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A Sybil
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Blanco, Enrique -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
A Sybil
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Blanco, Enrique -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

The Agony in the Garden
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Guglielmi, Augusto -Lithographer- (The Original Work, According To Inscriptions, Attributed To Chimenti, Jacopo); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid; Vasari, Giorgio
The Agony in the Garden
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Guglielmi, Augusto -Lithographer- (The Original Work, According To Inscriptions, Attributed To Chimenti, Jacopo); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid; Vasari, Giorgio

Es una litografía de Augusto Guglielmi que reproduce un lienzo de un discípulo de Vasari (P98), atribuido hasta 1920 a Jacopo Chimenti y como tal aparece en la firma de la estampa. Esta estampa se ent [+]

Saint Peter freed by an Angel
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Palmaroli, Cayetano -Lithographer- (After Guercino (Giovanni Francesco Barbieri)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Saint Peter freed by an Angel
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Palmaroli, Cayetano -Lithographer- (After Guercino (Giovanni Francesco Barbieri)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Cayetano Palmaroli (1801-1853) que reproduce el lienzo de Guercino conservado en el Museo Nacional del Prado (P00200). Esta estampa se entregaba con el cuadernillo CXXX acompañado [+]

Saint Peter freed by an Angel
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Palmaroli, Cayetano -Lithographer- (After Guercino (Giovanni Francesco Barbieri)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Saint Peter freed by an Angel
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Palmaroli, Cayetano -Lithographer- (After Guercino (Giovanni Francesco Barbieri)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Cayetano Palmaroli (1801-1853) que reproduce el lienzo de Guercino conservado en el Museo Nacional del Prado (P00200). Esta estampa se entregaba con el cuadernillo CXXX acompañado [+]

The Flight into Egypt
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Palmaroli, Cayetano -Lithographer- (After Turchi, Alessandro); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
The Flight into Egypt
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Palmaroli, Cayetano -Lithographer- (After Turchi, Alessandro); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

Es una litografía de Cayetano Palmaroli (1801-1853) que reproduce un lienzo pintado por Alessandro Turchi (P00461). Esta estampa se entregaba con el cuadernillo CXLV acompañado de un texto explicativo [+]

Young Man between Vice and Virtue
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Jorro, José -Lithographer- (After Veronese, Paolo (Paolo Cagliari)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Young Man between Vice and Virtue
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Jorro, José -Lithographer- (After Veronese, Paolo (Paolo Cagliari)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de José Jorro (activo en Madrid entre 1832 y 1837) que reproduce un lienzo de Veronés (P499). Esta estampa se entregaba con el cuadernillo CXXXVII acompañado de un texto explicativo [+]

Philip II on Horseback
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (After Rubens, Peter Paul); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Philip II on Horseback
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (After Rubens, Peter Paul); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

Philip II on Horseback
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (After Rubens, Peter Paul); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
Philip II on Horseback
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (After Rubens, Peter Paul); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

Es una litografía, sin encuadernar, de Pierre-Jules Jollivet (1794-1871) que reproduce el lienzo de Rubens (P01686) conservado en el Museo Nacional del Prado. Esta estampa se entregaba con el cuaderni [+]

The Cardinal-Infante Don Fernando de Austria, at the Battle of Nördlingen
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (The Original Work, According To Inscriptions, Attributed To Dyck, Anthony Van); Rubens, Peter Paul (After); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
The Cardinal-Infante Don Fernando de Austria, at the Battle of Nördlingen
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (The Original Work, According To Inscriptions, Attributed To Dyck, Anthony Van); Rubens, Peter Paul (After); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

The Cardinal-Infante Don Fernando de Austria, at the Battle of Nördlingen
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (The Original Work, According To Inscriptions, Attributed To Dyck, Anthony Van); Rubens, Peter Paul (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Cardinal-Infante Don Fernando de Austria, at the Battle of Nördlingen
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (The Original Work, According To Inscriptions, Attributed To Dyck, Anthony Van); Rubens, Peter Paul (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

The Holy Family, Saint Ildephonsus, Saint John the Evangelist and Master Alonso de Villegas
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Sensi y Baldachi, Gaspar -Lithographer- (After Prado, Blas de); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Holy Family, Saint Ildephonsus, Saint John the Evangelist and Master Alonso de Villegas
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Sensi y Baldachi, Gaspar -Lithographer- (After Prado, Blas de); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Gaspar Sensi y Baldachi (1794-1880) que reproduce el lienzo de Blas de Prado conservado en el Museo Nacional del Prado (P01059). Esta estampa se entregaba con el cuadernillo CXXIX [+]

The Holy Family, Saint Ildephonsus, Saint John the Evangelist and Master Alonso de Villegas
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Sensi y Baldachi, Gaspar -Lithographer- (After Prado, Blas de); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Holy Family, Saint Ildephonsus, Saint John the Evangelist and Master Alonso de Villegas
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Sensi y Baldachi, Gaspar -Lithographer- (After Prado, Blas de); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Gaspar Sensi y Baldachi (1794-1880) que reproduce el lienzo de Blas de Prado conservado en el Museo Nacional del Prado (P01059). Esta estampa se entregaba con el cuadernillo CXXIX [+]

A Stop at an Inn
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Pic de Leopold, Andreas -Lithographer- (After Wouwerman, Philips); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
A Stop at an Inn
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Pic de Leopold, Andreas -Lithographer- (After Wouwerman, Philips); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía Andreas Pic de Leopold (1789?-después de 1860) que reproduce el óleo de Philips Wouwerman conservado en el Museo Nacional del Prado (P02152). Esta estampa se entregaba con el cuadern [+]

A Stop at an Inn
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Pic de Leopold, Andreas -Lithographer- (After Wouwerman, Philips); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
A Stop at an Inn
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Pic de Leopold, Andreas -Lithographer- (After Wouwerman, Philips); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía Andreas Pic de Leopold (1789?-después de 1860) que reproduce el óleo de Philips Wouwerman conservado en el Museo Nacional del Prado (P02152). Esta estampa se entregaba con el cuadern [+]

Saint Peter freed by an Angel
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Palmaroli, Cayetano -Lithographer- (After Guercino (Giovanni Francesco Barbieri)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Saint Peter freed by an Angel
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Palmaroli, Cayetano -Lithographer- (After Guercino (Giovanni Francesco Barbieri)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Cayetano Palmaroli (1801-1853) que reproduce el lienzo de Guercino conservado en el Museo Nacional del Prado (P00200). Esta estampa se entregaba con el cuadernillo CXXX acompañado [+]

The Surrender of Jülich
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (After Leonardo, Jusepe); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Surrender of Jülich
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (After Leonardo, Jusepe); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

Landscape
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Alexis, Victor
Landscape
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Alexis, Victor

Es una litografía de Víctor Alexis que reproduce el lienzo de Adriaen Fransz Boudewijns conservado en el Museo Nacional del Prado (P1373). En la firma de la estampa la pintura era atribuida a Johannes [+]

Landscape
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Alexis, Victor -Lithographer- (The Original Work, According To Inscriptions, Attributed To Glauber, Johannes); Boudewijns, Adriaen Fransz (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Landscape
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Alexis, Victor -Lithographer- (The Original Work, According To Inscriptions, Attributed To Glauber, Johannes); Boudewijns, Adriaen Fransz (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Víctor Alexis que reproduce el lienzo de Adriaen Fransz Boudewijns conservado en el Museo Nacional del Prado (P1373). En la firma de la estampa la pintura era atribuida a Johannes [+]

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