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Armida and Rinaldo
Oil on canvas. Ca. 1697
Giordano, Luca
Armida and Rinaldo
Oil on canvas. Ca. 1697
Giordano, Luca

Ubaldo y Carlo lograron penetrar en el palacio encantado de Armida, donde se encontraba ella con Reinaldo, entregados a sus juegos amatorios. Reinaldo, apoyado sobre la joven, contempla su rostro refl [+]

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The Toilet of Venus
Oil on canvas. 1635 - 1640
Albani, Francesco
The Toilet of Venus
Oil on canvas. 1635 - 1640
Albani, Francesco

Francesco Albani was a much favoured pupil of Annibale Carracci. His success was partially due to mythological paintings such as The toilet of Venus (P1) and The judgement of Paris (P2), whose refined [+]

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The Worship to Venus
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Feillet, Pierre Jacques -Lithographer- (After Titian (Tiziano Vecellio)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Worship to Venus
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Feillet, Pierre Jacques -Lithographer- (After Titian (Tiziano Vecellio)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Pierre Jacques Feillet (1794-1855) que reproduce el óleo de Tiziano conservado en el Museo Nacional del Prado (P00419). El título que aparece en la estampa es Ofrenda á la Fecundi [+]

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The Worship to Venus
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Feillet, Pierre Jacques -Lithographer- (After Titian (Tiziano Vecellio)); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
The Worship to Venus
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Feillet, Pierre Jacques -Lithographer- (After Titian (Tiziano Vecellio)); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

Es una litografía de Pierre Jacques Feillet (1794-1855) que reproduce el óleo de Tiziano conservado en el Museo Nacional del Prado (P00419). Esta estampa se entregaba con el cuadernillo CLIV acompañad [+]

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The Immaculate Conception
Taille douce: etching and engraving on laid paper. Ca. 1770
Salvador Carmona, Juan Antonio -Engraver- (After Cerezo, Mateo); Corradi, Ángel
The Immaculate Conception
Taille douce: etching and engraving on laid paper. Ca. 1770
Salvador Carmona, Juan Antonio -Engraver- (After Cerezo, Mateo); Corradi, Ángel

Estampa de Juan Antonio Salvador Carmona según pintura de Mateo Cerezo en la antigua colección de Baltasar de la Puente, de Madrid, que no se conserva. Existen copias pintadas a partir de esta estampa [+]

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