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Las Meninas
Oil on canvas. 1656
Velázquez, Diego Rodríguez de Silva y
Las Meninas
Oil on canvas. 1656
Velázquez, Diego Rodríguez de Silva y

This is one of Velázquez`s largest paintings and among those in which he made most effort to create a complex and credible composition that would convey a sense of life and reality while enclos [+]

Las Meninas
Taille douce: etching and engraving on laid paper. 1799
Audouin, Pierre -Engraver- (After Velázquez, Diego Rodríguez de Silva y); Martínez, Antonio
Las Meninas
Taille douce: etching and engraving on laid paper. 1799
Audouin, Pierre -Engraver- (After Velázquez, Diego Rodríguez de Silva y); Martínez, Antonio

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]

Las Meninas
Taille douce: etching and engraving on continuous paper. 1799
Audouin, Pierre -Engraver- (After Velázquez, Diego Rodríguez de Silva y); Martínez, Antonio; Imprenta Real
Las Meninas
Taille douce: etching and engraving on continuous paper. 1799
Audouin, Pierre -Engraver- (After Velázquez, Diego Rodríguez de Silva y); Martínez, Antonio; Imprenta Real

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]

Las Meninas
Taille douce: etching and engraving on wove paper. 1799
Audouin, Pierre -Engraver- (After Velázquez, Diego Rodríguez de Silva y); Martínez, Antonio; Calcografía Nacional
Las Meninas
Taille douce: etching and engraving on wove paper. 1799
Audouin, Pierre -Engraver- (After Velázquez, Diego Rodríguez de Silva y); Martínez, Antonio; Calcografía Nacional

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active.The Company fo [+]

Autorretrato de Velázquez de Las meninas
Etching on wove paper. Ca. 1770
Esteve, Agustín -Engraver- (After Velázquez, Diego Rodríguez de Silva y)
Autorretrato de Velázquez de Las meninas
Etching on wove paper. Ca. 1770
Esteve, Agustín -Engraver- (After Velázquez, Diego Rodríguez de Silva y)

Este autorretrato de Velázquez tomado de las Meninas (P1174) es una de las pocas estampas del pintor Agustín Esteve, de la que se conserva otro ejemplar en el British Museum (inv. 1849,1208.8). [+]

The Immaculate Conception as a Child
Oil on canvas. 1656
Zurbarán, Francisco de
The Immaculate Conception as a Child
Oil on canvas. 1656
Zurbarán, Francisco de

The Virgin Mary is presented as a little girl with her hands crossed over her chest. Wearing blue and white, she ascends on a group of angels’ heads as the heavens open to welcome her. This differs fr [+]

The chamber of Philip IV in the Buen Retiro Royal Palace
Oil on panel. 1881
Poleró y Toledo, Vicente
The chamber of Philip IV in the Buen Retiro Royal Palace
Oil on panel. 1881
Poleró y Toledo, Vicente

Mariana of Austria, Queen Consort between 1665 and 1675, talks to the Jesuit priest Nithard, her confessor and confidant, in the presence of her son Charles II, still a minor. The scene takes place in [+]

María Luisa de Toledo with her indigenous companion
Oil on canvas. Ca. 1670
Rodríguez Beltrán, Antonio
María Luisa de Toledo with her indigenous companion
Oil on canvas. Ca. 1670
Rodríguez Beltrán, Antonio

Lady María Luisa de Toledo y Carreto (1656-1707), portrayed on this canvas, was the only daughter of the Marquis of Mancera, Antonio Sebastián de Toledo, viceroy of New Spain between 166 [+]

Manuela Isidra Téllez-Girón, future Duchess of Abrantes
Oil on canvas. 1797
Esteve, Agustín
Manuela Isidra Téllez-Girón, future Duchess of Abrantes
Oil on canvas. 1797
Esteve, Agustín

Here Esteve combines the influence of Velázquez’s use of indefinite spaces with Murillo’s grace and chromatic harmony and Goya’s loose, precise technique. Considered the artist’s finest portrai [+]

Cupid spurning Riches
Oil on canvas. Ca. 1654
Guercino (Giovanni Francesco Barbieri)
Cupid spurning Riches
Oil on canvas. Ca. 1654
Guercino (Giovanni Francesco Barbieri)

Guido Reni`s painting shows a young Cupid facing the viewer, with the seashore behind him, his left leg bent and left foot resting on a slab of stone. Cupid raises his left hand to a dove and with his [+]

Cupid
Oil on canvas. 1637 - 1638
Reni, Guido
Cupid
Oil on canvas. 1637 - 1638
Reni, Guido

Guido Reni`s painting shows a young Cupid facing the viewer, with the seashore behind him, his left leg bent and left foot resting on a slab of stone. Cupid raises his left hand to a dove and with his [+]

Ferdinando Brandani
Oil on canvas. 1650
Velázquez, Diego Rodríguez de Silva y
Ferdinando Brandani
Oil on canvas. 1650
Velázquez, Diego Rodríguez de Silva y

This portrait dates from Velázquez`s second trip to Italy (1649-51). For many years the sitter`s identity was unknown but he has recently been identified as the banker Ferdinando Brandini (1603 [+]

Philip IV in Armour, with a Lion at his Feet
Oil on canvas. Ca. 1653
Velázquez, Diego Rodríguez de Silva y (Workshop Of)
Philip IV in Armour, with a Lion at his Feet
Oil on canvas. Ca. 1653
Velázquez, Diego Rodríguez de Silva y (Workshop Of)

In its present state the painting reveals two different phases of creation. The apparent age of the sitter and the notable similarities with his appearance in Velázquez`s portrait of the elderl [+]

Juan Martínez Montañés
Oil on canvas. Ca. 1635
Velázquez, Diego Rodríguez de Silva y
Juan Martínez Montañés
Oil on canvas. Ca. 1635
Velázquez, Diego Rodríguez de Silva y

A sculptor is shown modeling (possibly in wax) a head of Philip IV, making this one of the most important 17th-century Spanish portraits of an artist. Besides its impeccable quality, this work is a ve [+]

Margaret Theresa, Infanta of Spain
Oil on canvas. Ca. 1665
Martínez del Mazo, Juan Bautista
Margaret Theresa, Infanta of Spain
Oil on canvas. Ca. 1665
Martínez del Mazo, Juan Bautista

Margarita of Austria (1651-1673) was the daughter of Philip IV and Mariana of Austria. When Mazo painted her she was betrothed to the Emperor Leopold of Austria, whom she married in 1666. In this port [+]

Queen Mariana of Austria
Oil on canvas. 1652 - 1653
Velázquez, Diego Rodríguez de Silva y
Queen Mariana of Austria
Oil on canvas. 1652 - 1653
Velázquez, Diego Rodríguez de Silva y

Mariana of Austria (1634-1696) was the daughter of the Emperor Ferdinand III and María of Hungary. It was intended that she marry her cousin, Prince Baltasar Carlos, but following his death she [+]

Philip IV
Oil on canvas. Ca. 1653
Velázquez, Diego Rodríguez de Silva y
Philip IV
Oil on canvas. Ca. 1653
Velázquez, Diego Rodríguez de Silva y

This image can be identified as that of a king and as a portrait of Philip IV on the basis of others of the monarch. In fact, nothing about the clothes or the sitter`s actions suggests his royal statu [+]

The Spinners, or the Fable of Arachne
Oil on canvas. 1655 - 1660
Velázquez, Diego Rodríguez de Silva y
The Spinners, or the Fable of Arachne
Oil on canvas. 1655 - 1660
Velázquez, Diego Rodríguez de Silva y

This painting is the result of two acts carried out in different periods. First, Velázquez painted the surface occupied by the figures and the tapestry in the background. Later, in the 18th cen [+]

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