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This composition retains the structure of traditional triptychs, but the landscape links the three panels together to form a single scene, thus including the pilgrim-donor and Saint Ursula in the Myst [+]
There are very few preserved likenesses of Isabella the Catholic (1451-1504), whom the sources describe as a woman with a cheerful character, white skin, blue eyes and fair hair. Interrupted in her re [+]
The portraitee, chamberlain to King Philip II and warden of the Country House, is dressed in black, except for cuffs and frills, his figure silhouetted against a neutral background. His head is covere [+]
Tras la muerte de Felipe II la corte quedó sumida en el luto, y así se hizo retratar su hija Isabel Clara Eugenia en esta obra. Viste saya negra de la que asoman manguillas de raso blanco con bordadur [+]
La retratada ha sido identificada por E. Puerto Mendoza (2020) con la archiduquesa María Ana de Austria (1683-1754), hija del emperador Leopoldo I y de Leonor de Neoburgo, lo que la convertía en sobri [+]
The seated model is sumptuously dressed, with silver-lamé collar and cuffs, a pearl choker and a very dark green dress with silver decorations on her skirt and gold ones on the bodice and sleev [+]
This more-than-half-length portrait presents a boy dressed in black with a white shirt. He rests his left hand on his waist while holding his gloves in his right. A gold chain around his neck is match [+]
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La retratada, con varias sortijas y un collar de perlas, sujeta en la mano izquierda un monóculo o anteojo monocular provisto de manilla. Este ejemplar es de mayor nobleza de lo habitual, por la lujos [+]
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Mariana de Austria, hija del emperador Fernando III (1608-1675) y de la infanta española María Ana de Austria, hija menor de Felipe III y de Margarita de Austria (1606-1646), nació en el Palacio Imper [+]
Maria Beatrice Eleonora Anna Margareta Elisabeta d´Este was born in Modena in 1658 and died in Paris in 1718. She was the daughter of Alfonso IV, Duke of Modena, and Laura Martinozzi, and was th [+]
The present work is a copy of the Portrait of a Seated Woman (Vienna, Kunsthistorisches Museum), which the authors of the Corpus consider to be a workshop product. Another known copy, this one on pane [+]
La Reina aparece repesentada de cuerpo entero, en una galería abierta a un paisaje; con la mano derecha acaricia a un perrillo, tradicional imagen de la fidelidad, tumbado sobre un velador, en el que [+]
As Sylvie Béguin pointed out in a note on the modern museum matte (1980), this is a copy of the painting in the Pinacoteca Nazionale, Bologna, once given to Pellegrino Tibaldi (1527-1596) and n [+]
This marble statue and other seven more (E000068, E000041, E000040, E000062, E000061, E000069, E000037) were unearthed in about 1500 in Hadrian´s Villa at Tivoli, where the decorated the stage of the [+]
An oval salver or tray made up of seven pieces of rock crystal, identical in structure to O104. There are variations in the decorative composition, the work of the same Milanese workshop, recognisable [+]
