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Smokers and Drinkers
Oil on panel. 1652
Teniers The Younger, David
Smokers and Drinkers
Oil on panel. 1652
Teniers The Younger, David

Three figures enjoy tobacco in an expressive manner in the foreground while an onlooker leans through the window. Around a table in the background, another group of figures drinks or plays cards. This is an example of scenes inside taverns with smokers, drinkers and players, which Teniers made during the sixteen thirties. He began with figures by his teacher, Adriaen Brouwer (1605/1606-1638), whic

The Bivouac
Oil on panel. 1640 - 1650
Teniers The Younger, David
The Bivouac
Oil on panel. 1640 - 1650
Teniers The Younger, David

Of the artists who painted war scenes in the 17th century, none was as interested as David Teniers II in capturing images from behind the lines. With his customary tactile rigor, he depicts a plethora of military objects lying in the foreground with no apparent order and a handful of figures hanging cuirasses or helping their colleagues to remove their footgear. At the same time, he draws on one o

The Guard-Room
Oil on copperplate. 1640 - 1650
Teniers The Younger, David
The Guard-Room
Oil on copperplate. 1640 - 1650
Teniers The Younger, David

The foreground display of numerous military elements, banners, drums, cuirasses and weapons, leads to a genre painting showing some soldiers resting in the background. On the left of the composition, one of the pages works to hang up the soldiers' clothes. Here, as in his other works, Teniers shows his capacity to use light to achieve a perfect representation of the qualities of the objects depict

Monkeys in a Tavern
Oil on panel. Ca. 1660
Teniers The Younger, David
Monkeys in a Tavern
Oil on panel. Ca. 1660
Teniers The Younger, David

This work is part of the series of six panels of monkey scenes in the Museo Nacional del Prado (from P01805 to P01810). The subject matter is drawn from the oeuvre of Pieter Brueghel the Elder and Peter van der Borcht, which has been associated with the foolishness of man since the Middle Ages. Teniers successfully captures the ambivalence of mankind in its animal nature.A group plays cards in the

Monkeys smoking and drinking
Oil on panel. Ca. 1660
Teniers The Younger, David
Monkeys smoking and drinking
Oil on panel. Ca. 1660
Teniers The Younger, David

This work is part of the series of six panels of monkey scenes in the Museo Nacional del Prado (from P01805 to P01810). The subject matter is drawn from the oeuvre of Pieter Brueghel the Elder and Peter van der Borcht, which has been associated with the foolishness of man since the Middle Ages. Teniers successfully captures the ambivalence of mankind in its animal nature.Four apes are smoking arou

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