Descent from the Cross
Pencil, Grey-brown wash on dark yellow paper. XVIII century
Anonymous

En el centro, la Cruz, cinco personajes con escalas la rodean para bajar el cuerpo de Cristo. En la parte baja, la Virgen, la Magdalena y un grupo de mujeres que lloran. Escena muy movida y de muchos [+]

Christ crucified
Black chalk, White chalk on grey paper. XVIII century
Anonymous
Christ crucified
Black chalk, White chalk on grey paper. XVIII century
Anonymous

Dibujo de un Cristo crucificado muy torpe y desproporcionado, como estudio de principiante. De técnica derivada de la de Bayeu. (Texto extractado de Pérez Sánchez, Alfonso E.: Catálogo de Dibujos. II. [+]

The Saint John the Baptist Altarpiece
Wood. Last quarter of the XIII century
Anonymous
The Saint John the Baptist Altarpiece
Wood. Last quarter of the XIII century
Anonymous

This altarpiece consists of two separate elements: the principal part, which would have hung on the wall above the altar and below and, in front of it, the frontal or antipendium. The former, which is [+]

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