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Rest on the Flight into Egypt
Oil on panel. 1520 - 1530
Anonymous
Rest on the Flight into Egypt
Oil on panel. 1520 - 1530
Anonymous

Aún no se ha identificado a su autor; pero en algunos aspectos coincide con las obras salidas del taller de Joos van Cleve, que también colaboró con Patinir representando figuras para sus escenas de paisaje, igual que hizo Quintin Massys en Las tentaciones de San Antonio Abad (P1615). Por lo que se refiere al paisaje, las obras de van Cleve están mucho más trabajadas en superficie que las de Patin

The Mystic Marriage of Saint Catherine, with Saint Ursula and a Donor
Oil on panel. Ca. 1520
Anonymous
The Mystic Marriage of Saint Catherine, with Saint Ursula and a Donor
Oil on panel. Ca. 1520
Anonymous

This composition retains the structure of traditional triptychs, but the landscape links the three panels together to form a single scene, thus including the pilgrim-donor and Saint Ursula in the Mystic Marriage. The landscape includes scenes relating to the respective figures: walking pilgrims, the martyrdom of Saint Catherine, the Massacre of the Innocents and the Flight into Egypt.

The Rest on the Flight into Egypt
Oil on canvas. XVII century
Anonymous
The Rest on the Flight into Egypt
Oil on canvas. XVII century
Anonymous

Rest on The Flight into Egypt
Oil on canvas. XVI century
Anonymous
Rest on The Flight into Egypt
Oil on canvas. XVI century
Anonymous

The Flight into Egypt
Oil on canvas. XVII century
Anonymous
The Flight into Egypt
Oil on canvas. XVII century
Anonymous

The Flight into Egypt
Oil on canvas. XVII century
Anonymous
The Flight into Egypt
Oil on canvas. XVII century
Anonymous

The Virgin and Child, with the Infant St. John the Baptist, in a landscape [the return from the flight into Egypt (?)]
Pencil, Pencil ground, Grey-brown ink, Wash on paper. XVI century
Anonymous
The Virgin and Child, with the Infant St. John the Baptist, in a landscape [the return from the flight into Egypt (?)]
Pencil, Pencil ground, Grey-brown ink, Wash on paper. XVI century
Anonymous

Rest on the flight into Egypt
Pencil, Grey-brown ink on paper. XVI century
Anonymous
Rest on the flight into Egypt
Pencil, Grey-brown ink on paper. XVI century
Anonymous

Rest on The Flight into Egypt
Black chalk, Pencil, Grey wash on dark yellow paper. Late XVIII century
Anonymous
Rest on The Flight into Egypt
Black chalk, Pencil, Grey wash on dark yellow paper. Late XVIII century
Anonymous

En el anverso, la Virgen sentada con el Niño, bajo una palmera. Dos ángeles arrodillados le ofrecen una bandeja de frutas. Fondo amplio de paisaje con figuras. En el reverso hay un apunte de composición, muy abocetado, como para una Muerte de Germánico. Un hombre yace en un lecho, rodeado de mujeres que lloran. Por la izquierda entran varias figuras.Es dibujo de excelente calidad, cuya atribución

Rest on The Flight into Egypt
Red chalk on dark yellow paper. XVII century
Anonymous
Rest on The Flight into Egypt
Red chalk on dark yellow paper. XVII century
Anonymous

Es una copia literal del grabado del mismo tema y su estilo corresponde al de los artistas boloñeses continuadores de Cantarini, por su semejanza con el estilo grafico del maestro. Del aguafuerte de Cantarini existe una copia, invertida, de autor, para la que tal vez fue preparatorio el dibujo del Prado o bien otro de los Uffizi de mejor calidad que el de Madrid. (Texto extractado de Mena Marqués,

Rest on the flight into Egypt
Pencil, Pencil ground, Grey-brown ink, Wash on paper. XVI century
Anonymous
Rest on the flight into Egypt
Pencil, Pencil ground, Grey-brown ink, Wash on paper. XVI century
Anonymous

There are numerous variations of this subject by Cambiaso and his School, in both horizontal and vertical format.

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