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Mars and Apollo / Mars and Apollo, alternative design
Pencil, Grey-brown ink, Wash on paper. 1566 - 1569
Il Bergamasco
Mars and Apollo / Mars and Apollo, alternative design
Pencil, Grey-brown ink, Wash on paper. 1566 - 1569
Il Bergamasco

In ancient mythology, Mars -the god of War- and Apollo -the god of the Sun, who is associated with omniscient powers of reasoning- come together as a result of Apollo´s discovery of the affair b [+]

And still they don't go!
Pencil, Pencil, Indian ink, Grey ink, Iron gall ink, Wash on laid paper. Mid-XIXcentury
Anonymous (Copy After Goya y Lucientes, Francisco de)
And still they don't go!
Pencil, Pencil, Indian ink, Grey ink, Iron gall ink, Wash on laid paper. Mid-XIXcentury
Anonymous (Copy After Goya y Lucientes, Francisco de)

Este dibujo se incluye en el conjunto de 77 copias de los Caprichos de Goya de autor anónimo los cuales, sin aparente relación con la obra de Martín Rico, sin embargo han formado parte de su colección [+]

Teacher witch giving lessons of bravery to her disciple on the latter’s first flight. Training witches
Pencil, Iron gall ink, Black chalk lines on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de
Teacher witch giving lessons of bravery to her disciple on the latter’s first flight. Training witches
Pencil, Iron gall ink, Black chalk lines on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de

This preparatory drawing for the etching Capricho 66, There it goes (G02102) is part of The Dreams, a series of twenty-six pen-and-ink drawings that serve as the basis for the Caprichos. Headed by Dr [+]

No one has seen us
Pencil, Pencil, Indian ink, Grey ink, Iron gall ink, Wash on laid paper. Mid-XIXcentury
Anonymous (Copy After Goya y Lucientes, Francisco de)
No one has seen us
Pencil, Pencil, Indian ink, Grey ink, Iron gall ink, Wash on laid paper. Mid-XIXcentury
Anonymous (Copy After Goya y Lucientes, Francisco de)

Este dibujo se incluye en el conjunto de 77 copias de los Caprichos de Goya de autor anónimo los cuales, sin aparente relación con la obra de Martín Rico, sin embargo han formado parte de su colección [+]

Since I told him se moves nicely, he can't speak without wriggling
Black chalk, Pencil, Bistre, Iron gall ink, Wash on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de
Since I told him se moves nicely, he can't speak without wriggling
Black chalk, Pencil, Bistre, Iron gall ink, Wash on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de

This preparatory drawing for the etching Capricho 7, God forgive her: Even thus he cannot make her out (G02095) is part of The Dreams, a series of twenty-six pen-and-ink drawings that serve as the ba [+]

Might not the pupil know more?
Pencil, Pencil, Indian ink, Grey ink, Iron gall ink, Wash on laid paper. Mid-XIXcentury
Anonymous (Copy After Goya y Lucientes, Francisco de)
Might not the pupil know more?
Pencil, Pencil, Indian ink, Grey ink, Iron gall ink, Wash on laid paper. Mid-XIXcentury
Anonymous (Copy After Goya y Lucientes, Francisco de)

Este dibujo se incluye en el conjunto de 77 copias de los Caprichos de Goya de autor anónimo los cuales, sin aparente relación con la obra de Martín Rico, sin embargo han formado parte de su colección [+]

Growing after death
Pencil, Iron gall ink, Black chalk lines on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de
Growing after death
Pencil, Iron gall ink, Black chalk lines on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de

This preparatory drawing for an unpublished plate from the Caprichos is one of twenty-six pen-and-ink drawings known as The Dreams, which constitute the basis for Los Caprichos. They are headed by Dre [+]

Tantalo
Pencil, Pencil, Grey ink, Iron gall ink, Wash on laid paper. Mid-XIXcentury
Anonymous (Copy After Goya y Lucientes, Francisco de)
Tantalo
Pencil, Pencil, Grey ink, Iron gall ink, Wash on laid paper. Mid-XIXcentury
Anonymous (Copy After Goya y Lucientes, Francisco de)

Este dibujo se incluye en el conjunto de 77 copias de los Caprichos de Goya de autor anónimo los cuales, sin aparente relación con la obra de Martín Rico, sin embargo han formado parte de su colección [+]

Study of a prophet / Human figure with a child
Pencil, Grey-brown ink on dark yellow paper. Ca. 1627
Guercino (Giovanni Francesco Barbieri)
Study of a prophet / Human figure with a child
Pencil, Grey-brown ink on dark yellow paper. Ca. 1627
Guercino (Giovanni Francesco Barbieri)

This drawing was first identified by Manuela Mena Marqués as a preparatory study for Prophet Jeremiah, one of a group of six prophets painted in fresco by Guercino for the cupola of Piacenza’s [+]

Wind. If anyone is to blame in this scene, it is the suit
Pencil, Iron gall ink on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de
Wind. If anyone is to blame in this scene, it is the suit
Pencil, Iron gall ink on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de

This preparatory drawing for the etching Capricho 36, Bad Night (G02124) is part of The Dreams, a series of twenty-six pen-and-ink drawings that serve as the basis for the Caprichos. This type of com [+]

The Literate Ass
Pencil, Pencil, Iron gall ink on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de
The Literate Ass
Pencil, Pencil, Iron gall ink on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de

A preparatory drawing for the aquatint, Capricho 39, As Far Back as his Grandfather (G02127), this is one of twenty-six pen drawings from the Dreams series that constitutes the basis for the Caprichos [+]

Universal Language. The Author dreaming
Black chalk, Pencil, Iron gall ink on laid paper. 1797
Goya y Lucientes, Francisco de
Universal Language. The Author dreaming
Black chalk, Pencil, Iron gall ink on laid paper. 1797
Goya y Lucientes, Francisco de

International Language is the preparatory drawing for the well-known Capricho 43, The Sleep of Reason Produces Monsters, and it bears the marks of having been transferred to the copper plate. The fina [+]

Mummy’s Boy
Pencil, Pencil, Indian ink, Grey ink, Iron gall ink, Wash on laid paper. Mid-XIXcentury
Anonymous (Copy After Goya y Lucientes, Francisco de)
Mummy’s Boy
Pencil, Pencil, Indian ink, Grey ink, Iron gall ink, Wash on laid paper. Mid-XIXcentury
Anonymous (Copy After Goya y Lucientes, Francisco de)

This drawing is one of a set of 77 anonymous copies of Goya´s Caprichos, which have no apparent relation to Martín Rico´s work but became a part of his collection in the second half [+]

The street
Pencil, Red chalk, Indian ink, Iron gall ink, Wash on grey laid paper. 1796 - 1808
Goya y Lucientes, Francisco de
The street
Pencil, Red chalk, Indian ink, Iron gall ink, Wash on grey laid paper. 1796 - 1808
Goya y Lucientes, Francisco de

This drawing occupies the front of the sheet that bears Sketch of the Royal Astronomical Observatory of Madrid (D04146 v) on the back. The image has frequently been considered a view of a street in Ma [+]

Look how solemn they are!
Pencil, Pencil, Indian ink, Grey ink, Iron gall ink, Wash on laid paper. Mid-XIXcentury
Anonymous (Copy After Goya y Lucientes, Francisco de)
Look how solemn they are!
Pencil, Pencil, Indian ink, Grey ink, Iron gall ink, Wash on laid paper. Mid-XIXcentury
Anonymous (Copy After Goya y Lucientes, Francisco de)

Este dibujo se incluye en el conjunto de 77 copias de los Caprichos de Goya de autor anónimo los cuales, sin aparente relación con la obra de Martín Rico, sin embargo han formado parte de su colección [+]

Wild merchants
Pencil, Iron gall ink, Black chalk lines on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de
Wild merchants
Pencil, Iron gall ink, Black chalk lines on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de

This preparatory drawing for the etching Capricho 11, Lads Making Ready (G02099 / G00644) is part of The Dreams, a series of twenty-six pen-and-ink drawings that serve as the basis for the Caprichos. [+]

At the height of their flight, the haughty witches are cast down
Pencil, Iron gall ink, Black chalk lines on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de
At the height of their flight, the haughty witches are cast down
Pencil, Iron gall ink, Black chalk lines on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de

A preparatory drawing for the etching, Capricho 62, Who could believe it! (G02150). Together, the twenty-six pen-and-ink drawings that constitute the basis for The Caprichos are known as The Dreams. T [+]

Witches’ proclamation prohibiting those under the age of thirty, no matter how deserving they may be
Pencil, Iron gall ink on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de
Witches’ proclamation prohibiting those under the age of thirty, no matter how deserving they may be
Pencil, Iron gall ink on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de

This preparatory drawing for an unpublished plate from the Caprichos does not correspond to any specific etching. Together, the twenty-six pen-and-ink drawings that constitute the basis for The Capric [+]

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