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This more-than-half-length portrait depicts the queen outdoors, wearing a yellow silk gown with red robes and a blouse with ample lace cuffs. A rich group of diamonds and rubies adorns her bosom and s [+]
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In portraits of female subjects, Anton Rafael Mengs displays a warm and gentle quality, more Rococo in tone than the slightly academic coldness marking his historical and mythological compositions. Th [+]
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Tras la muerte de Felipe II la corte quedó sumida en el luto, y así se hizo retratar su hija Isabel Clara Eugenia en esta obra. Viste saya negra de la que asoman manguillas de raso blanco con bordadur [+]
This portrait of Philip V is based on a prototype devised by Meléndez in the 1720s. It combines a French model with the use of broad, zig-zagging brushstrokes typical of the Madrid Baroque styl [+]
Inmerso ya en el academicismo neoclásico, el artista retrató a esta dama desconocida, cuya edad ronda la treintena, con su habilidad acostumbrada. Se trata de un busto de mujer joven que dirige su mir [+]
In this slightly more than half-length portrait, she wears a blue velvet dress with gold embroidery and reddish robes. The carnation in her left hand is a traditional symbol of betrothal in portraits [+]
This is an official portrait of Queen Isabella Farnese (1692-1766), daughter of Eduardo II, Duke of Parma and second wife of Felipe V of Spain (1683-1746), whom she married in 1714. Shown three quarte [+]
Maria Josefa (1751-1767) was the daughter of the Emperor Francis I and his wife Maria Teresa. She was first betrothed to Ferdinand IV of Naples but she died young and was consequently replaced in this [+]
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