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They eat a lot
Pencil on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de
They eat a lot
Pencil on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de

Several drawings in these albums predominantly feature clergymen, all of which have a satirical tone. In this case, a friar laboriously prepares to relieve himself, consequentially, as Goya´s title su [+]

Loyalty
Red chalk, Red wash on ivory laid paper. 1815 - 1819
Goya y Lucientes, Francisco de
Loyalty
Red chalk, Red wash on ivory laid paper. 1815 - 1819
Goya y Lucientes, Francisco de

El dibujo preparatorio para Disparates, 17, La lealtad pertenece a una serie que Goya comenzó en 1815, siendo fiel reflejo del contexto histórico y personal del artista que, finalizada la Guerra de la [+]

The flying dog
Pencil, Lithographic crayon on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de
The flying dog
Pencil, Lithographic crayon on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de

The Flying Dog is part of Album G, the first of two albums from Goya’s final years in Bordeaux, between 1824 and 1828. It is one of numerous compositions in which Goya portrays flying animals or human [+]

The butterfly bull. Fiesta in the air. They fly and fly
Black chalk, Lithographic crayon on grey laid paper. 1825 - 1828
Goya y Lucientes, Francisco de
The butterfly bull. Fiesta in the air. They fly and fly
Black chalk, Lithographic crayon on grey laid paper. 1825 - 1828
Goya y Lucientes, Francisco de

This drawing brings together several recurring themes found in his work: the impossible dream of flying, the duality of the bullfighting world between the festive and the tragic, and the scenes of abs [+]

Fight till death between two stout men
Pencil on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de
Fight till death between two stout men
Pencil on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de

It is difficult to say whether here we are viewing a scene of amusement or an allegory of violence, as both characters appear to be laughing stupidly while one pines down the other by force and prepar [+]

Telegraph
Pencil on grey laid paper. 1825 - 1828
Goya y Lucientes, Francisco de
Telegraph
Pencil on grey laid paper. 1825 - 1828
Goya y Lucientes, Francisco de

Without the artist’s handwritten inscription reading Telegraph, it would have been impossible to decipher the theme of his image, and it may have been understood superficially merely as a scene depict [+]

Great folly
Pencil on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de
Great folly
Pencil on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de

The title written by Goya indicates the absurd nature of the scene represented, which is hard to explain. The severed head is being fed by the body from which it has been separated. At the same time, [+]

Monks in procession
Pencil on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de
Monks in procession
Pencil on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de

Processions are a frequent element in Goya´s last works, and are always depicted with a noticeably dark tone, such as I the The San Isidro Pilgrimage, one of his Black Paintings. Here the monks hide t [+]

Monk drawing with a compass
Pencil on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de
Monk drawing with a compass
Pencil on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de

This drawing has rarely been exhibited and studied, but it is, nevertheless, one of the most beautiful due to its monumental and synthetic feel. Using only sharp crayon strokes, Goya defines the conto [+]

A Sybil
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Blanco, Enrique -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
A Sybil
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Blanco, Enrique -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

Bravo toro
Crayon lithography, Scraper on wove paper. 1825
Goya y Lucientes, Francisco de
Bravo toro
Crayon lithography, Scraper on wove paper. 1825
Goya y Lucientes, Francisco de

Although Goya had already shown an interest in lithography while in Madrid, it was in Bordeaux tht he fully explored the expressive possibilities of this new medium. In November 1825, a year after his [+]

The Famous American Mariano Ceballos
Crayon lithography, Scraper on wove paper. 1825
Goya y Lucientes, Francisco de
The Famous American Mariano Ceballos
Crayon lithography, Scraper on wove paper. 1825
Goya y Lucientes, Francisco de

Although Goya had already shown an interest in lithography while in Madrid, it was in Bordeaux tht he fully explored the expressive possibilities of this new medium. In November 1825, a year after his [+]

Dibersión de España
Lithography on wove paper. 1825
Goya y Lucientes, Francisco de
Dibersión de España
Lithography on wove paper. 1825
Goya y Lucientes, Francisco de

Although Goya had already shown an interest in lithography while in Madrid, it was in Bordeaux tht he fully explored the expressive possibilities of this new medium. In November 1825, a year after his [+]

Landscape with Buildings
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Pic de Leopold, Andreas -Lithographer- (After Poussin, Nicolas); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Landscape with Buildings
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Pic de Leopold, Andreas -Lithographer- (After Poussin, Nicolas); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Andreas Pic de Leopold (1789?- después de 1860) que reproduce el óleo de Nicolas Poussin conservado en el Museo Nacional del Prado (P02310). Esta estampa se entregaba con el cuade [+]

The Finding of Moses
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Pic de Leopold, Andreas -Lithographer- (After Claude (Lorrain, Byname Of Claude Gellée)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Finding of Moses
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Pic de Leopold, Andreas -Lithographer- (After Claude (Lorrain, Byname Of Claude Gellée)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Andreas Pic de Leopold (1789 ?-ca. 1860) que reproduce el óleo de Claudio de Lorena conservado en el Museo Nacional del Prado (P02253). Esta estampa se entregaba con el cuadernill [+]

The Burial of Saint Stephen
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Guglielmi, Augusto -Lithographer- (After Juanes, Juan de (Vicente Juan Masip)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Burial of Saint Stephen
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Guglielmi, Augusto -Lithographer- (After Juanes, Juan de (Vicente Juan Masip)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Augusto Guglielmi (activo en Madrid entre 1829 y 1837) que reproduce el óleo de Juan de Juanes conservado en el Museo Nacional del Prado (P00842), pintado para el retablo de la ig [+]

The Burial of Saint Stephen
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Guglielmi, Augusto -Lithographer- (After Juanes, Juan de (Vicente Juan Masip)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Burial of Saint Stephen
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Guglielmi, Augusto -Lithographer- (After Juanes, Juan de (Vicente Juan Masip)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Augusto Guglielmi (activo en Madrid entre 1829 y 1837) que reproduce el óleo de Juan de Juanes conservado en el Museo Nacional del Prado (P00842), pintado para el retablo de la ig [+]

The Baptism of Christ
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Amerigó y Morales, Ramón -Lithographer- (After Navarrete "el Mudo", Juan Fernández); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Baptism of Christ
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Amerigó y Morales, Ramón -Lithographer- (After Navarrete "el Mudo", Juan Fernández); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Ramón Amerigó y Morales (1807?-1884) que reproduce el óleo de Juan Fernández Navarrete, el Mudo, conservado en el Museo Nacional del Prado (P01012). Esta estampa se entregaba con [+]

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