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Magdalena Parrella y Urbieta and her Daughter, Elisa Tapia y Parrella
Oil on canvas. 1850
Ribera y Fieve, Carlos Luis de
Magdalena Parrella y Urbieta and her Daughter, Elisa Tapia y Parrella
Oil on canvas. 1850
Ribera y Fieve, Carlos Luis de

Double portraits of this type, which were common in the mid-nineteenth century, were generally painted when the son or daughter was presented in society. The mother, depicted as seated, represented an [+]

Still Life with Flowers, a Silver-gilt Goblet, Dried Fruit, Sweetmeats, Bread sticks, Wine and a Pewter Pitcher
Oil on panel. 1611
Peeters, Clara
Still Life with Flowers, a Silver-gilt Goblet, Dried Fruit, Sweetmeats, Bread sticks, Wine and a Pewter Pitcher
Oil on panel. 1611
Peeters, Clara

It has often been stated that this painting is part of a series of four, all now in the Prado, but that is probably not the case. The dimensions of all four paintings (P1619, P1620, P1621, P1622) are [+]

Pietà
Oil on panel. 1565 - 1570
Morales, Luis de
Pietà
Oil on panel. 1565 - 1570
Morales, Luis de

Large-format versions of the Virgin holding the dead body of Christ, like those at Badajoz Cathedral and at the Real Academia de Bellas Artes de San Fernando, gave way in Morales’s oeuvre to smaller c [+]

Zechariah
Grisaille, Oil on oak panel. Ca. 1510
Provost, Jan
Zechariah
Grisaille, Oil on oak panel. Ca. 1510
Provost, Jan

This is the right wing of the Genealogy of the Virgin altarpiece which the Count of Barajas donated to Philip II, according to the inventory of the Alcazar of Madrid of 1600. On the reverse, Saint Ber [+]

The Angler
Oil on canvas. 1775
Goya y Lucientes, Francisco de
The Angler
Oil on canvas. 1775
Goya y Lucientes, Francisco de

In this work, Goya represented two different country activities. The background shows hunters, but the foreground has a boy fishing in a river, which gives this work its title. This was a cartoon for [+]

Triptych of the Adoration of the Magi
Oil on panel. 1470 - 1472
Memling, Hans
Triptych of the Adoration of the Magi
Oil on panel. 1470 - 1472
Memling, Hans

Comprising three panels, the Nativity, the Adoration of the Magi and the Presentation in the Temple, this painting is earlier than the triptych on the same subject painted by Memling for Jan Floreins [+]

Two figures lifting an Urn; and male head
Black chalk, White lead, Wash on paper. Second half of the XVI century
Anonymous (Copy Zuccaro, Taddeo)
Two figures lifting an Urn; and male head
Black chalk, White lead, Wash on paper. Second half of the XVI century
Anonymous (Copy Zuccaro, Taddeo)

The group appears between a pair of columns on the right of Taddeo´s fresco of the "Last Supper" in the church of S. Maria della Consolazione, Rome. [+]

The Virgin
Black chalk, White chalk on green paper. 1769
Bayeu, Francisco
The Virgin
Black chalk, White chalk on green paper. 1769
Bayeu, Francisco

Figura femenina de pie y de frente, con las dos manos recoge su túnica. El estudio de las telas muy terminado, pero la figura apenas esbozada. Dibujo preparatorio para la figura correspondiente en la [+]

Saint Francis of Assisi
Black chalk, Touches of red chalk on dark yellow paper. XVIII century
Gandolfi
Saint Francis of Assisi
Black chalk, Touches of red chalk on dark yellow paper. XVIII century
Gandolfi

La composición en un óvalo. El santo de tres cuartos con las manos cruzadas y la cabeza alzada, en actitud de oración. La figura es copia del San Francisco, que aparece en el cuadro de Guido Reni de l [+]

Feminine folly
Red chalk, Red wash on ivory laid paper. 1815 - 1819
Goya y Lucientes, Francisco de
Feminine folly
Red chalk, Red wash on ivory laid paper. 1815 - 1819
Goya y Lucientes, Francisco de

This subject was treated by Goya in 1791in his cartoon for the tapestry entitled The Straw Manikin. Whereas in that piece the theme is playful, in the Disparates series it is rendered somber by the pr [+]

The Virgin and Child with Saints
Black chalk on dark yellow paper. XVII century
Quaini, Luigi (Attributed To)
The Virgin and Child with Saints
Black chalk on dark yellow paper. XVII century
Quaini, Luigi (Attributed To)

El dibujo presenta a la derecha, sobre un pedestal, la Virgen con el Niño; en primer término, de espaldas, una figura femenina con una cruz, y a la izquierda, arrodillados, adorando a la Virgen, una d [+]

The Holy Family
Black chalk, Squared-up, White chalk on green paper. XVIII century
Bayeu, Francisco
The Holy Family
Black chalk, Squared-up, White chalk on green paper. XVIII century
Bayeu, Francisco

Estudio de una Sagrada Familia. A la izquierda, San José en pie, con la mano izquierda apoyada en el hombro del Niño. A la derecha, la Virgen también de pie con amplios ropajes y manto sobre la cabeza [+]

Head of Christ
Black chalk, White chalk on blue paper. XVIII century
Bayeu, Francisco
Head of Christ
Black chalk, White chalk on blue paper. XVIII century
Bayeu, Francisco

Estudio de la cabeza de Cristo para la figura del dibujo preparatorio Cristo y un ángel entre nubes (D03305), conservado en el Museo Nacional del Prado. (Texto extractado de Arnáez, R.: Catálogo de Di [+]

The Dream of Saint Joseph
Black chalk, Pencil, Grey wash on dark yellow paper. Early XVIII century
Conca, Sebastiano
The Dream of Saint Joseph
Black chalk, Pencil, Grey wash on dark yellow paper. Early XVIII century
Conca, Sebastiano

San José de frente, en primer término, y dormido, un ángel vuela sobre su cabeza y levanta su manto. Al fondo, tras una puerta, la Virgen amamanta al Niño. El dibujo forma, tal vez, pareja con el D033 [+]

9th
Brush, Bistre, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de
9th
Brush, Bistre, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

Pietà
Black chalk, White chalk on grey paper. XVIII century
Bayeu, Francisco
Pietà
Black chalk, White chalk on grey paper. XVIII century
Bayeu, Francisco

Estudio de La Piedad en el que se representa a Cristo sentado en el suelo, apoyando el cuerpo sobre la pierna derecha de la Virgen. (Texto extractado de Arnáez, R.: Catálogo de Dibujos. II. Dibujos Es [+]

Christ crucified
Black chalk, White chalk on grey paper. XVIII century
Anonymous
Christ crucified
Black chalk, White chalk on grey paper. XVIII century
Anonymous

Dibujo de un Cristo crucificado muy torpe y desproporcionado, como estudio de principiante. De técnica derivada de la de Bayeu. (Texto extractado de Pérez Sánchez, Alfonso E.: Catálogo de Dibujos. II. [+]

Religion en la Asia
Brush, Bistre, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de
Religion en la Asia
Brush, Bistre, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

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