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Federico Gonzaga, Ist Duke of Mantua
Oil on panel. 1529
Titian (Tiziano Vecellio)
Federico Gonzaga, Ist Duke of Mantua
Oil on panel. 1529
Titian (Tiziano Vecellio)

On 16 April 1529 Federico II Gonzaga, First Duke of Mantua (1500-1540), apologised to his uncle Alfonso d’Este for retaining Titian: perché ha conienzo un retratto mio qual molto desidero sii f [+]

Lot and his Daughters
Oil on canvas. Ca. 1634
Furini, Francesco
Lot and his Daughters
Oil on canvas. Ca. 1634
Furini, Francesco

An outstanding work in Francesco Furini’s oeuvre and one of the most sensual and morbid of all Italian Baroque paintings, Lot and his daughters, c.1634, depicts the Old Testament story of Lot (Genesis [+]

The Nativity
Oil. Ca. 1656
Cortona, Pietro Da (Pietro Berrettini)
The Nativity
Oil. Ca. 1656
Cortona, Pietro Da (Pietro Berrettini)

The painting was given to Philip IV by Cardinal Francesco Barberini in 1656. It is unusual for being painted on a vitreous paste called aventurine, which acts as the background to the composition. It [+]

Salver of lapis lazuli
Silver gilt, Lapis lazuli. Ca. 1600
Royel, Jean (?); Workshop Of The Miseroni
Salver of lapis lazuli
Silver gilt, Lapis lazuli. Ca. 1600
Royel, Jean (?); Workshop Of The Miseroni

This footed tray is a presentation salver that forms a pair with O-60 of the Dauphin’s Treasure. Both are made from a single piece of lapis lazuli. It has a round, flat-bottomed bowl, low sides and a [+]

Semiprecious-stone box
Hardstone, precious, Ebony. 1650 - 1700
Anonymous
Semiprecious-stone box
Hardstone, precious, Ebony. 1650 - 1700
Anonymous

Florentine Mosaic is a technique in which semiprecious stones are cut and assembled so that their different colors and grains form a pictorial composition. This term reflects the fact that the techniq [+]

Case for the Lapis lazuli goblet with dragons and children
Velvet, Metal, Leather, Wood. 1650 - 1711
Anonymous
Case for the Lapis lazuli goblet with dragons and children
Velvet, Metal, Leather, Wood. 1650 - 1711
Anonymous

This case takes the form of the vessel for which it was made. The exquisite pieces from the Dauphin´s Treasure are complemented by the custom-made cases that match the shape of each and allow them to [+]

Console table
Gilt-bronze, Chalcedony, Paragone, Red jasper, Lapis lazuli. 1779 - 1781
Ferroni, Juan Bautista; Real Laboratorio de Piedras Duras del Buen Retiro
Console table
Gilt-bronze, Chalcedony, Paragone, Red jasper, Lapis lazuli. 1779 - 1781
Ferroni, Juan Bautista; Real Laboratorio de Piedras Duras del Buen Retiro

This table`s exquisitely made top is based on a painting by Charles-Joseph Flipart (1721-1797) which is also in the Prado (P07824). The central scene depicts figures in a port, of which the two in the [+]

Console
Gilt-bronze, Paragone, Lapis lazuli. 1774 - 1783
Real Laboratorio de Piedras Duras del Buen Retiro
Console
Gilt-bronze, Paragone, Lapis lazuli. 1774 - 1783
Real Laboratorio de Piedras Duras del Buen Retiro

This table has the image of a painting of a seascape and its frame, back to front, as well as playing cards, various chips, a ruler, a hammer, a compass and other carpentry tools, two buckles, a key r [+]

Console
Gilt-bronze, Paragone, Lapis lazuli. 1774 - 1782
Ferroni, Juan Bautista; Real Laboratorio de Piedras Duras del Buen Retiro
Console
Gilt-bronze, Paragone, Lapis lazuli. 1774 - 1782
Ferroni, Juan Bautista; Real Laboratorio de Piedras Duras del Buen Retiro

A table with two images of paintings (a seascape and a landscape) on a background of touchstone or Belgian black marble. Various books, a checkerboard, a small cup and a bag have been haphazardly arra [+]

Semiprecious-stone table
Agate, Gilt-bronze, Chalcedony, Paragone, Ebony, Jasper, Lapis lazuli. 1749 - 1763
Ghinghi, Francesco; Ceci, Giacomo; Real Laboratorio Delle Pietre Dure
Semiprecious-stone table
Agate, Gilt-bronze, Chalcedony, Paragone, Ebony, Jasper, Lapis lazuli. 1749 - 1763
Ghinghi, Francesco; Ceci, Giacomo; Real Laboratorio Delle Pietre Dure

This tabletop forms a pair with O00467. Both were made at the Royal Manufactory founded by Charles III in Naples in 1737. This piece of ebony furniture made by Gaspero Donnini has heads carved by Giov [+]

Tabletop of the Duke of Osuna
White marble, Polychrome marble, Paragone, Lapis lazuli. 1614
Di Gian Flasch, Jacopo; Galleria Dei Lavori, Florencia
Tabletop of the Duke of Osuna
White marble, Polychrome marble, Paragone, Lapis lazuli. 1614
Di Gian Flasch, Jacopo; Galleria Dei Lavori, Florencia

Commissioned by Pedro Tellez Girón, Duke of Osuna and Viceroy of Sicily (1574-1624). The German artist Jacopo di Gian Flasch made the Duke’s coat of arms, and Jacopo Ligozzi, the designer of th [+]

Tabletop with central interlaced Motif
Paragone, Jasper, Lapis lazuli, Alabaster. Early XVII century
Roman Sculptor
Tabletop with central interlaced Motif
Paragone, Jasper, Lapis lazuli, Alabaster. Early XVII century
Roman Sculptor

This is rare type of tabletop that combines Roman Mannerist elements such as the border with pre-Baroque ones such as the exuberant floral and foliate motif that fills the centre. This motif replaces [+]

Octagonal coffer covered in enamelled gold with engravings and cameos
Amethyst, Gold, Agate, Cowry, Silver gilt, Prasiolite, Garnet, Bloodstone, Iron, Lapis lazuli, Enamel. 1630 - 1670
Delabarre, Pierre (Circle Of)
Octagonal coffer covered in enamelled gold with engravings and cameos
Amethyst, Gold, Agate, Cowry, Silver gilt, Prasiolite, Garnet, Bloodstone, Iron, Lapis lazuli, Enamel. 1630 - 1670
Delabarre, Pierre (Circle Of)

The coffer is a key item in any study of French silverware and European collecting. Initially part of Cardinal Mazarin’s collection, on his death it was sold at auction, subsequently being acquired by [+]

Heliotrope cup with lionesses’ heads
Gold, Bloodstone, Enamel. 1630 - 1660
Anonymous
Heliotrope cup with lionesses’ heads
Gold, Bloodstone, Enamel. 1630 - 1660
Anonymous

Mutilated during the Peninsular War and the robbery of 1918, the volumes of this vessel can now only be appreciated from the case and a historic photograph. It is notable both for the stone used, heli [+]

Sardonyx ewer
Ágata sardónice. 323 A.C. - 321 a.C.
Hellenistic Workshop
Sardonyx ewer
Ágata sardónice. 323 A.C. - 321 a.C.
Hellenistic Workshop

This was the most valuable object in the whole of the Grand Dauphin’s collection. Its mounting is now lost. It is a monolithic piece in the form of a jug with a bell-shaped body and tall neck that ope [+]

The Badminton Game, console
Gilt-bronze, Chalcedony, Lapis lazuli. 1782 - 1788
Real Laboratorio de Piedras Duras del Buen Retiro
The Badminton Game, console
Gilt-bronze, Chalcedony, Lapis lazuli. 1782 - 1788
Real Laboratorio de Piedras Duras del Buen Retiro

Corals, pearls, shells, fruit and flowers are arranged on the table with wide Lapis-lazuli borders. The central scene has a light chalcedony background framed by a garland with an asymmetrical rocaill [+]

Console Table
Gilt-bronze, Chalcedony, Paragone, Lapis lazuli. 1775 - 1780
Real Laboratorio de Piedras Duras del Buen Retiro
Console Table
Gilt-bronze, Chalcedony, Paragone, Lapis lazuli. 1775 - 1780
Real Laboratorio de Piedras Duras del Buen Retiro

Two men play skittles among Roman ruins in a setting that recalls Venetian view paintings or vedute. The scene is framed by a border with fruit, musical and scientific instruments, books and a tray wi [+]

Tabletop of Don Rodrigo Calderón
White marble, Green marble, Lapis lazuli. Ca. 1615
Anonymous
Tabletop of Don Rodrigo Calderón
White marble, Green marble, Lapis lazuli. Ca. 1615
Anonymous

The design of this tabletop is not structured into compartments but the motifs are freely combined, spreading into the border framing it. It is listed in the auction of Rodrigo Calderón, secret [+]

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