The itinerary <em>TITULORECORRIDO</em> has been successfully created. Now you can add in works from the Collection browser
<em>TITULOOBRA</em> added to <em>TITULORECORRIDO</em> itinerary

Collection <Back
Search

Explore the collection

Refine results
5344 results
The Death of the Virgin (centre); The Birth of the Virgin (left); The Presentation of the Virgin (right)
Grisaille, Oil on panel. Before 1550
Coxcie, Michiel
The Death of the Virgin (centre); The Birth of the Virgin (left); The Presentation of the Virgin (right)
Grisaille, Oil on panel. Before 1550
Coxcie, Michiel

This triptych was executed for the church of Saint Gudule in Brussels. According to Carel van Mander (1604) it was subsequently sold "for a very high price to Spain". Philip II sent it to El Escorial [+]

Queen Juana La Loca confined at Tordesillas with her daughter, the Infanta Catalina
Oil on canvas. 1906
Pradilla y Ortiz, Francisco
Queen Juana La Loca confined at Tordesillas with her daughter, the Infanta Catalina
Oil on canvas. 1906
Pradilla y Ortiz, Francisco

In keeping with his interest in Queen Juana “la Loca,” Pradilla painted this painting of the queen´s confinement in Tordesillas Castle, where she spent the rest of her life alongside the cadaver of he [+]

The calle de la Reina in Aranjuez
Oil on canvas. XVII century
Martínez del Mazo, Juan Bautista
The calle de la Reina in Aranjuez
Oil on canvas. XVII century
Martínez del Mazo, Juan Bautista

A la izquierda, el agua del Tajo y en su orilla, grupos descansando. Un guarda abre la puerta del paseo, sombreado por grandes árboles. En 1794, la obra se encontraba en la pieza de comer el príncipe, [+]

The calle de la Reina in Aranjuez
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Pic de Leopold, Andreas -Lithographer- (The Original Work, According To Inscriptions, Attributed To Velázquez, Diego Rodríguez de Silva y); Martínez del Mazo, Juan Bautista (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The calle de la Reina in Aranjuez
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Pic de Leopold, Andreas -Lithographer- (The Original Work, According To Inscriptions, Attributed To Velázquez, Diego Rodríguez de Silva y); Martínez del Mazo, Juan Bautista (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Andreas Pic de Leopold (1789-después de 1860) que reproduce el lienzo del Museo Nacional del Prado (P01214). Anteriormente atribuido a Diego Rodríguez de Silva y Velázquez, en la [+]

The calle de la Reina in Aranjuez
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Pic de Leopold, Andreas -Lithographer- (The Original Work, According To Inscriptions, Attributed To Velázquez, Diego Rodríguez de Silva y); Martínez del Mazo, Juan Bautista (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The calle de la Reina in Aranjuez
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Pic de Leopold, Andreas -Lithographer- (The Original Work, According To Inscriptions, Attributed To Velázquez, Diego Rodríguez de Silva y); Martínez del Mazo, Juan Bautista (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Andreas Pic de Leopold (1789-después de 1860) que reproduce el lienzo del Museo Nacional del Prado (P01214). Anteriormente atribuido a Diego Rodríguez de Silva y Velázquez, en la [+]

The calle de la Reina in Aranjuez
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Pic de Leopold, Andreas -Lithographer- (The Original Work, According To Inscriptions, Attributed To Velázquez, Diego Rodríguez de Silva y); Martínez del Mazo, Juan Bautista (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The calle de la Reina in Aranjuez
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Pic de Leopold, Andreas -Lithographer- (The Original Work, According To Inscriptions, Attributed To Velázquez, Diego Rodríguez de Silva y); Martínez del Mazo, Juan Bautista (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Andreas Pic de Leopold (1789-después de 1860) que reproduce el lienzo del Museo Nacional del Prado (P01214). Anteriormente atribuido a Diego Rodríguez de Silva y Velázquez, en la [+]

The calle de la Reina in Aranjuez
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Pic de Leopold, Andreas -Lithographer- (The Original Work, According To Inscriptions, Attributed To Velázquez, Diego Rodríguez de Silva y); Martínez del Mazo, Juan Bautista (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The calle de la Reina in Aranjuez
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Pic de Leopold, Andreas -Lithographer- (The Original Work, According To Inscriptions, Attributed To Velázquez, Diego Rodríguez de Silva y); Martínez del Mazo, Juan Bautista (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Andreas Pic de Leopold (1789-después de 1860) que reproduce el lienzo del Museo Nacional del Prado (P01214). Anteriormente atribuido a Diego Rodríguez de Silva y Velázquez, en la [+]

The calle de la Reina in Aranjuez
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Pic de Leopold, Andreas -Lithographer- (After Martínez del Mazo, Juan Bautista); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
The calle de la Reina in Aranjuez
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Pic de Leopold, Andreas -Lithographer- (After Martínez del Mazo, Juan Bautista); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

La Torre de las Damas in the Alhambra, Granada
Oil on canvas. 1871
Rico y Ortega, Martín
La Torre de las Damas in the Alhambra, Granada
Oil on canvas. 1871
Rico y Ortega, Martín

This work was painted at a very important moment in Rico’s career, a period spent in direct contact with Fortuny in Granada in 1871 and 1872. He move there towards the end of 1870, but he was already [+]

Sculpture, Arithmetics and Architecture
Bronze. 1730 - 1740
Bertós, Francesco
Sculpture, Arithmetics and Architecture
Bronze. 1730 - 1740
Bertós, Francesco

In this group, characteristic of the Venetian Bertós’s technical virtuosity, the allegories of the liberal arts are accompanied by personifications such as Perfection, Intellect, Truth and Valo [+]

The Nun Jerónima de la Fuente
Oil on canvas. 1620
Velázquez, Diego Rodríguez de Silva y
The Nun Jerónima de la Fuente
Oil on canvas. 1620
Velázquez, Diego Rodríguez de Silva y

Born to a noble family in Toledo, sister Jerónima de la Fuente Yáñez was a Franciscan nun at the convent of Santa Isabel in her native city. In 1620, at the age of sixty-six, she [+]

The Victory of Truth over Heresy
Oil on panel. Ca. 1625
Rubens, Peter Paul
The Victory of Truth over Heresy
Oil on panel. Ca. 1625
Rubens, Peter Paul

In 1625, Archduchess Isabel Clara Eugenia commissioned Rubens to design a series of twenty tapestries for the Monastery of the Descalzas Reales in Madrid. The subject was the Eucharist, a leading Cath [+]

Le pusieron mordaza por que hablaba. Y le dieron palos en la cara. Yo la bi en Zaragoza à Orosia Moreno Por que sabia hacer Ratones
Brush, Pencil, Red chalk, Grey-brown ink, Iron gall ink, Wash on laid paper. 1810 - 1811
Goya y Lucientes, Francisco de
Le pusieron mordaza por que hablaba. Y le dieron palos en la cara. Yo la bi en Zaragoza à Orosia Moreno Por que sabia hacer Ratones
Brush, Pencil, Red chalk, Grey-brown ink, Iron gall ink, Wash on laid paper. 1810 - 1811
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

The Presentation of Jesus in the Temple
Oil on panel. Ca. 1562
Morales, Luis de
The Presentation of Jesus in the Temple
Oil on panel. Ca. 1562
Morales, Luis de

In this picture in the Prado, Morales combines elements that allude to both moments, -the Presentation in the Temple and the Purification of the Virgin-, although it might appear at first that he incl [+]

The Triumph of the Eucharist over Idolatry
Oil on panel. Ca. 1625
Rubens, Peter Paul
The Triumph of the Eucharist over Idolatry
Oil on panel. Ca. 1625
Rubens, Peter Paul

In 1625, Archduchess Isabel Clara Eugenia commissioned Rubens to design a series of twenty tapestries for the Monastery of the Descalzas Reales in Madrid. The subject was the Eucharist, a leading Cath [+]

The Actress María Guerrero as La dama boba
Oil on canvas. 1906
Sorolla y Bastida, Joaquín
The Actress María Guerrero as La dama boba
Oil on canvas. 1906
Sorolla y Bastida, Joaquín

This portrait of María Guerrero, Sorolla’s neighbour and friend, is probably the finest and most expressive example of the eminent actress’s lifelong obsession with her own image. From childhoo [+]

The Cure of Folly, or the Extraction of the Stone of Madness
Oil on oak panel. 1501 - 1505
Bosch, Hieronymus
The Cure of Folly, or the Extraction of the Stone of Madness
Oil on oak panel. 1501 - 1505
Bosch, Hieronymus

In the centre of a rectangular surface Bosch incised a circle in which he depicted this scene of Extracting the stone of madness. The resulting image is a mirror that offers a reflection of folly and [+]

The Holy Family or Trinity on Earth
Oil on canvas. XVII century
Camilo, Francisco
The Holy Family or Trinity on Earth
Oil on canvas. XVII century
Camilo, Francisco

The Christ Child looks out at the viewer. The halo behind his head is a cross-shaped prefiguration of his Passion, while the Virgin´s consists of twelve stars that allude to her sorrows. Saint J [+]

Up