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A Sybil
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Blanco, Enrique -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
A Sybil
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Blanco, Enrique -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

Landscape with Buildings
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Pic de Leopold, Andreas -Lithographer- (After Poussin, Nicolas); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Landscape with Buildings
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Pic de Leopold, Andreas -Lithographer- (After Poussin, Nicolas); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Andreas Pic de Leopold (1789?- después de 1860) que reproduce el óleo de Nicolas Poussin conservado en el Museo Nacional del Prado (P02310). Esta estampa se entregaba con el cuade [+]

Young Man between Vice and Virtue
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Jorro, José -Lithographer- (After Veronese, Paolo (Paolo Cagliari)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Young Man between Vice and Virtue
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Jorro, José -Lithographer- (After Veronese, Paolo (Paolo Cagliari)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de José Jorro (activo en Madrid entre 1832 y 1837) que reproduce un lienzo de Veronés (P499). Esta estampa se entregaba con el cuadernillo CXXXVII acompañado de un texto explicativo [+]

The Taking of Christ
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Palmaroli, Cayetano -Lithographer- (After Dyck, Anthony Van); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
The Taking of Christ
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Palmaroli, Cayetano -Lithographer- (After Dyck, Anthony Van); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

Es una litografía de Cayetano Palmaroli (1801–1853) que reproduce un lienzo pintado por Anton van Dyck (P01477). Esta estampa se entregaba con el cuadernillo CXLII acompañado de un texto explicativo d [+]

The Cardinal-Infante Don Fernando de Austria, at the Battle of Nördlingen
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (The Original Work, According To Inscriptions, Attributed To Dyck, Anthony Van); Rubens, Peter Paul (After); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
The Cardinal-Infante Don Fernando de Austria, at the Battle of Nördlingen
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (The Original Work, According To Inscriptions, Attributed To Dyck, Anthony Van); Rubens, Peter Paul (After); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

The Cardinal-Infante Don Fernando de Austria, at the Battle of Nördlingen
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (The Original Work, According To Inscriptions, Attributed To Dyck, Anthony Van); Rubens, Peter Paul (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Cardinal-Infante Don Fernando de Austria, at the Battle of Nördlingen
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (The Original Work, According To Inscriptions, Attributed To Dyck, Anthony Van); Rubens, Peter Paul (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

The Finding of Moses
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Pic de Leopold, Andreas -Lithographer- (After Claude (Lorrain, Byname Of Claude Gellée)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Finding of Moses
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Pic de Leopold, Andreas -Lithographer- (After Claude (Lorrain, Byname Of Claude Gellée)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Andreas Pic de Leopold (1789 ?-ca. 1860) que reproduce el óleo de Claudio de Lorena conservado en el Museo Nacional del Prado (P02253). Esta estampa se entregaba con el cuadernill [+]

The Burial of Saint Stephen
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Guglielmi, Augusto -Lithographer- (After Juanes, Juan de (Vicente Juan Masip)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Burial of Saint Stephen
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Guglielmi, Augusto -Lithographer- (After Juanes, Juan de (Vicente Juan Masip)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Augusto Guglielmi (activo en Madrid entre 1829 y 1837) que reproduce el óleo de Juan de Juanes conservado en el Museo Nacional del Prado (P00842), pintado para el retablo de la ig [+]

The Burial of Saint Stephen
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Guglielmi, Augusto -Lithographer- (After Juanes, Juan de (Vicente Juan Masip)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Burial of Saint Stephen
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Guglielmi, Augusto -Lithographer- (After Juanes, Juan de (Vicente Juan Masip)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Augusto Guglielmi (activo en Madrid entre 1829 y 1837) que reproduce el óleo de Juan de Juanes conservado en el Museo Nacional del Prado (P00842), pintado para el retablo de la ig [+]

The Baptism of Christ
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Amerigó y Morales, Ramón -Lithographer- (After Navarrete "el Mudo", Juan Fernández); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Baptism of Christ
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Amerigó y Morales, Ramón -Lithographer- (After Navarrete "el Mudo", Juan Fernández); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Ramón Amerigó y Morales (1807?-1884) que reproduce el óleo de Juan Fernández Navarrete, el Mudo, conservado en el Museo Nacional del Prado (P01012). Esta estampa se entregaba con [+]

Landscape with Buildings
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Pic de Leopold, Andreas -Lithographer- (After Rubens, Peter Paul); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Landscape with Buildings
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Pic de Leopold, Andreas -Lithographer- (After Rubens, Peter Paul); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Andreas Pic de Leopold (1789?-después de 1860) que reproduce el óleo de Nicolas Poussin conservado en el Museo Nacional del Prado (P02310). Esta estampa se entregaba con el cuader [+]

Landscape with Buildings
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Pic de Leopold, Andreas -Lithographer- (After Poussin, Nicolas); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Landscape with Buildings
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Pic de Leopold, Andreas -Lithographer- (After Poussin, Nicolas); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Andreas Pic de Leopold (1789?- después de 1860) que reproduce el óleo de Nicolas Poussin conservado en el Museo Nacional del Prado (P02310). Esta estampa se entregaba con el cuade [+]

Saint Stephen accused of Blasphemy
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Guglielmi, Paolo -Lithographer- (After Juanes, Juan de (Vicente Juan Masip)); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
Saint Stephen accused of Blasphemy
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Guglielmi, Paolo -Lithographer- (After Juanes, Juan de (Vicente Juan Masip)); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

Mercury and Argus
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Sensi y Baldachi, Gaspar -Lithographer- (After Rubens, Peter Paul); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
Mercury and Argus
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Sensi y Baldachi, Gaspar -Lithographer- (After Rubens, Peter Paul); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

Es una litografía de Gaspar Sensi y Baldachi (1794-1880) que reproduce un lienzo pintado por Rubens y su taller (P01673). Esta estampa se entregaba con el cuadernillo CXL acompañado de un texto explic [+]

Philip II on Horseback
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (After Rubens, Peter Paul); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Philip II on Horseback
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (After Rubens, Peter Paul); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

Philip II on Horseback
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (After Rubens, Peter Paul); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
Philip II on Horseback
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (After Rubens, Peter Paul); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

Es una litografía, sin encuadernar, de Pierre-Jules Jollivet (1794-1871) que reproduce el lienzo de Rubens (P01686) conservado en el Museo Nacional del Prado. Esta estampa se entregaba con el cuaderni [+]

The Infant Christ and Saint John the Baptist with a Shell
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1829 - 1932
Camarón y Torra, Vicente -Lithographer- (After Murillo, Bartolomé Esteban); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
The Infant Christ and Saint John the Baptist with a Shell
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1829 - 1932
Camarón y Torra, Vicente -Lithographer- (After Murillo, Bartolomé Esteban); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

Es una litografía de Vicente Camarón (1803-1864) que reproduce el lienzo de Bartolomé Esteban Murillo conservado en el Museo Nacional del Prado (P00964). Esta estampa se entregaba con el cuadernillo C [+]

The Birth of the Milky Way
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Sensi y Baldachi, Gaspar -Lithographer- (After Rubens, Peter Paul); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Birth of the Milky Way
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Sensi y Baldachi, Gaspar -Lithographer- (After Rubens, Peter Paul); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Gaspar Sensi y Baldachi (1794-1880) que reproduce el lienzo de Rubens conservado en el Museo Nacional del Prado (P01668). Esta estampa se entregaba con el cuadernillo CXIV acompañ [+]

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