The itinerary <em>TITULORECORRIDO</em> has been successfully created. Now you can add in works from the Collection browser
<em>TITULOOBRA</em> added to <em>TITULORECORRIDO</em> itinerary

Collection <Back
Search

Explore the collection

Refine results
680 results
Old Woman tearing at her Hair
Oil on oak panel. After 1553
Massys, Jan (Circle Of)
Old Woman tearing at her Hair
Oil on oak panel. After 1553
Massys, Jan (Circle Of)

On the reverse of this portrait is an old inscription in ink reading ‘MAESTRO QUINTIN’. Bosque attributed it to that artist in his catalogue, although emphasising the difference of technique between t [+]

The Finding of Moses
Oil on canvas. 1639 - 1640
Claude (Lorrain, Byname Of Claude Gellée)
The Finding of Moses
Oil on canvas. 1639 - 1640
Claude (Lorrain, Byname Of Claude Gellée)

A broad landscape is the setting for Moses’s rescue from the Nile River by the Egyptian Pharaoh’s daughter and her retinue. In the foreground, a shepherd sleeps, indifferent to the events taking place [+]

Fantasy on Faust
Oil on canvas. 1866
Fortuny, Mariano
Fantasy on Faust
Oil on canvas. 1866
Fortuny, Mariano

In this work, Fortuny establishes an eloquent link between painting and music and a clear exposition of what his friend, the Baron Davillier, called his very lively and very pure taste in music. Fortu [+]

Herod’s Feast (sketch)
Oil on canvas. XVII century
Carreño de Miranda, Juan
Herod’s Feast (sketch)
Oil on canvas. XVII century
Carreño de Miranda, Juan

Herod and Herodias appear at the right of the composition. Sitting at a table painted in foreshortened perspective, they look on—the king with a stupefied expression—as Salome presents them with the p [+]

The west or Velázquez façade of the Museo del Prado
Albumen on photographic paper. 1860 - 1862
Clifford, Charles
The west or Velázquez façade of the Museo del Prado
Albumen on photographic paper. 1860 - 1862
Clifford, Charles

Designed by Juan de Villanueva, the building that houses the Museo del Prado has always been an indispensable landmark in Madrid’s urban landscape. Since the mid 1820s, numerous artists have taken an [+]

The Birth of the Virgin
Ink, Grey-brown wash on grey paper. XVII century
Anonymous (Copy Giordano, Luca)
The Birth of the Virgin
Ink, Grey-brown wash on grey paper. XVII century
Anonymous (Copy Giordano, Luca)

Este dibujo representa el estilo gráfico de Giordano, y se relaciona con el lienzo Nacimiento de la Virgen de la iglesia veneciana de Santa Maria della Salute, fechado en 1667, ya que son idénticas al [+]

The Martyrdom of Saint Stephen
Black chalk, Pencil, Grey-brown ink, Blue wash on yellow paper. XVII century
Zanchi, Antonio
The Martyrdom of Saint Stephen
Black chalk, Pencil, Grey-brown ink, Blue wash on yellow paper. XVII century
Zanchi, Antonio

Dibujo en el que se representa en el centro, arrodillado, el Santo rodeado de los sayones que le arrojan piedras. Mientras que en la parte superior es representada la Trinidad (Texto extractado de Men [+]

The Immaculate Conception
Pencil, Grey-brown wash on yellow paper. 1630 - 1640
Cano, Alonso (?)
The Immaculate Conception
Pencil, Grey-brown wash on yellow paper. 1630 - 1640
Cano, Alonso (?)

The Virgin appears full length, standing on the crescent moon and held by three cherubs. Her hands are joined and her head is gently tilted to the right. Wethey does not consider this a work by Cano, [+]

The Death of the Virgin
Black chalk, Pencil, Grey ink, Grey wash, Grey-brown wash on white paper. XVIII century
Giaquinto, Corrado
The Death of the Virgin
Black chalk, Pencil, Grey ink, Grey wash, Grey-brown wash on white paper. XVIII century
Giaquinto, Corrado

En el centro de la composición, la Virgen dormida sobre el lecho; a su alrededor, los Apóstoles en actitudes varias; en primer término, una joven arrodillada; en la parte superior, la figura de Dios P [+]

The Immaculate Conception
Pencil, Red ink, Grey-brown wash, Reddish wash on paper. XVII century
Ribalta, Francisco (Attributed To)
The Immaculate Conception
Pencil, Red ink, Grey-brown wash, Reddish wash on paper. XVII century
Ribalta, Francisco (Attributed To)

En pie sobre el creciente de la luna, al cual se enrosca el dragón infernal, alza sus ojos al cielo. De su cuerpo parten rayos luminosos, y rodea su cabeza la corona de estrellas. Ángeles mancebos y n [+]

The Immaculate Conception
Pencil, Grey-brown ink on yellow laid paper. XVIII century
Castillo, José del
The Immaculate Conception
Pencil, Grey-brown ink on yellow laid paper. XVIII century
Castillo, José del

Sentada sobre una nube, con las manos sobre el pecho y coronada de estrellas, aplasta con el pie derecho la serpiente que se enrosca junto al creciente de la luna. A su derecha un angel mancebo y otro [+]

St. John the Baptist baptizing Christ
Pencil, Grey-brown ink, Wash on paper. Second half of the XVI century
Luini, Aurelio
St. John the Baptist baptizing Christ
Pencil, Grey-brown ink, Wash on paper. Second half of the XVI century
Luini, Aurelio

Close in to this drawing in handling and figure types is the Two studies for a David and Goliath in the Staatlichen Graphischen Sammlung, Munic (inv. no. 2680). [+]

Ecce Homo
Pencil, Ink on dark yellow paper. Early XVII century
Anonymous
Ecce Homo
Pencil, Ink on dark yellow paper. Early XVII century
Anonymous

En el anverso se la hoja se representa un Ecce Homo de pie, casi de perfil, inclinado a la derecha. De comienzos de siglo y de nada fácil emplazamiento estilístico. Pegado en otro papel con fragmento [+]

The Adoration of the Magi
Black chalk, Pencil, Grey ink on white paper. XVIII century
Graziani, Ercole
The Adoration of the Magi
Black chalk, Pencil, Grey ink on white paper. XVIII century
Graziani, Ercole

Ante un fondo de arquitecturas en ruinas, la Virgen sentada sobre un capitel clásico y acompañada de San José, presenta el Niño a los Reyes Magos, uno arrodillado ante ella y los otros dos de pie; al [+]

Jacob’s Dream
Ink, Grey-brown wash on dark yellow paper. Ca. 1720
Pò, Giacomo del
Jacob’s Dream
Ink, Grey-brown wash on dark yellow paper. Ca. 1720
Pò, Giacomo del

En la parte baja, Jacob recostado en tierra dormido y tras él la escala con los ángeles que suben y bajan, y en lo alto, Dios Padre.Atribuido de antiguo a Gaulli y publicado como tal, ha de ser consid [+]

The Immaculate Conception
Brush, Mauve ink, White lead on dark toned paper. Early XVII century
Anonymous
The Immaculate Conception
Brush, Mauve ink, White lead on dark toned paper. Early XVII century
Anonymous

La Inmaculada se representa de frente, con las manos unidas, con la cabeza levemente alzada e inclinada a la izquierda.De comienzos de siglo XVII, quizás andaluza. (Texto extractado de Pérez Sánchez, [+]

The Holy Family
Black chalk, Pencil, Reworked in ink on grey paper. Ca. 1670
Anonymous
The Holy Family
Black chalk, Pencil, Reworked in ink on grey paper. Ca. 1670
Anonymous

A la izquierda se representa a la Virgen que sostiene el seno para dar el pecho al Niño Jesús, que se vuelve hacia San José que está a la derecha en actitud adorante y con la vara florecida en la mano [+]

Nymphs and Satyrs
Pencil, Red chalk, Grey ink on dark yellow paper. Ca. 1650
Anonymous
Nymphs and Satyrs
Pencil, Red chalk, Grey ink on dark yellow paper. Ca. 1650
Anonymous

Dibujo en el que se representa a la izquierda un amorcillo y dos faunos dan de beber a un hombre tendido, como Baco o Sileno. A la derecha una ninfa asiste a la escena rodeada de sátiros y amorcillos. [+]

Up