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A Sybil
Black chalk, White chalk on brown paper. Ca. 1650
Anonymous
A Sybil
Black chalk, White chalk on brown paper. Ca. 1650
Anonymous

Dibujo que reprenda a una Sibila sentada sobre nubes, sostiene un libro en la mano derecha y alza la cabeza, tocada con un turbante. Es apunte boloñés de mediados del s. XVII, inspirado en las composi [+]

The Coronation of the Virgin
Pencil ground, Grey-brown ink, Wash on brown paper. Late XVI century
Anonymous
The Coronation of the Virgin
Pencil ground, Grey-brown ink, Wash on brown paper. Late XVI century
Anonymous

Inspired by a composition of Palma Giovane (c. 1548-1628) or another Venetian painter of the period. [+]

Winged angels seated on clouds
Pencil, Pencil ground, Grey ink, Grey-brown ink, Wash on brown paper. XVI century
Anonymous (Circle Of India, Bernardino)
Winged angels seated on clouds
Pencil, Pencil ground, Grey ink, Grey-brown ink, Wash on brown paper. XVI century
Anonymous (Circle Of India, Bernardino)

The old attribution CORREGIO, in which both Brun (?) and Fernández Durán may have believed, is not correct. The drawing displays some stylistic traits associable with Bernardino India, t [+]

Warrior with a shield
Pencil, Pencil ground, Red chalk, Grey-brown ink, Wash on brown paper. Second quarter of the XVI century
Romano, Giulio (Giovanni Francesco Penni)
Warrior with a shield
Pencil, Pencil ground, Red chalk, Grey-brown ink, Wash on brown paper. Second quarter of the XVI century
Romano, Giulio (Giovanni Francesco Penni)

This and the drawing D1807, Standing warrior, resting his foot on the head of a dragon, are companions and have remained together from at least as long ago as the late eighteenth century, when they we [+]

St. Margaret
Pencil, Pencil ground, Grey-brown ink, Wash on brown paper. Early Finales del siglo XVI - XVII century
Anonymous (Circle Of Villamena, Francesco)
St. Margaret
Pencil, Pencil ground, Grey-brown ink, Wash on brown paper. Early Finales del siglo XVI - XVII century
Anonymous (Circle Of Villamena, Francesco)

In spite of the traditional attribution to Lorenzo Sabbatini (ca. 1530-1576), this drawing appears to be by Villena as other drawings, though it lacks and old inscription giving it to Villamena. [+]

Temperance, Hope, Wisdom and Chastity
Pencil, Pencil strokes, Grey-brown wash, White lead on brown paper. 1669 - 1671
Baciccia
Temperance, Hope, Wisdom and Chastity
Pencil, Pencil strokes, Grey-brown wash, White lead on brown paper. 1669 - 1671
Baciccia

The Genoese painter Giovanni Battista Gaulli, known as Baciccio, arrived in Rome in 1657, escaping the plague that had devastated his native city and his family. According to his biographer Lione Pasc [+]

Standing warrior, resting his foot on the head of a dragon
Pencil, Pencil ground, Grey-brown ink, Wash on brown paper. Second quarter of the XVI century
Romano, Giulio (Giovanni Francesco Penni)
Standing warrior, resting his foot on the head of a dragon
Pencil, Pencil ground, Grey-brown ink, Wash on brown paper. Second quarter of the XVI century
Romano, Giulio (Giovanni Francesco Penni)

This and the drawing D1806, Warrior with a shield, are companions and have remained together from at least as long ago as the late eighteenth century, when they were kept together in the same collecti [+]

Dead Christ supported by angels
Pencil, Pencil ground, Grey-brown ink, Wash on brown paper. XVI century
India, Bernardino
Dead Christ supported by angels
Pencil, Pencil ground, Grey-brown ink, Wash on brown paper. XVI century
India, Bernardino

Formerly attributed to the Emilian painter and draughtsman Prospero Fontana (before 1512-1597). IN a note on the modern museum mount, dated 1981, J. A. Gere rightly suggested that this is by the Veron [+]

The Crowning with Thorns
Pencil, Pencil ground, Grey-brown ink, Wash on brown paper. First half of the XVII century
Ribera, Jusepe de, lo Spagnoletto
The Crowning with Thorns
Pencil, Pencil ground, Grey-brown ink, Wash on brown paper. First half of the XVII century
Ribera, Jusepe de, lo Spagnoletto

Se conoce una variante de la composición en un dibujo de Ribera, a sanguina, conservado en el Museo Británico. [+]

Presentation of the Virgin in the Temple
Pencil ground, Grey-brown ink, White lead, Wash on brown paper. XVII century
Anonymous (Follower Of Titian (Tiziano Vecellio))
Presentation of the Virgin in the Temple
Pencil ground, Grey-brown ink, White lead, Wash on brown paper. XVII century
Anonymous (Follower Of Titian (Tiziano Vecellio))

The composition es loosely based on Titian´s painting in the Accademia, Venice, executed in 1534-8 for the Sala dell´Albergo of the Scuola Grande di Santa Maria della Carità, Venice, and still [+]

The Virgin and Child
Blue chalk, Brown chalk, Red chalk, Charcoal, White chalk on white paper. XVIII century
Anonymous
The Virgin and Child
Blue chalk, Brown chalk, Red chalk, Charcoal, White chalk on white paper. XVIII century
Anonymous

Dibujo con representación de la Virgen y el Niño relacionado con el estilo de los artistas venecianos del siglo XVIII (Texto extractado de Mena Marqués, M.: Catálogo de dibujos. VII. Dibujos italianos [+]

The Virgin and Child with Saints
Black chalk, Red chalk, Grey-brown wash on dark yellow paper. Second half of the XVII century
Diamantini, Giuseppe
The Virgin and Child with Saints
Black chalk, Red chalk, Grey-brown wash on dark yellow paper. Second half of the XVII century
Diamantini, Giuseppe

La composición se desarrolla en un recuadro. En el centro, sentada en un pedestal, la Virgen con el Niño; a sus pies, un ángel toca el laúd. En pie a la derecha, un obispo y a la izquierda, San Franci [+]

Life study
Black chalk, White chalk on brown paper. XVIII century
Monti, Francesco
Life study
Black chalk, White chalk on brown paper. XVIII century
Monti, Francesco

Tendido en el suelo, boca arriba, con un brazo bajo la cabeza y el otro extendido a lo largo del cuerpo. El dibujo lleva una atribución a Cortona, pero enlaza con el estilo de las academias de Monti; [+]

Men, Women and Children Escaping from a Flood, from The Deluge in the Vatican Logge
Pencil, Pencil ground, Grey-brown ink, Wash on brown paper. XVI century
Anonymous (Copy Raphael (Raffaello Sanzio))
Men, Women and Children Escaping from a Flood, from The Deluge in the Vatican Logge
Pencil, Pencil ground, Grey-brown ink, Wash on brown paper. XVI century
Anonymous (Copy Raphael (Raffaello Sanzio))

This weak copy is after one of the biblical scenes in the Vatican Logge. Raphael, assited by his pupils Giulio Romano (c. 1499-1546), Giovanni Francesco Penni (1496-c. 1536), Perino del Vaga (1501-154 [+]

Landscape
Black chalk, Grey-brown wash, White lead on brown paper. XVIII century
Zuccarelli, Francesco
Landscape
Black chalk, Grey-brown wash, White lead on brown paper. XVIII century
Zuccarelli, Francesco

En el centro, junto al río, un hombre a caballo y varias vacas; a la derecha, una gran casa solariega. Es ejemplo característico de Zuccarelli y dibujo muy concluido, posiblemente con valor en sí mism [+]

The Virgin and the Child
Pencil, Pencil, Grey-brown ink, Wash on brown paper. Second half of the XVI century
Samacchini, Orazio (Attributed To)
The Virgin and the Child
Pencil, Pencil, Grey-brown ink, Wash on brown paper. Second half of the XVI century
Samacchini, Orazio (Attributed To)

The drawing´s former attribution was to Lorenzo Sabbatini (ca. 1530-1576), who like Samacchini, worked mostly in Bologna. The technique and handling, especially the angular treatment of the folds of d [+]

Seated Female Nude
Brown chalk, Conté crayon, Charcoal on laid paper. 1893
Blay y Fábrega, Miguel
Seated Female Nude
Brown chalk, Conté crayon, Charcoal on laid paper. 1893
Blay y Fábrega, Miguel

Estudio del natural realizado como un ejercicio de tipo académico, valorando el volumen y las características de una joven adolescente, sentada prácticamente de perfil, en el que modela perfectamente [+]

Centaur with cherubs
Pencil, Grey wash, Pencil strokes on white paper. 1759 - 1791
Tiepolo, Giovanni Domenico
Centaur with cherubs
Pencil, Grey wash, Pencil strokes on white paper. 1759 - 1791
Tiepolo, Giovanni Domenico

This drawing is one of a series by Giandomenico Tiepolo dedicated to centaurs, fauns and other mythological creatures. The series is one of the most original creations by Giandomenico, son of Giambatt [+]

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