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Kitchen Still Life
Oil on canvas. Ca. 1664
Cerezo, Mateo
Kitchen Still Life
Oil on canvas. Ca. 1664
Cerezo, Mateo

A profusion of cooking utensils and hearty meats -game birds fresh from the hunt and not yet dressed, a recently-killed lamb, a calf’s head, and other cuts- are laid out on a work surface, as if the p [+]

One to another
Red chalk on laid paper. Ca. 1797
Goya y Lucientes, Francisco de
One to another
Red chalk on laid paper. Ca. 1797
Goya y Lucientes, Francisco de

The abuses committed by the nobility, the aristocracy and the Church on a powerless citizenry appear repeatedly in Goya’s work. The artist’s commentary, preserved in a document in the Prado, is modera [+]

Don’t cry, idiot
Red chalk on laid paper. Ca. 1797
Goya y Lucientes, Francisco de
Don’t cry, idiot
Red chalk on laid paper. Ca. 1797
Goya y Lucientes, Francisco de

Here Goya depicts the libidinous desires of monks and satirises the monastic orders, making use of scenes of goblins in order not to provoke the Censor. His commentary on the male figure’s true intent [+]

Women Surprised by Soldiers
Red chalk, Conté crayon on ivory laid paper. Ca. 1812
Goya y Lucientes, Francisco de
Women Surprised by Soldiers
Red chalk, Conté crayon on ivory laid paper. Ca. 1812
Goya y Lucientes, Francisco de

Though related to Goya’s Disasters of War, this drawing was neither engraved nor published. Its composition is framed in red chalk and the corners are emphasized with touches of the same material. The [+]

Charity
Red chalk, Conté crayon on ivory laid paper. 1810
Goya y Lucientes, Francisco de
Charity
Red chalk, Conté crayon on ivory laid paper. 1810
Goya y Lucientes, Francisco de

A preparatory drawing for Disasters of War, 27, Charity. Once more, Goya eliminates any reference that could specifically identify the event being depicted in order to create an emotionally gripping s [+]

Saint Lawrence
Black chalk, Squared-up on yellow laid paper. Ca. 1598
Carducho, Vicente
Saint Lawrence
Black chalk, Squared-up on yellow laid paper. Ca. 1598
Carducho, Vicente

Aunque no hay constancia documental es muy probable que en 1598 Vicente Carducho ayudara a su hermano, Bartolomé, con las escenas de la Vida de San Lorenzo del Claustro Alto de El Escorial y las puert [+]

Saint Anthony Abbot
Black chalk on white laid paper. Second half of the XVIII century
Cruz Vázquez, Manuel de la
Saint Anthony Abbot
Black chalk on white laid paper. Second half of the XVIII century
Cruz Vázquez, Manuel de la

Sentado bajo un árbol, con las manos juntas y la mirada alzada. A su lado, tendido, el cerdo. Rematado en forma mixtilínea como lienzo de altar. (Texto extractado de Pérez Sánchez, A. E.: Catálogo de [+]

There is no one to help them
Red chalk on grey laid paper. Ca. 1813
Goya y Lucientes, Francisco de
There is no one to help them
Red chalk on grey laid paper. Ca. 1813
Goya y Lucientes, Francisco de

Preparatory drawing for Disasters of War, 60, There is no one to help them.In this series of prints executed between 1810 and 1814 Goya offers a critical and personal vision of the consequences of the [+]

Angel with the Trumpet of the Last Judgement
Pencil, Wash on yellow laid paper. 1660 - 1667
Cano, Alonso
Angel with the Trumpet of the Last Judgement
Pencil, Wash on yellow laid paper. 1660 - 1667
Cano, Alonso

Un ángel adolescente con las alas desplegadas está tocando una trompeta, que sujeta con la mano derecha, al tiempo que la izquierda descansa en una nube. La relación entre este dibujo, una copia Ángel [+]

They escape through the flames
Red chalk, Conté crayon on ivory laid paper. 1810 - 1814
Goya y Lucientes, Francisco de
They escape through the flames
Red chalk, Conté crayon on ivory laid paper. 1810 - 1814
Goya y Lucientes, Francisco de

Preparatory drawing for Disasters of War, 41, They escape through the flames.In this series Goya offers a critical and personal vision of the consequences of the Spanish Peninsular War (1808-14) that [+]

Saint Francis of Assisi in Ecstasy
Pencil, Pencil ground, Grey-brown ink, Reddish wash on yellow laid paper. XVII century
Schut, Cornelis
Saint Francis of Assisi in Ecstasy
Pencil, Pencil ground, Grey-brown ink, Reddish wash on yellow laid paper. XVII century
Schut, Cornelis

San Francisco se representa arrodillado con los brazos abiertos, eleva los ojos a un ángel niño que le muestra una esfera. En primer término una roca, y en ella una cruz de leño y libros. Fondo de pai [+]

Fierce Monster!
Red chalk on cream laid paper. 1814 - 1815
Goya y Lucientes, Francisco de
Fierce Monster!
Red chalk on cream laid paper. 1814 - 1815
Goya y Lucientes, Francisco de

A preparatory drawing for Disasters of War, 81, Fierce Monster!. This monster, whose morphology corresponds to no specific animal, is related to those from Disasters 71, 72, 73, 75 and 76, all of whic [+]

The Baptism of Christ
Pencil, Black ink, Blue wash on dark yellow laid paper. 1667
Ruiz González, Pedro
The Baptism of Christ
Pencil, Black ink, Blue wash on dark yellow laid paper. 1667
Ruiz González, Pedro

Jesús, semiarrodillado en una piedra, aguarda el bautismo. San Juan agachado recoge el agua del río Jordán. Dos ángeles, tras Jesús, sostienen sus vestiduras; otros a la derecha dialogan. En el cielo [+]

Study for a draped female figure / Studies of figures
Pencil, Red chalk on laid paper. Ca. 1523
Sarto, Andrea del (Andrea D'agnolo)
Study for a draped female figure / Studies of figures
Pencil, Red chalk on laid paper. Ca. 1523
Sarto, Andrea del (Andrea D'agnolo)

The cycle of monochrome frescoes of the Story of St John the Baptist and Four Virtues, which del Sarto painted in the cloister of the Compagnia dello Scalzo, Florence, occupied the painter for about f [+]

Cruel tale of woe
Red chalk on grey laid paper. 1812 - 1814
Goya y Lucientes, Francisco de
Cruel tale of woe
Red chalk on grey laid paper. 1812 - 1814
Goya y Lucientes, Francisco de

Preparatory drawing for Disasters of War, 48, Cruel tale of woe.In this series of prints executed between 1810 and 1814 Goya offers a critical and personal vision of the consequences of the Spanish Pe [+]

Portrait of a Boy
Charcoal on laid paper. 1893
Blay y Fábrega, Miguel
Portrait of a Boy
Charcoal on laid paper. 1893
Blay y Fábrega, Miguel

Estudio de cabeza infantil de un joven campesino olotense que lleva la característica barretina. Se trata de un dibujo de sombras intensas, de estilo austero y líneas claras y precisas. Muestra una gr [+]

The Sacrifice of Isaac
Pencil, Pencil ground, Grey-brown ink, Wash on yellow laid paper. 1650 - 1652
Cano, Alonso
The Sacrifice of Isaac
Pencil, Pencil ground, Grey-brown ink, Wash on yellow laid paper. 1650 - 1652
Cano, Alonso

Several pieces of paper have been glued to the original support by the artist in order to correct the original lines of certain parts of the composition (the angel’s shoulder and Abraham’s head). Isaa [+]

They do not know the way
Red chalk on laid paper. Ca. 1814
Goya y Lucientes, Francisco de
They do not know the way
Red chalk on laid paper. Ca. 1814
Goya y Lucientes, Francisco de

A preparatory drawing for Disasters of War, 70, They do not know the way.In this series of prints executed between 1810 and 1814 Goya offers a critical and personal vision of the consequences of the S [+]

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