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Saint Catherine
Oil on panel. Ca. 1510
Yáñez de la Almedina, Fernando
Saint Catherine
Oil on panel. Ca. 1510
Yáñez de la Almedina, Fernando

This is one of the Spanish Renaissance’s most emblematic depictions of a female figure and the best known of Yáñez de la Almedina’s works. Both considerations are due to the visibility t [+]

Saint Anne, the Virgin and the Christ Child
Oil on panel transferred to canvas. Early XVI century
Leonardo Da Vinci (Copy After)
Saint Anne, the Virgin and the Christ Child
Oil on panel transferred to canvas. Early XVI century
Leonardo Da Vinci (Copy After)

[+]

Adoration of the Shepherds
Oil on panel. Ca. 1539
San Leocadio, Felipe Pablo de
Adoration of the Shepherds
Oil on panel. Ca. 1539
San Leocadio, Felipe Pablo de

The present Adoration of the Shepherds has been identified with the main part of an altarpiece made for Valencian silk maker Jacobo Perpinya. That altarpiece is topped by a representation of the Incar [+]

The Holy Family
Oil on panel. XVI century
Luini, Bernardino (Bernardino Scapi)
The Holy Family
Oil on panel. XVI century
Luini, Bernardino (Bernardino Scapi)

Luini shows the influence Leonardo da Vinci had in the area around Milan, although he only adopts the latter´s models and some formal aspects. The Holy Family with Saint John the Baptist was a private [+]

The Virgin with the Pomegranate
Tempera on panel. Ca. 1426
Angelico, Fra
The Virgin with the Pomegranate
Tempera on panel. Ca. 1426
Angelico, Fra

The Virgin with the Pomegranate is an exceptional work painted during one of the key periods in the history of art, in Florence, cradle of the Renaissance, in the first quarter of the fifteenth centur [+]

Christ presents the Redeemed from Limbo to the Virgin
Oil on panel. 1510 - 1518
Yáñez de la Almedina, Fernando (And Workshop)
Christ presents the Redeemed from Limbo to the Virgin
Oil on panel. 1510 - 1518
Yáñez de la Almedina, Fernando (And Workshop)

In 1954 this work, then in the Adanero Collection, was published by Angulo Íñiguez who unhesitatingly attributed it to Yáñez de la Almedina, or at least, his workshop. This [+]

The Virgin and Child with Saint John
Oil on panel. 1515 - 1517
Correggio (Antonio Allegri)
The Virgin and Child with Saint John
Oil on panel. 1515 - 1517
Correggio (Antonio Allegri)

Outside of Rome and Florence, no painter was as decisive in the formulation of painting´s classical language as Corregio. His youth, before his stay in Rome in 1518 and 1519, cannot be understood with [+]

The Mona Lisa
Oil on walnut panel. 1503 - 1519
Leonardo Da Vinci (Workshop Of)
The Mona Lisa
Oil on walnut panel. 1503 - 1519
Leonardo Da Vinci (Workshop Of)

This version of the Mona Lisa (Louvre) was painted by one of Leonardo’s pupils, probably Salaí (1480-1524) or Francesco Melzi (1493-1572/3). The fact that each pentimento, or change, in Leonard [+]

The Holy Family with a Lamb
Oil on panel. 1507
Raphael (Raffaello Sanzio)
The Holy Family with a Lamb
Oil on panel. 1507
Raphael (Raffaello Sanzio)

In 1504, after training with Perugino, Raphael moved from Perugia to Florence, where he remained for four years to absorb the work of Leonardo and Michelangelo. His gradual mastery of classicism is vi [+]

Saint John the Baptist with the Lamb
Oil on panel. 1510
Sarto, Andrea del (Andrea D'agnolo)
Saint John the Baptist with the Lamb
Oil on panel. 1510
Sarto, Andrea del (Andrea D'agnolo)

There is some controversy about the authorship of this small panel painting, which some historians attribute to Florentine painter Andrea del Sarto and others consider closer to the work of 16th-centu [+]

Saint John the Baptist in the Desert
Oil on canvas. 1810 - 1812
Goya y Lucientes, Francisco de
Saint John the Baptist in the Desert
Oil on canvas. 1810 - 1812
Goya y Lucientes, Francisco de

Goya depicts Saint John as an adolescent, holding his traditional attributes: a cross whose banner reads “Lamb of God.” The artist places him on a boulder, looking up and thinking about Christ´s [+]

The Virgin and Child with a Spindle
Oil on panel. 1566
Morales, Luis de
The Virgin and Child with a Spindle
Oil on panel. 1566
Morales, Luis de

This panel formed part of an altar dedicated to St Anne at Badajoz Cathedral. Commissioned by the bishop at that time, Juan de Ribera (1532-1611), it shows the young Virgin Mary seated half-length aga [+]

The Virgin and the Souls of Purgatory
Oil on poplar panel. 1517
Machuca, Pedro
The Virgin and the Souls of Purgatory
Oil on poplar panel. 1517
Machuca, Pedro

This work is a curious version of the Virgin of the Milk, a symbol of Mary’s compassion that serves, in this case, to comfort the souls in Purgatory. The subject, and especially its derivation here as [+]

Sofía Vela y Querol
Oil on canvas. 1850
Madrazo y Kuntz, Federico de
Sofía Vela y Querol
Oil on canvas. 1850
Madrazo y Kuntz, Federico de

Although Federico de Madrazo began working in the genre of historical painting, his gifts as an artist promptly led him to portraiture, which he cultivated in all its forms throughout his lengthy care [+]

The Eucharistic Christ
Oil on panel. 1520 - 1530
Yáñez de la Almedina, Fernando
The Eucharistic Christ
Oil on panel. 1520 - 1530
Yáñez de la Almedina, Fernando

The composition derives from a lost work by Leonardo repeated by Yáñez on two other occasions with some variants. Here he includes a chalice and a consecrated Host, a Eucharistic referen [+]

An Elderly Couple Entreated by a Young Woman
Pencil, Grey-brown ink on blue paper. Second half of the XVI century
Luini, Aurelio
An Elderly Couple Entreated by a Young Woman
Pencil, Grey-brown ink on blue paper. Second half of the XVI century
Luini, Aurelio

This impressive study is a rare example of Aurelio Luini´s finished drawings in pen. The artist is better known for his more rapid pen studies, a feature of which is a rather ragged, disorderly [+]

Head of a man
Red chalk on paper. Late XVI - Primera mitad del siglo XVII century
Arpino, Il Cavaliere D' (Attributed To)
Head of a man
Red chalk on paper. Late XVI - Primera mitad del siglo XVII century
Arpino, Il Cavaliere D' (Attributed To)

According to the old, Italian inscription on the verso – Leonardo da Vinci – the drawing was once thought to be by this artist. From its style, it seems to be the work of Giuseppe Cesari, called il Ca [+]

The Adoration of the Shepherds
Pencil ground, Grey-brown ink, White lead, Wash on tinted paper. Late XVI century
Balducci, Giovanni
The Adoration of the Shepherds
Pencil ground, Grey-brown ink, White lead, Wash on tinted paper. Late XVI century
Balducci, Giovanni

This attractive compositional study is typical of Balducci´s style of drawing from the 1580s, the period of the artist´s early maturity. The pictorial effect is enhanced by the hot, brick-red ground, [+]

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