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Kitchen Still Life
Oil on canvas. Ca. 1664
Cerezo, Mateo
Kitchen Still Life
Oil on canvas. Ca. 1664
Cerezo, Mateo

A profusion of cooking utensils and hearty meats -game birds fresh from the hunt and not yet dressed, a recently-killed lamb, a calf’s head, and other cuts- are laid out on a work surface, as if the p [+]

Severity is not always good
Indian ink, Wash on dark yellow laid paper. 1816 - 1820
Goya y Lucientes, Francisco de
Severity is not always good
Indian ink, Wash on dark yellow laid paper. 1816 - 1820
Goya y Lucientes, Francisco de

A boy trying to do his homework buries his face in his hands to protect himself from the threat of an old woman´s whip. The brutality of the punishment is decisively underlined by the authoritative pr [+]

Charity
Red chalk, Conté crayon on ivory laid paper. 1810
Goya y Lucientes, Francisco de
Charity
Red chalk, Conté crayon on ivory laid paper. 1810
Goya y Lucientes, Francisco de

A preparatory drawing for Disasters of War, 27, Charity. Once more, Goya eliminates any reference that could specifically identify the event being depicted in order to create an emotionally gripping s [+]

The Virgin of Atocha
Pencil, Grey-brown wash on yellow laid paper. 1654
Herrera Barnuevo, Sebastián de
The Virgin of Atocha
Pencil, Grey-brown wash on yellow laid paper. 1654
Herrera Barnuevo, Sebastián de

La imagen, vestida y coronada con amplísima corona de radios, va sobre una peana de molduras cóncavas y convexas y flanqueada por dos pilastras cajeadas, decoradas con placas y guirnaldas, sobre las c [+]

Nothing. The Event will tell
Touches of white chalk, Grey-brown wash, Gouache / tempera on blue laid paper. 1814 - 1815
Goya y Lucientes, Francisco de
Nothing. The Event will tell
Touches of white chalk, Grey-brown wash, Gouache / tempera on blue laid paper. 1814 - 1815
Goya y Lucientes, Francisco de

This preparatory drawing for number 69 of the Disasters of War, Nothing. The Event will tell, very freely presents the original idea, and does not belong to the group of red-chalk drawings for that fi [+]

Alegoría del Comercio
Pencil, Grey-brown wash on yellow laid paper. XVIII century
Cruz Vázquez, Manuel de la
Alegoría del Comercio
Pencil, Grey-brown wash on yellow laid paper. XVIII century
Cruz Vázquez, Manuel de la

Ante un paisaje de ciudad clásica, con pórticos, cúpulas y obeliscos, una figura femenina alada, vuela con espigas en la mano izquierda. En primer término, en el suelo, varios niños juegan con libros [+]

They escape through the flames
Red chalk, Conté crayon on ivory laid paper. 1810 - 1814
Goya y Lucientes, Francisco de
They escape through the flames
Red chalk, Conté crayon on ivory laid paper. 1810 - 1814
Goya y Lucientes, Francisco de

Preparatory drawing for Disasters of War, 41, They escape through the flames.In this series Goya offers a critical and personal vision of the consequences of the Spanish Peninsular War (1808-14) that [+]

Approaching the bull with lances, scimitars, banderillas and other weapons
Red chalk on ivory laid paper. 1814 - 1816
Goya y Lucientes, Francisco de
Approaching the bull with lances, scimitars, banderillas and other weapons
Red chalk on ivory laid paper. 1814 - 1816
Goya y Lucientes, Francisco de

El dibujo preparatorio para Tauromaquia, 12, Desjarrete de la canalla con lanzas, media-lunas, banderillas y otras armas pertenece a una serie, dominada siempre por el patetismo trágico, que Goya grab [+]

The Immaculate Conception
Pencil, Grey-brown ink on yellow laid paper. XVIII century
Castillo, José del
The Immaculate Conception
Pencil, Grey-brown ink on yellow laid paper. XVIII century
Castillo, José del

Sentada sobre una nube, con las manos sobre el pecho y coronada de estrellas, aplasta con el pie derecho la serpiente que se enrosca junto al creciente de la luna. A su derecha un angel mancebo y otro [+]

Study for a draped female figure / Studies of figures
Pencil, Red chalk on laid paper. Ca. 1523
Sarto, Andrea del (Andrea D'agnolo)
Study for a draped female figure / Studies of figures
Pencil, Red chalk on laid paper. Ca. 1523
Sarto, Andrea del (Andrea D'agnolo)

The cycle of monochrome frescoes of the Story of St John the Baptist and Four Virtues, which del Sarto painted in the cloister of the Compagnia dello Scalzo, Florence, occupied the painter for about f [+]

The street
Pencil, Red chalk, Indian ink, Iron gall ink, Wash on grey laid paper. 1796 - 1808
Goya y Lucientes, Francisco de
The street
Pencil, Red chalk, Indian ink, Iron gall ink, Wash on grey laid paper. 1796 - 1808
Goya y Lucientes, Francisco de

This drawing occupies the front of the sheet that bears Sketch of the Royal Astronomical Observatory of Madrid (D04146 v) on the back. The image has frequently been considered a view of a street in Ma [+]

Saint Francis of Assisi in Ecstasy
Pencil, Pencil ground, Grey-brown wash on yellow laid paper. Second half of the XVII century
Anonymous
Saint Francis of Assisi in Ecstasy
Pencil, Pencil ground, Grey-brown wash on yellow laid paper. Second half of the XVII century
Anonymous

El santo es representado de más de medio cuerpo, sentado ante una cruz de madera con la mirada alzada y el libro y la calavera bajo su mano derecha. Seguramente sevillano recordando tipos y actitudes [+]

Saint Ildefonso receiving the Chasuble
Pencil, Pencil ground, Grey-brown ink, Grey-brown wash on yellow laid paper. XVII century
Schut, Cornelis
Saint Ildefonso receiving the Chasuble
Pencil, Pencil ground, Grey-brown ink, Grey-brown wash on yellow laid paper. XVII century
Schut, Cornelis

Arrodillado, de perfil a la derecha, el santo recibe la casulla de manos de la Virgen, sentada en un trono de nubes a la derecha. En primer término dos ángeles niños juegan con el báculo y tras el san [+]

The Virgin and Child with Saints
Pencil, Grey-brown wash on yellow laid paper. 1669
Coello, Claudio
The Virgin and Child with Saints
Pencil, Grey-brown wash on yellow laid paper. 1669
Coello, Claudio

En un interior, de forma absidial, y sobre unas gradas, aparece representada la Virgen, sedente, con el Niño de pie en su regazo. Tras ella se sitúa Santa Ana y a su lado derecho, San Juanito, con el [+]

Apparition of the Virgin to a Saint Dominic
Pencil, Grey-brown wash on yellow laid paper. XVII century
Anonymous (Circle Of Cano, Alonso)
Apparition of the Virgin to a Saint Dominic
Pencil, Grey-brown wash on yellow laid paper. XVII century
Anonymous (Circle Of Cano, Alonso)

El Santo, arrodillado con la cabeza y la mano izquierda sobre el pecho, contempla a la Virgen que se le aparece sentada con el Niño en las rodillas, sobre un altar y rodeada de ángeles niños y de un g [+]

They do not know the way
Red chalk on laid paper. Ca. 1814
Goya y Lucientes, Francisco de
They do not know the way
Red chalk on laid paper. Ca. 1814
Goya y Lucientes, Francisco de

A preparatory drawing for Disasters of War, 70, They do not know the way.In this series of prints executed between 1810 and 1814 Goya offers a critical and personal vision of the consequences of the S [+]

Seated lioness, with one of its front paws raised
Pencil, Grey-brown ink on grey paper. XVI century
Cambiaso, Luca
Seated lioness, with one of its front paws raised
Pencil, Grey-brown ink on grey paper. XVI century
Cambiaso, Luca

The album page on which the drawing is laid has been cut down. A lioness in a similar pose appears at the feet of a standing Bacchus in a drawing in the Ashmolean Museum, Oxford (inv. no. KTP II, no. [+]

Group of Women Fleeing from Soldiers
Red chalk on cream laid paper. Ca. 1812
Goya y Lucientes, Francisco de
Group of Women Fleeing from Soldiers
Red chalk on cream laid paper. Ca. 1812
Goya y Lucientes, Francisco de

Though related to Goya’s Disasters of War, this drawing was never engraved. Its composition -specifically, the central figure of a woman fleeing- led Gassier and Wilson to suggest that the drawing may [+]

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