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Fable
Oil on canvas. Ca. 1580
el Greco (Domenikos Theotokopoulos)
Fable
Oil on canvas. Ca. 1580
el Greco (Domenikos Theotokopoulos)

This scene of a young man blowing on burning embers was already developed by El Greco in Italy. Here, the motif is complicated by a mischievous young man and a monkey. This possible allegory of sexual [+]

Abraham and the three Angels
Oil on panel. Ca. 1640
Bramer, Leonaert
Abraham and the three Angels
Oil on panel. Ca. 1640
Bramer, Leonaert

The date of this painting has been the subject of critical debate for over a century. The 1889 edition of the Prado catalogue states that it was signed but fails to mention a date. The 1910 version de [+]

Kitchen Boy
Oil on canvas. Ca. 1620
López Caro, Francisco
Kitchen Boy
Oil on canvas. Ca. 1620
López Caro, Francisco

A table bears various earthenware vessels, a portable stove, a bronze mortar and two peppers. At its corner, a boy looks out of the painting. A sausage and a rabbit hang from above. The boy and object [+]

Lot and his Daughters
Oil on canvas. Ca. 1634
Furini, Francesco
Lot and his Daughters
Oil on canvas. Ca. 1634
Furini, Francesco

An outstanding work in Francesco Furini’s oeuvre and one of the most sensual and morbid of all Italian Baroque paintings, Lot and his daughters, c.1634, depicts the Old Testament story of Lot (Genesis [+]

Pietà
Oil on canvas. Ca. 1756
Giaquinto, Corrado
Pietà
Oil on canvas. Ca. 1756
Giaquinto, Corrado

A Pietà made by this Neapolitan painter during his stay in Madrid (1753-1763). The group of Christ and the angel holding him corresponds to the fresco of the Holy Trinity in the chapel at Madri [+]

Family Portrait
Oil on panel. 1583
Key, Adriaen Thomasz.
Family Portrait
Oil on panel. 1583
Key, Adriaen Thomasz.

This group portrait of a middle-class Flemish family, whose identity is now unknown, is one of Key’s finest works in this genre. It has the firm handling evident in his portraits of the 1580s, reveali [+]

Elephants in a Circus
Oil on canvas. Ca. 1640
Lione, Andrea Di
Elephants in a Circus
Oil on canvas. Ca. 1640
Lione, Andrea Di

As frequently occurred in the cycle on the History of Ancient Rome commissioned for the decoration of the Buen Retiro Palace, Andrea di Lione drew elements of his painting from the abundant Antiquaria [+]

Landscape
Oil on canvas. 1852
Lucas Velázquez, Eugenio
Landscape
Oil on canvas. 1852
Lucas Velázquez, Eugenio

Eugenio Lucas Velázquez, a Romantic artist, painted mountain landscapes, some of notably large size. Here the depth within the panoramic view, the energy and variety of the brushstrokes and the [+]

Saint Jerome
Oil on canvas. 1640 - 1645
Herrera The Elder, Francisco de
Saint Jerome
Oil on canvas. 1640 - 1645
Herrera The Elder, Francisco de

Saint Jerome is seen in his retreat, studying and reading while listening to the trumpet of the Last Judgment. This is a characteristic work from Herrera’s mature period, which was characterised by a [+]

Allegory of the Redemption
Oil on panel. Ca. 1587
Ligozzi, Jacopo
Allegory of the Redemption
Oil on panel. Ca. 1587
Ligozzi, Jacopo

Ligozzi painted numerous allegories on death and the vices, using a macabre and morbid language that included skeletons and hourglasses. In works of this type the artist employed his imagination and p [+]

The Flight into Egypt
Oil on pine panel. Ca. 1570
el Greco (Domenikos Theotokopoulos)
The Flight into Egypt
Oil on pine panel. Ca. 1570
el Greco (Domenikos Theotokopoulos)

This small panel -it is practically a miniature- is truly exceptional among El Greco’s works. In it, he employs landscape as an essential compositional element while simultaneously demonstrating his m [+]

Susannah and the Elders
Oil on canvas. 1617
Guercino (Giovanni Francesco Barbieri)
Susannah and the Elders
Oil on canvas. 1617
Guercino (Giovanni Francesco Barbieri)

Historian Denis Mahon has masterfully shown that this painting and two other famous works by Guercino -Lot and his daughters (Monastery of El Escorial, Madrid) and The return of the Prodigal Son (Gall [+]

Pietà
Oil on panel. 1440 - 1450
Weyden, Rogier Van Der (Workshop Of)
Pietà
Oil on panel. 1440 - 1450
Weyden, Rogier Van Der (Workshop Of)

The panel has been extended at the top: the original part is one board of Baltic oak, horizontal in grain and about 27 cm high. Sections of the unpainted edges survive on all four sides. The last ring [+]

View of Madrid from the River Manzanares
Oil on canvas. 1908
Beruete, Aureliano de
View of Madrid from the River Manzanares
Oil on canvas. 1908
Beruete, Aureliano de

This painting is an example of Beruete´s paintings of scenes from around Madrid, many of which have the Manzanares river as their protagonist. While water occupies more than half of the canvas, the ci [+]

Saint Ildefonso receiving the Chasuble
Oil on canvas. Ca. 1600
Sánchez Cotán, Juan
Saint Ildefonso receiving the Chasuble
Oil on canvas. Ca. 1600
Sánchez Cotán, Juan

Primarily known as one of Spain’s most original still-life painters, Sánchez Cotán’s numerous religious works are characterised by the idealisation of the figures, concise line, pale col [+]

The Youthful Saint John the Baptist in the Desert
Oil on panel. 1753 - 1754
Mengs, Anton Raphael
The Youthful Saint John the Baptist in the Desert
Oil on panel. 1753 - 1754
Mengs, Anton Raphael

Painted with remarkable delicacy, probably from life, in this panel Mengs captures the artless fascination with which the saint presents to the world the message of the Redeemer’s arrival, inscribed o [+]

Academic drawing
Black chalk, White chalk on green paper. 1765 - 1768
Batoni, Pompeo
Academic drawing
Black chalk, White chalk on green paper. 1765 - 1768
Batoni, Pompeo

Pompeo Batoni was the leading exponent of Roman classicism during the second half of the eighteenth century along with Anton Raphael Mengs. Following initial training in his native Lucca, Batoni studi [+]

The Annunciation
Black chalk, Red chalk on dark yellow paper. Late XVI century
Cesi, Bartolomeo (Attributed To)
The Annunciation
Black chalk, Red chalk on dark yellow paper. Late XVI century
Cesi, Bartolomeo (Attributed To)

In her 1983 catalogue, Mena Marques rightly brought attention to the very high quality of this drawing and suggested the style could be Sienese, from the end of the sixteenth century and the beginning [+]

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