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Study for the dead Christ
Black chalk, Touches of white chalk on ivory laid paper. 1768
Mengs, Anton Raphael
Study for the dead Christ
Black chalk, Touches of white chalk on ivory laid paper. 1768
Mengs, Anton Raphael

Neoclassical painter Anton Raphael Mengs spent some eleven years in Spain -from 1761 to 1769, and again from 1774 to 1777- working primarily on the decoration of Madrid’s Royal Palace for King Charles [+]

They already have a seat
Etching, Aquatint on ivory laid paper. 1797 - 1799
Goya y Lucientes, Francisco de
They already have a seat
Etching, Aquatint on ivory laid paper. 1797 - 1799
Goya y Lucientes, Francisco de

Prueba de estado de la estampa G02114 (1aedición). En esta escena Goya alude a conceptos como moza de silla, identificado con la práctica de la prostitución, o a expresiones tales como sentar la cabez [+]

Mummy’s Boy
Burnished aquatint, Etching on ivory laid paper. 1797 - 1799
Goya y Lucientes, Francisco de
Mummy’s Boy
Burnished aquatint, Etching on ivory laid paper. 1797 - 1799
Goya y Lucientes, Francisco de

Printer’s proof prior to the first edition Capricho 4, Mummy´s Boy (El de la rollona), before the replacement of the letter “y” with “ll” in “rollona”. Etching and burnished aquatint The word rollona [+]

Que sacrificio!
Drypoint, Burnished aquatint, Etching on ivory laid paper. 1797 - 1799
Goya y Lucientes, Francisco de
Que sacrificio!
Drypoint, Burnished aquatint, Etching on ivory laid paper. 1797 - 1799
Goya y Lucientes, Francisco de

Capricho 14, What a Sacrifice! is part of The Caprichos. The subject matter was common in that period as dreams were used to represent the world from the perspective of the artist’s imagination withou [+]

Devout profession
Drypoint, Etching, Aquatint on ivory laid paper. 1797 - 1799
Goya y Lucientes, Francisco de
Devout profession
Drypoint, Etching, Aquatint on ivory laid paper. 1797 - 1799
Goya y Lucientes, Francisco de

Caprichos, 70, Devout profession. The harsh criticism set out by the artist in these images, which he ironically titled Devout profession, to openly reveal the scene’s meaning, is directed against ign [+]

All will fall
Burnished aquatint, Etching on ivory laid paper. 1797 - 1799
Goya y Lucientes, Francisco de
All will fall
Burnished aquatint, Etching on ivory laid paper. 1797 - 1799
Goya y Lucientes, Francisco de

Capricho 19. The satirical tone that Goya employs in the Caprichos in which he criticises prostitution is applied to both the girls and their clients, the latter depicted as plucked chickens. The arti [+]

There it goes
Drypoint, Etching, Aquatint on ivory laid paper. 1797 - 1799
Goya y Lucientes, Francisco de
There it goes
Drypoint, Etching, Aquatint on ivory laid paper. 1797 - 1799
Goya y Lucientes, Francisco de

Capricho 66, There it goes is part of The Carpichos. The subject matter was common in representations of that period. The preparatory drawing’s composition shows a witch riding on a mischievous devil, [+]

The filiation
Etching, Aquatint on ivory laid paper. 1797 - 1799
Goya y Lucientes, Francisco de
The filiation
Etching, Aquatint on ivory laid paper. 1797 - 1799
Goya y Lucientes, Francisco de

Capricho 57, The filiation. In the composition, a standing man reads to a seated woman. Both wear masks. Another man scrutinizes them with a monocle while the monkey on his shoulders looks directly o [+]

Two of a Kind
Drypoint, Etching, Aquatint on ivory laid paper. 1797 - 1799
Goya y Lucientes, Francisco de
Two of a Kind
Drypoint, Etching, Aquatint on ivory laid paper. 1797 - 1799
Goya y Lucientes, Francisco de

Capricho 5, Two of a Kind is part of The Caprichos. The subject matter was common in depictions of that period. At first glance, the preparatory drawing might seem to be a simple genre scene—a lady be [+]

Even thus he cannot make her out
Drypoint, Etching, Aquatint on ivory laid paper. 1797 - 1799
Goya y Lucientes, Francisco de
Even thus he cannot make her out
Drypoint, Etching, Aquatint on ivory laid paper. 1797 - 1799
Goya y Lucientes, Francisco de

Capricho 7, Even thus he cannot make her out is part of The Caprichos. The subject matter—social criticism—was a useful tool for both the artist and other members of the Enlightenment, and its intenti [+]

Look how solemn they are!
Drypoint, Etching, Aquatint on ivory laid paper. 1797 - 1799
Goya y Lucientes, Francisco de
Look how solemn they are!
Drypoint, Etching, Aquatint on ivory laid paper. 1797 - 1799
Goya y Lucientes, Francisco de

Capricho 63, Look how solemn they are! is part of The Caprichos. The subject matter was common in representations of that period. The composition has three figures, one of whom is being ridden by the [+]

They already have a seat
Burnished aquatint, Etching on ivory laid paper. 1797 - 1799
Goya y Lucientes, Francisco de
They already have a seat
Burnished aquatint, Etching on ivory laid paper. 1797 - 1799
Goya y Lucientes, Francisco de

En esta escena Goya alude a conceptos como “moza de silla”, identificado con la práctica de la prostitución, o a expresiones tales como “sentar la cabeza”, en el sentido de volverse una persona juicio [+]

Pretty teacher!
Drypoint, Burnished aquatint, Etching on ivory laid paper. 1797 - 1799
Goya y Lucientes, Francisco de
Pretty teacher!
Drypoint, Burnished aquatint, Etching on ivory laid paper. 1797 - 1799
Goya y Lucientes, Francisco de

Capricho 68, Pretty teacher! [+]

Where is mommy going?
Drypoint, Etching, Aquatint on ivory laid paper. 1797 - 1799
Goya y Lucientes, Francisco de
Where is mommy going?
Drypoint, Etching, Aquatint on ivory laid paper. 1797 - 1799
Goya y Lucientes, Francisco de

Capricho 65, Where is mommy going? (G02102) is part of The Caprichos. The subject matter was common in representations of that period. The composition presents four figures accompanied by nocturnal an [+]

Bad Night
Burnished aquatint, Etching on ivory laid paper. 1797 - 1799
Goya y Lucientes, Francisco de
Bad Night
Burnished aquatint, Etching on ivory laid paper. 1797 - 1799
Goya y Lucientes, Francisco de

Capricho 36, Bad Night is part of The Caprichos.The sense of social criticism can be grasped in Valentín Carderera’s manuscripts at the Museo del Prado, the Biblioteca Nacional and the 1791 and [+]

Funeral Catafalque of Maria Amalia of Saxony in Barcelona
Etching on ivory laid paper. 1761
Valls, Ignacio; Grau, Carlos
Funeral Catafalque of Maria Amalia of Saxony in Barcelona
Etching on ivory laid paper. 1761
Valls, Ignacio; Grau, Carlos

The Queen Maria Amalia died on 27 September 1760, leaving Charles III a widower. He never remarried. This etching shows the funeral held in Barcelona. The work of the brothers Francisco and Manuel Tra [+]

Mummy’s Boy
Burnished aquatint, Etching on ivory laid paper. 1797 - 1799
Goya y Lucientes, Francisco de
Mummy’s Boy
Burnished aquatint, Etching on ivory laid paper. 1797 - 1799
Goya y Lucientes, Francisco de

Capricho 4, Mummy´s Boy (El de la rollona). The word rollona used in the title refers to a strong, plump woman and was only used in the expression “el niño de la rollona”, which appears in vari [+]

Look how solemn they are!
Drypoint, Etching, Aquatint on ivory laid paper. 1797 - 1799
Goya y Lucientes, Francisco de
Look how solemn they are!
Drypoint, Etching, Aquatint on ivory laid paper. 1797 - 1799
Goya y Lucientes, Francisco de

Capricho 63, Look how solemn they are! is part of The Caprichos. The subject matter was common in representations of that period. The composition has three figures, one of whom is being ridden by the [+]

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