The itinerary <em>TITULORECORRIDO</em> has been successfully created. Now you can add in works from the Collection browser
<em>TITULOOBRA</em> added to <em>TITULORECORRIDO</em> itinerary

Search

Explore the collection

Refine results
14 results
Portrait of a Woman
Oil on panel. Ca. 1514
Sarto, Andrea del (Andrea D'agnolo)
Portrait of a Woman
Oil on panel. Ca. 1514
Sarto, Andrea del (Andrea D'agnolo)

This half-length portrait of an anonymous woman is traditionally though to be of the painter´s wife, Lucrecia del Fede, who he married in 1518. While there are no conclusive arguments in that re [+]

Venus with an Organist and a Dog
Oil on canvas. Ca. 1550
Titian (Tiziano Vecellio)
Venus with an Organist and a Dog
Oil on canvas. Ca. 1550
Titian (Tiziano Vecellio)

In contrast to the paintings created for the Camerino d´Alabastro and the poesie made for Philip II, the canvases on the subject of Venus do not form a homogenous group as they were not painted for on [+]

The Death of Seneca
Oil on canvas. 1871
Domínguez Sánchez, Manuel
The Death of Seneca
Oil on canvas. 1871
Domínguez Sánchez, Manuel

Emperor Nero accused his teacher, Seneca, of treason and ordered his execution. Scorning imperial power, the philosopher decided to take his own life. First he cut his veins and then he took poison. I [+]

The Death of Lucretia
Oil on canvas. Last third of the XVI century
Cambiaso, Luca (Attributed To)
The Death of Lucretia
Oil on canvas. Last third of the XVI century
Cambiaso, Luca (Attributed To)

The Roman patrician lady Lucretia killed herself after being raped by the son of the King of Rome, an act that brought about the fall of the monarchy and the proclamation of the Republic in 510 B. C. [+]

Adam and Eve
Oil on canvas. Ca. 1550
Titian (Tiziano Vecellio)
Adam and Eve
Oil on canvas. Ca. 1550
Titian (Tiziano Vecellio)

The painting is a faithful visualisation of Genesis 30, 9-19 in which Eve is blamed for accepting the forbidden fruit (although the type of fruit is not stated, Titian follows tradition and opts for a [+]

The Death of Lucretia
Oil on canvas. 1871
Rosales Gallinas, Eduardo
The Death of Lucretia
Oil on canvas. 1871
Rosales Gallinas, Eduardo

After revolutionizing the painting of his time with Queen Isabel la Católica dictating her Last Will and Testament (P4624), Rosales again shook the very foundations of the Spanish art world whe [+]

Doña Blanca of Navarre handed over to the Captal of Buch
Oil on canvas. 1869
Rosales Gallinas, Eduardo
Doña Blanca of Navarre handed over to the Captal of Buch
Oil on canvas. 1869
Rosales Gallinas, Eduardo

One of the most important works by Rosales to have remained in private hands, this canvas exemplifies the artist’s adaptation of history painting to a small format characteristic of the end of his sho [+]

La muerte de Lucrecia
Phototype on card. After 1905
Hauser y Menet
La muerte de Lucrecia
Phototype on card. After 1905
Hauser y Menet

[+]

The death of Lucretia
Pencil, Pencil ground, Grey-brown ink, Wash on paper. XVI century
Anonymous
The death of Lucretia
Pencil, Pencil ground, Grey-brown ink, Wash on paper. XVI century
Anonymous

Este dibujo y el (D01727), son variantes de la misma composición, fueron relacionados por los Suida con el cuadro Lucrecia, de Cambiaso, fechable hacia 1575, que se encontraba antiguamente en una cole [+]

The death of Lucretia
Pencil, Pencil ground, Grey-brown ink, Wash on paper. XVI century
Anonymous
The death of Lucretia
Pencil, Pencil ground, Grey-brown ink, Wash on paper. XVI century
Anonymous

This drawing and D1728, which are variants of the same composition, were connected by the Suidas with Cambiaso´s painting of Lucretia, datable c. 1575, formerly in a private collection, Lugano, then i [+]

The Death of Lucretia / Joseph’s Dream
Pencil, Pencil ground, Grey-brown wash, White lead on yellow laid paper. XVIII century
Maella, Mariano Salvador
The Death of Lucretia / Joseph’s Dream
Pencil, Pencil ground, Grey-brown wash, White lead on yellow laid paper. XVIII century
Maella, Mariano Salvador

Seguramente obra bastante juvenil, por lo alargado del canon y lo quebrado del trazo que aparece igual en algunos de los dibujos de los concursos que conserva la Academia.En ella se representa en el c [+]

Love Song
Marble. 1898
Benlliure Gil, Mariano
Love Song
Marble. 1898
Benlliure Gil, Mariano

In this allusion to young love, a nude girl of idealised beauty raises her hands to her face in a mischievous gesture, smiling at a group of children dancing around her. The sculpture displays Benlliu [+]

Octagonal coffer covered in enamelled gold with engravings and cameos
Amethyst, Agate, Cowry, Silver gilt, Prasiolite, Garnet, Bloodstone, Iron, Lapis lazuli, Sardonyx, Gold gilt, Enamel. 1630 - 1670
Delabarre, Pierre (Circle Of)
Octagonal coffer covered in enamelled gold with engravings and cameos
Amethyst, Agate, Cowry, Silver gilt, Prasiolite, Garnet, Bloodstone, Iron, Lapis lazuli, Sardonyx, Gold gilt, Enamel. 1630 - 1670
Delabarre, Pierre (Circle Of)

The coffer is a key item in any study of French silverware and European collecting. Initially part of Cardinal Mazarin’s collection, on his death it was sold at auction, subsequently being acquired by [+]

Ovate agate vessel with two bands of cameos
Gold, Agate, Chalcedony, Silver gilt, Enamel. S XVI - XVII century
Belle, Josias
Ovate agate vessel with two bands of cameos
Gold, Agate, Chalcedony, Silver gilt, Enamel. S XVI - XVII century
Belle, Josias

Vessel formed by two pieces of agate, fourteen cameos and three partly enamelled gold mounts. With an ovate profile, its body consists of two counterposed bell-shaped agate bowls joined by a strip of [+]

Up