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Trapezóforo (pata de mesa)
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio
Trapezóforo (pata de mesa)
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio

This drawing belongs to the Ajello Sketchbook, a group of fifty-nine unbound pencil drawings that were models for engraving to illustrate a descriptive calendar of sculptures that Philip V and his wif [+]

They eat a lot
Pencil on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de
They eat a lot
Pencil on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de

Several drawings in these albums predominantly feature clergymen, all of which have a satirical tone. In this case, a friar laboriously prepares to relieve himself, consequentially, as Goya´s title su [+]

Wounded being evacuated from the battlefield
Red chalk, Conté crayon on ivory laid paper. Ca. 1811
Goya y Lucientes, Francisco de
Wounded being evacuated from the battlefield
Red chalk, Conté crayon on ivory laid paper. Ca. 1811
Goya y Lucientes, Francisco de

This drawing related to one of the Disasters of War was neither engraved nor published.In this series of prints executed between 1810 and 1814 Goya offers a critical and personal vision of the consequ [+]

Women Surprised by Soldiers
Red chalk, Conté crayon on ivory laid paper. Ca. 1812
Goya y Lucientes, Francisco de
Women Surprised by Soldiers
Red chalk, Conté crayon on ivory laid paper. Ca. 1812
Goya y Lucientes, Francisco de

Though related to Goya’s Disasters of War, this drawing was neither engraved nor published. Its composition is framed in red chalk and the corners are emphasized with touches of the same material. The [+]

The life drawing class, sketch of its lighting system and plan of its seating
Conté crayon, White chalk on paper. First half of the XIX century
Madrazo y Agudo, José de
The life drawing class, sketch of its lighting system and plan of its seating
Conté crayon, White chalk on paper. First half of the XIX century
Madrazo y Agudo, José de

[+]

Charity
Red chalk, Conté crayon on ivory laid paper. 1810
Goya y Lucientes, Francisco de
Charity
Red chalk, Conté crayon on ivory laid paper. 1810
Goya y Lucientes, Francisco de

A preparatory drawing for Disasters of War, 27, Charity. Once more, Goya eliminates any reference that could specifically identify the event being depicted in order to create an emotionally gripping s [+]

There is no one to help them
Red chalk on grey laid paper. Ca. 1813
Goya y Lucientes, Francisco de
There is no one to help them
Red chalk on grey laid paper. Ca. 1813
Goya y Lucientes, Francisco de

Preparatory drawing for Disasters of War, 60, There is no one to help them.In this series of prints executed between 1810 and 1814 Goya offers a critical and personal vision of the consequences of the [+]

They escape through the flames
Red chalk, Conté crayon on ivory laid paper. 1810 - 1814
Goya y Lucientes, Francisco de
They escape through the flames
Red chalk, Conté crayon on ivory laid paper. 1810 - 1814
Goya y Lucientes, Francisco de

Preparatory drawing for Disasters of War, 41, They escape through the flames.In this series Goya offers a critical and personal vision of the consequences of the Spanish Peninsular War (1808-14) that [+]

Women Surprised by Soldiers
Red chalk, Conté crayon on ivory laid paper. Ca. 1812
Goya y Lucientes, Francisco de
Women Surprised by Soldiers
Red chalk, Conté crayon on ivory laid paper. Ca. 1812
Goya y Lucientes, Francisco de

Though related to Goya’s Disasters of War, this drawing was neither engraved nor published. Its composition is framed in red chalk and the corners are emphasized with touches of the same material. The [+]

Even worse
Red chalk, Conté crayon on ivory laid paper. 1810
Goya y Lucientes, Francisco de
Even worse
Red chalk, Conté crayon on ivory laid paper. 1810
Goya y Lucientes, Francisco de

A preparatory drawing for Even worse (Disasters of War, 22) G00693, G02352.In this series of prints executed between 1810 and 1814 Goya offers a critical and personal vision of the consequences of the [+]

Life Study. Male Nude
Conté crayon on laid paper. 1891
Blay y Fábrega, Miguel
Life Study. Male Nude
Conté crayon on laid paper. 1891
Blay y Fábrega, Miguel

Este estudio del natural, realizado con la técnica más académica, cuenta en el reverso con una figura femenina desnuda abocetada, de mediana edad, sentada y girada hacia su izquierda, en un estudio de [+]

Crybaby
Black chalk, Lithographic crayon on grey laid paper. 1825 - 1828
Goya y Lucientes, Francisco de
Crybaby
Black chalk, Lithographic crayon on grey laid paper. 1825 - 1828
Goya y Lucientes, Francisco de

The twenty-nine drawings in the Museo del Prado’s Album H bear Goya’s own numeration in black pencil or lithograph pencil near the upper right corner. Several also have his signature. Like the drawing [+]

Sketch of a Sleeping Man
Conté crayon on laid paper. 1894
Blay y Fábrega, Miguel
Sketch of a Sleeping Man
Conté crayon on laid paper. 1894
Blay y Fábrega, Miguel

Este dibujo sigue la línea que pintores como Ramón Casas estaban desarrollando, con una agilidad y una espontaneidad marcadas por una personal manera de dibujar, con trazos seguros y rápidos de difere [+]

The Worst is to beg
Red chalk, Conté crayon on grey laid paper. 1812 - 1814
Goya y Lucientes, Francisco de
The Worst is to beg
Red chalk, Conté crayon on grey laid paper. 1812 - 1814
Goya y Lucientes, Francisco de

A preparatory drawing for the print Disasters of War, 55, The Worst is to beg. One of Goya’s most singular conceptual contributions in his series of prints, Disasters of War, is his manner of represen [+]

Seated Female Nude
Brown chalk, Conté crayon, Charcoal on laid paper. 1893
Blay y Fábrega, Miguel
Seated Female Nude
Brown chalk, Conté crayon, Charcoal on laid paper. 1893
Blay y Fábrega, Miguel

Estudio del natural realizado como un ejercicio de tipo académico, valorando el volumen y las características de una joven adolescente, sentada prácticamente de perfil, en el que modela perfectamente [+]

Preparatory Study for the Monument to Vasco Núñez de Balboa in Panama City
Conté crayon on laid paper. 1923 - 1924
Blay y Fábrega, Miguel
Preparatory Study for the Monument to Vasco Núñez de Balboa in Panama City
Conté crayon on laid paper. 1923 - 1924
Blay y Fábrega, Miguel

Este es un dibujo preparatorio para el grupo Atlantes soportando la bola del mundo, que Blay tituló Las Raíces, base del monumento a Vasco Núñez de Balboa en Panamá. Este se levantó por iniciativa del [+]

Charles IV, King of Spain
Black chalk on yellow laid paper. Ca. 1766
Paret y Alcázar, Luis
Charles IV, King of Spain
Black chalk on yellow laid paper. Ca. 1766
Paret y Alcázar, Luis

Dibujo en el que se representa al monarca sentado en un sillón, acodado en una mesa, con un gran papel o mapa asido con ambas manos. Fondo de gran columnata sobre un jardín, y en primer término, en el [+]

Fight till death between two stout men
Pencil on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de
Fight till death between two stout men
Pencil on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de

It is difficult to say whether here we are viewing a scene of amusement or an allegory of violence, as both characters appear to be laughing stupidly while one pines down the other by force and prepar [+]

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