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This drawing belongs to the Ajello Sketchbook, a group of fifty-nine unbound pencil drawings that were models for engraving to illustrate a descriptive calendar of sculptures that Philip V and his wif [+]
The refined features of this distinguished young man recall those of the Emperor Nerva (96-98 AD) and his hairstyle reflects that of the previous Emperor, Domitian (81-96 AD). But this head also has s [+]
The head of this young man with soft features is made of black marble with a highly polished face, while the bust is of white alabaster. Belonging to a production modelled on works by Nicolas Cordier [+]
A modern bust of emperor Marcus Aurelius (121-180 A.D.). This work follows the model of the ancient bronze equestrian statue that Michelangelo placed in the Piazza del Campidoglio in Rome, which is no [+]
This youth, with his distinctive features, has a hairstyle introduced under Nero (54-68 AD). The Emperor’s undulating locks scandalised the upper classes in Rome at the time but were highly appreciate [+]
A piece created under the influence of Nicolas Cordier (1567-1612), a French sculptor and restorer resident in Rome who specialised in combining alabaster and marbles of various colours, and is consid [+]
This type of portrait of the first Roman emperor , Augustus Caesar –born Gaius Octavius– (63 B.C.-14 A.D.), was the best and most widely known. It corresponds to the "Prima Porta" type, which was crea [+]
The sitter is a young man with a robust face, a thick, clipped beard and curly hair typical of the Trajanic period. He wears a lunula: an amulet in the form of a crescent moon that protected him again [+]
The table O00542 is supported by four bronze lions O00453, O02938, O02939, and O02940 that Velazquez commissioned from Matteo Bonuccelli during the painter´s second trip to Rome (1649-1651). The [+]
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The vessel, carved in a single piece, consists of a jasper tazza with an oval mouth and boat-shaped profile. Until 1918 it had a simple mount of handles in the form of dolphins joined by openwork half [+]
An ovate vessel in the form of an urn. It has a smooth pyriform body with a double moulding on the shoulder, a neck with a concave profile, and a round mouth. The moulded cover has the form of a cupol [+]
Vessel similar to O38, except that the cover is missing. The precious stones on the jasper ring are complete, and the remaining cameos consist of a Roman-style bust of a crowned man and a woman’s head [+]
Vessel made up of two pieces of hardstone and three enamelled gold mounts. The larger piece forms the deep boat-shaped bowl, with the front raised, leaves on the rim, and a volute at the rear. A high [+]
Estuche con cuerpo central ovalado globular con remate cupulado y vástago cilíndrico con pie en forma de disco, forrado con tafilete . Decoración dorada en cenefa del remate y pie, mientras que la par [+]
Vessel comprising four hardstone pieces and five enamelled gold mounts. The oblong bowl has a boat-shaped profile with gadroons at the ends. A leaf-shaped piece serving as a lip is joined to the body [+]
Estuche en forma de taza, decorado con flores de lis, para alojar un vaso de ágata, posiblemente un aguamanil. Su forma, invertida, recuerda a la de un casco, de antigua denominación como morrión. Sin [+]
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