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Pietà
Oil on canvas. Ca. 1629
Dyck, Anthony Van
Pietà
Oil on canvas. Ca. 1629
Dyck, Anthony Van

The scene depicts one of the most dramatic moments of the Passion and Death of Christ, when the Virgin, accompanied by Mary Magdalene who kisses the Redeemer´s hand, and by Saint John who contem [+]

George Legge, Viscount Lewisham
Oil on canvas. 1778
Batoni, Pompeo
George Legge, Viscount Lewisham
Oil on canvas. 1778
Batoni, Pompeo

Batoni combined the sobriety and naturalism of Neo-classical portraiture with the elegance and sensual appeal of Italian painting. George Legge, an English aristocrat making the Grand Tour, was a frie [+]

Preparatory Study for the Monument to Vasco Núñez de Balboa in Panama City
Conté crayon on laid paper. 1923 - 1924
Blay y Fábrega, Miguel
Preparatory Study for the Monument to Vasco Núñez de Balboa in Panama City
Conté crayon on laid paper. 1923 - 1924
Blay y Fábrega, Miguel

Este es un dibujo preparatorio para el grupo Atlantes soportando la bola del mundo, que Blay tituló Las Raíces, base del monumento a Vasco Núñez de Balboa en Panamá. Este se levantó por iniciativa del [+]

Mercurio, variante del ''Hermes Andros-Farnese''
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio
Mercurio, variante del ''Hermes Andros-Farnese''
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio

This drawing belongs to the Ajello Sketchbook, a group of fifty-nine unbound pencil drawings that were models for engraving to illustrate a descriptive calendar of sculptures that Philip V and his wif [+]

Serapis
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio
Serapis
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio

This drawing belongs to the Ajello Sketchbook, a group of fifty-nine unbound pencil drawings that were models for engraving to illustrate a descriptive calendar of sculptures that Philip V and his wif [+]

Alexander
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio
Alexander
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio

This drawing belongs to the Ajello Sketchbook, a group of fifty-nine unbound pencil drawings that were models for engraving to illustrate a descriptive calendar of sculptures that Philip V and his wif [+]

Portrait of roman Woman
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio
Portrait of roman Woman
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio

This drawing belongs to the Ajello Sketchbook, a group of fifty-nine unbound pencil drawings that were models for engraving to illustrate a descriptive calendar of sculptures that Philip V and his wif [+]

Fernando of Tuscany on Horseback
Bronze. 1695
Piamontini, Giuseppe
Fernando of Tuscany on Horseback
Bronze. 1695
Piamontini, Giuseppe

A bronze equestrian statue with a white marble pedestal that probably represents Fernando, the Grand Duke of Tuscany. Dressed all´antica, he holds a baton in his right hand and the reins of his lively [+]

The Empress Sabina
White marble. Ca. 130
Roman Sculptor
The Empress Sabina
White marble. Ca. 130
Roman Sculptor

This is the last portrait of Vibia Sabina (83-136 A. D.), wife of the emperor Hadrian. It does not represent her at her real age (some 48 years), but is a highly idealised and rejuvenated image. Her h [+]

Ariadne sleeping
White marble. 150 - 175
Roman Sculptor
Ariadne sleeping
White marble. 150 - 175
Roman Sculptor

En la pintura de Velázquez que representa una vista del jardín de la Villa Medici en Roma (P1211) se identifica en una logia la estatua de una figura yacente apenas esbozada por el artista. De la figu [+]

The Emperor Nero
Marble. Ca. 1565
Bonanome, Giovanni Battista; Bonanome, Nicola
The Emperor Nero
Marble. Ca. 1565
Bonanome, Giovanni Battista; Bonanome, Nicola

In 1562 and 1565 Philip II commissioned the Bonanome brothers to execute two series of busts of the “Twelve Emperors” of whom Suetonius wrote biographies. The monarch was not satisfied with the busts [+]

Young Roman, formerly identified as Domitian
White marble. Ca. 100
Roman Sculptor
Young Roman, formerly identified as Domitian
White marble. Ca. 100
Roman Sculptor

The refined features of this distinguished young man recall those of the Emperor Nerva (96-98 AD) and his hairstyle reflects that of the previous Emperor, Domitian (81-96 AD). But this head also has s [+]

Torso of a Youth
White marble. Ca. 150
Roman Sculptor
Torso of a Youth
White marble. Ca. 150
Roman Sculptor

This sculpture reproduces a Greek original of around 410 BC by a follower of Polyclitus. There are numerous copies of that work, known as the "Dresden Youth type" in reference to the best and most com [+]

Herm of the epic poet Homer
White marble. Third quarter of the I century
Roman Sculptor
Herm of the epic poet Homer
White marble. Third quarter of the I century
Roman Sculptor

Portraits of Homer, author of the Iliad and the Odyssey, the earliest works of Western literature (8th century B.C.), were made only many years after his death, when any reliable memories of his appea [+]

Hadrian
Grey marble, Bronze. Ca. 1570
Lombardo, Ludovico -Sculptor- (Attributed To)
Hadrian
Grey marble, Bronze. Ca. 1570
Lombardo, Ludovico -Sculptor- (Attributed To)

This bust -bronze (head) and coloured marble (bust)-, bequeathed to Philip III by Count Ernst of Mansfeld, Governor of the Low Countries, was in the castle of La Fontaine in Luxembourg until 1608. Tho [+]

The Muse Polymnia
White marble. 130 - 150
Anonymous
The Muse Polymnia
White marble. 130 - 150
Anonymous

This marble statue and other seven more (E000068, E000041, E000040, E000062, E000061, E000038, E000037) were unearthed in about 1500 in Hadrian´s Villa at Tivoli, where the decorated the stage of the [+]

Roman Woman
White marble. 150 - 155
Roman Sculptor
Roman Woman
White marble. 150 - 155
Roman Sculptor

The portrait is of a mature, high-class lady with a serene and somewhat tired expression. Like many portraits of its era, it imitates the hairstyles adopted in the imperial household, in this case of [+]

Discophoros
White marble. 130 - 140
Roman Sculptor
Discophoros
White marble. 130 - 140
Roman Sculptor

This work is a Roman copy of the Discophoros ("the discus-bearer"), the first creation of the sculptor Polyclitus (active 460-420 B. C.). As is typical of Polyclitus’s art, the modelling of the body i [+]

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