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The Battle of Clavijo
Oil on canvas. 1755 - 1756
Giaquinto, Corrado
The Battle of Clavijo
Oil on canvas. 1755 - 1756
Giaquinto, Corrado

Mounted on a white steed and flanked by an angel bearing a flag, Saint James gallops over a multitude of fallen Moors and horses. The battle scene occupies a rocky landscape in the middle ground. This [+]

The Surrender of Jülich
Oil on canvas. 1634 - 1635
Leonardo, Jusepe
The Surrender of Jülich
Oil on canvas. 1634 - 1635
Leonardo, Jusepe

The capitulation of the Rhenish city of Jülich was one of the most outstanding events at the beginning of the Thirty Years War (1618-1648). Occupied by Maurice of Nassau’s French troops since 161 [+]

The Taking of Christ
Oil on panel. Ca. 1500
Osona, Rodrigo de; Osona, Francisco de
The Taking of Christ
Oil on panel. Ca. 1500
Osona, Rodrigo de; Osona, Francisco de

This and five other panels at the Prado Museum (P06897, P06898, P06899, P06900, P06901), are some of the finest examples of the collaboration between Rodrigo and Francisco de Osona. They were probably [+]

The Defence of Cadiz against the English
Oil on canvas. 1634 - 1635
Zurbarán, Francisco de
The Defence of Cadiz against the English
Oil on canvas. 1634 - 1635
Zurbarán, Francisco de

The event depicted is Cadiz’s defense from the attack of an English fleet of one hundred ships and ten thousand men commanded by sir Henry Cecil, Viscount of Wimbledon, which occurred on November 1, 1 [+]

Saint George and the Dragon
Oil on canvas. 1606 - 1608
Rubens, Peter Paul
Saint George and the Dragon
Oil on canvas. 1606 - 1608
Rubens, Peter Paul

According to Jacopo de la Voragine´s Golden Legend, Saint George slew the dragon that was terrorizing the people of Silene, saving a princess in peril. In this painting, the Christian hero rides a liv [+]

The Descent from the Cross
Oil on canvas. 1772
Tiepolo, Giovanni Domenico
The Descent from the Cross
Oil on canvas. 1772
Tiepolo, Giovanni Domenico

Pintado en Venecia, forma parte de la serie de ocho escenas de la Pasión de Cristo conformada por las obras P00355 a P00362. Proceden del Convento de San Felipe Neri de Madrid, de donde pasaron al Mus [+]

The Crowning with Thorns
Oil on canvas. Ca. 1754
Giaquinto, Corrado
The Crowning with Thorns
Oil on canvas. Ca. 1754
Giaquinto, Corrado

This canvas was part of a series on the Passion that decorated the private oratory of Ferdinand VI in the Buen Retiro palace until 1808. Giaquinto establishes a contrast between Christ’s submission an [+]

Nothing. The Event will tell
Touches of white chalk, Grey-brown wash, Gouache / tempera on blue laid paper. 1814 - 1815
Goya y Lucientes, Francisco de
Nothing. The Event will tell
Touches of white chalk, Grey-brown wash, Gouache / tempera on blue laid paper. 1814 - 1815
Goya y Lucientes, Francisco de

This preparatory drawing for number 69 of the Disasters of War, Nothing. The Event will tell, very freely presents the original idea, and does not belong to the group of red-chalk drawings for that fi [+]

Emperor Carlos V and the Fury
Bronze. 1551 - 1555
Leoni, Leone; Leoni, Pompeo
Emperor Carlos V and the Fury
Bronze. 1551 - 1555
Leoni, Leone; Leoni, Pompeo

In 1549 in Brussels Charles V commissioned Leone Leoni to execute a group of statues of himself and his deceased wife the Empress Elizabeth of Portugal.They were to be in different formats (bust and h [+]

The Surrender of Jülich
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (After Leonardo, Jusepe); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Surrender of Jülich
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (After Leonardo, Jusepe); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

Nothing. The Event will tell
Drypoint, Etching, Aquatint, Wash, Burnisher on ivory paper. 1814 - 1815
Goya y Lucientes, Francisco de
Nothing. The Event will tell
Drypoint, Etching, Aquatint, Wash, Burnisher on ivory paper. 1814 - 1815
Goya y Lucientes, Francisco de

More has been written about Nothing. The Event will tell (number 69 of the Disasters of War), than about any other preparatory drawing for the Disasters. Its cryptic character has sparked a variety of [+]

The Surrender of Breda
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Decraene, Florentino -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Surrender of Breda
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Decraene, Florentino -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

The Triumph of David
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Sensi y Baldachi, Gaspar -Lithographer- (After Poussin, Nicolas); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Triumph of David
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Sensi y Baldachi, Gaspar -Lithographer- (After Poussin, Nicolas); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

The Surrender of Breda
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Decraene, Florentino -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Surrender of Breda
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Decraene, Florentino -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

Saint Thomas
Etching, Burin on continuous paper. 1789 - 1795
Salvador Carmona, Juan Antonio; Calcografía Nacional
Saint Thomas
Etching, Burin on continuous paper. 1789 - 1795
Salvador Carmona, Juan Antonio; Calcografía Nacional

La estampa grabada por Juan Antonio Salvador Carmona forma parte de una serie de 28, dedicada al cardenal Francisco de Lorenzana, arzobispo de Toledo. Título de la serie tomado del Catálogo de estampa [+]

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