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Tras la muerte de Felipe II la corte quedó sumida en el luto, y así se hizo retratar su hija Isabel Clara Eugenia en esta obra. Viste saya negra de la que asoman manguillas de raso blanco con bordadur [+]
This more-than-half-length portrait depicts the queen outdoors, wearing a yellow silk gown with red robes and a blouse with ample lace cuffs. A rich group of diamonds and rubies adorns her bosom and s [+]
In portraits of female subjects, Anton Rafael Mengs displays a warm and gentle quality, more Rococo in tone than the slightly academic coldness marking his historical and mythological compositions. Th [+]
The Infanta, Felipe II´s daughter, is portrayed at the age of thirteen. She stands with a distant and elegant gesture, in three-quarters, which was in keeping with a type of portraiture widely used am [+]
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This portrait of Philip V is based on a prototype devised by Meléndez in the 1720s. It combines a French model with the use of broad, zig-zagging brushstrokes typical of the Madrid Baroque styl [+]
Inmerso ya en el academicismo neoclásico, el artista retrató a esta dama desconocida, cuya edad ronda la treintena, con su habilidad acostumbrada. Se trata de un busto de mujer joven que dirige su mir [+]
In this slightly more than half-length portrait, she wears a blue velvet dress with gold embroidery and reddish robes. The carnation in her left hand is a traditional symbol of betrothal in portraits [+]
This is an official portrait of Queen Isabella Farnese (1692-1766), daughter of Eduardo II, Duke of Parma and second wife of Felipe V of Spain (1683-1746), whom she married in 1714. Shown three quarte [+]
This is the right wing of the Genealogy of the Virgin altarpiece which the Count of Barajas donated to Philip II, according to the inventory of the Alcazar of Madrid of 1600. On the reverse, Saint Ber [+]
Alonso Sánchez Coello was court painter to Philip II and he united two different pictorial styles developed in the mid sixteenth century by Titian and Anthonis Mor respectively. Sánchez [+]
The moralizing intention of this work shows the two paths that will tempt men over the course of their lives: Virtue and Vice. Virtue, wearing the crown of laurels that has been her symbol since Antiq [+]
The bust of Isabel of Portugal (1503-1539) is represented in profile in a profusely sculpted frame, just like the relief carving of Emperor Carlos V (E00291) that is paired with this one. Beginning wi [+]
During his trip to Paris in the autumn of 1913 Sorolla painted the wife of Jacques Seligmann, a leading art dealer of German origin, emphasising her beauty and elegance through the use of a restrained [+]
Madrazo interprets the elegance and refinement of the French painter Jean-Auguste-Dominique Ingres with a personality of his own, especially in the sitter’s pose. The handling of the textiles - notabl [+]
In the mid-nineteenth century Federico de Madrazo produced some of the most successful portraits of the Spanish bourgeoisie during the reign of Isabel II (1833-68), presenting them with the opulence t [+]
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