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The Virgin as a Shepherdess
Oil on canvas. Ca. 1732
Tobar, Alonso Miguel de (Attributed To)
The Virgin as a Shepherdess
Oil on canvas. Ca. 1732
Tobar, Alonso Miguel de (Attributed To)

This canvas depicts an uncommon manifestation of the Virgin Mary that became popular in eighteenth-century Andalusia. She is seated on a rock surrounded by her flock, holding a rose in her left hand a [+]

A Lion and three Wolves
Oil on canvas. XVII century
Vos, Paul de
A Lion and three Wolves
Oil on canvas. XVII century
Vos, Paul de

As an animal painter Paul de Vos was a follower of his brother-in-law and collaborator Frans Snyders although with a more specialist focus on hunting scenes. Both supplied art lovers and collectors wi [+]

The Conversion of the Wolf of Gubbio
Oil on canvas. 1789
Camarón, José
The Conversion of the Wolf of Gubbio
Oil on canvas. 1789
Camarón, José

[+]

Abundance with the Four Elements
Oil on copperplate. 1606
Brueghel The Elder, Jan (Jan 'velvet' Brueghel); Clerck, Hendrik de
Abundance with the Four Elements
Oil on copperplate. 1606
Brueghel The Elder, Jan (Jan 'velvet' Brueghel); Clerck, Hendrik de

In this painting, Ceres, goddess of agriculture and fertility, is surrounded by fruits and flowers, pictured as the personification of Abundance holding the horn of plenty in her hands. The history of [+]

Landscape with Hunters
Oil on canvas. Early XVII century
Anonymous
Landscape with Hunters
Oil on canvas. Early XVII century
Anonymous

[+]

Orpheus and the Animals
Oil on canvas. 1636 - 1638
Thulden, Theodoor Van; Snyders, Frans
Orpheus and the Animals
Oil on canvas. 1636 - 1638
Thulden, Theodoor Van; Snyders, Frans

This scene is inspired by a passage from the Metamorphoses by the Roman poet Ovid. Orpheus, the mythological Greek musician and poet, sung and played the lyre so sublimely that all the animals, even t [+]

The Judgement of Paris / Legs and Torso of a Nude Man
Pencil, Pencil ground, Red chalk, Grey-brown ink, Wash on yellow paper. Second half of the XVII century
Giordano, Luca (Copy Veronese, Paolo (Paolo Cagliari))
The Judgement of Paris / Legs and Torso of a Nude Man
Pencil, Pencil ground, Red chalk, Grey-brown ink, Wash on yellow paper. Second half of the XVII century
Giordano, Luca (Copy Veronese, Paolo (Paolo Cagliari))

The composition is that of a lost painting of the subject by Veronese, carried out for the Fondaco dei Turchi, Venice, the appearance of which is known from an engraving published in 1691. A painted v [+]

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