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Allegory of Dusk
Oil on canvas. 1819
Madrazo y Agudo, José de
Allegory of Dusk
Oil on canvas. 1819
Madrazo y Agudo, José de

The allegories, The Hours of the Day, were painted in 1819 by José de Madrazo in Rome just before his return to Spain, to be used in the decoration of the small palace in Madrid known as Casino [+]

The Death of Viriatus, Chief of the Lusitanians
Oil on canvas. 1807
Madrazo y Agudo, José de
The Death of Viriatus, Chief of the Lusitanians
Oil on canvas. 1807
Madrazo y Agudo, José de

This work was part of a series of canvases with scenes recalling how the people of the Iberian Peninsula resisted Roman domination. The idea for this series grew out of a patriotic impulse against the [+]

Jesus in the House of Annas
Oil on canvas. 1803
Madrazo y Agudo, José de
Jesus in the House of Annas
Oil on canvas. 1803
Madrazo y Agudo, José de

This religious scene with its life-size figures, is treated in the sober manner usually applied to scenes from Roman history. It was the first major painting produced by Madrazo whilst training in Par [+]

The Death of Viriatus, Chief of the Lusitanians (preparatory sketch)
Oil on canvas. Ca. 1807
Madrazo y Agudo, José de
The Death of Viriatus, Chief of the Lusitanians (preparatory sketch)
Oil on canvas. Ca. 1807
Madrazo y Agudo, José de

This preparatory sketch for the large-scale canvas painted by Madrazo in Rome (also on display in this room) reveals various differences with respect to the final composition. Madrazo gave more space [+]

Self-portrait
Oil on cardboard. Ca. 1840
Madrazo y Agudo, José de
Self-portrait
Oil on cardboard. Ca. 1840
Madrazo y Agudo, José de

En 1840, José de Madrazo era ya una de las personalidades más relevantes de la vida cultural de la primera mitad del siglo XIX. Ostentaba simultáneamente, a sus cincuenta y nueve años, los cargos de p [+]

Ferdinand VII on horseback
Oil on canvas. 1821
Madrazo y Agudo, José de
Ferdinand VII on horseback
Oil on canvas. 1821
Madrazo y Agudo, José de

For many years the large-scale definitive version was the only painting of Ferdinand displayed to the public in the museum he had founded. He is shown as commander-in-chief of the Spanish armed forces [+]

Eternal Happiness (preparatory sketch)
Oil on canvas. Ca. 1813
Madrazo y Agudo, José de
Eternal Happiness (preparatory sketch)
Oil on canvas. Ca. 1813
Madrazo y Agudo, José de

This is a modellino for the canvas commissioned by Charles IV during his exile in Rome for the ceiling of a room in the Palazzo di Spagna. The artist and his royal client’s tastes are revealed in the [+]

Divine and Profane Love
Oil on canvas. 1813
Madrazo y Agudo, José de
Divine and Profane Love
Oil on canvas. 1813
Madrazo y Agudo, José de

A young male spirit symbolizing Virtue sits at the foot of an oak tree wearing a laurel crown. He looks to the heavens offering the crown he obtained after his victory over Earthly Love. Conquered and [+]

Allegory of Noon
Oil on canvas. 1819
Madrazo y Agudo, José de
Allegory of Noon
Oil on canvas. 1819
Madrazo y Agudo, José de

The allegories, The Hours of the Day, were painted in 1819 by José de Madrazo in Rome just before his return to Spain, to be used in the decoration of the small palace in Madrid known as Casino [+]

The Cavalry Soldier Jean-Baptiste Poret-Dulongval
Oil on canvas. Ca. 1813
Madrazo y Agudo, José de
The Cavalry Soldier Jean-Baptiste Poret-Dulongval
Oil on canvas. Ca. 1813
Madrazo y Agudo, José de

A young French Officer, displaying the insignia of the Légion d’Honneur, rests beside his horse. In this portrait, which may have been painted in Rome during the Napoleonic occupation, the offi [+]

Ferdinand VII on horseback (preliminary study)
Oil on canvas. 1821
Madrazo y Agudo, José de
Ferdinand VII on horseback (preliminary study)
Oil on canvas. 1821
Madrazo y Agudo, José de

Madrazo would have presented this preliminary study to the king for approval before painting the final version, which is also in the Prado (P3295). For many years the large-scale definitive version wa [+]

The life drawing class, sketch of its lighting system and plan of its seating
Conté crayon, White chalk on paper. First half of the XIX century
Madrazo y Agudo, José de
The life drawing class, sketch of its lighting system and plan of its seating
Conté crayon, White chalk on paper. First half of the XIX century
Madrazo y Agudo, José de

[+]

Chaste Venus
Charcoal, White chalk on wove paper. XIX century
Madrazo y Agudo, José de
Chaste Venus
Charcoal, White chalk on wove paper. XIX century
Madrazo y Agudo, José de

[+]

Landscape with Buildings
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Pic de Leopold, Andreas; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Landscape with Buildings
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Pic de Leopold, Andreas; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Andreas Pic de Leopold (1789?- después de 1860) que reproduce el óleo de Nicolas Poussin conservado en el Museo Nacional del Prado (P02310). Esta estampa se entregaba con el cuade [+]

Solomon worshipping Idols
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Beltrán, Ramón; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Solomon worshipping Idols
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Beltrán, Ramón; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Ramón Beltrán (activo en Madrid entre 1832 y 1837) que reproduce el óleo de Sebastiano Conca conservado en el Museo Nacional del Prado (P00102). Esta estampa se entregaba con el c [+]

The Burial of Saint Stephen
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Guglielmi, Augusto; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Burial of Saint Stephen
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Guglielmi, Augusto; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Augusto Guglielmi (activo en Madrid entre 1829 y 1837) que reproduce el óleo de Juan de Juanes conservado en el Museo Nacional del Prado (P00842), pintado para el retablo de la ig [+]

The Adoration of the Magi
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Palmaroli, Cayetano; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Adoration of the Magi
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Palmaroli, Cayetano; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Cayetano Palmaroli (1801-1853) que reproduce el óleo de Diego Rodríguez de Silva y Velázquez conservado en el Museo Nacional del Prado (P01166). Esta estampa se entregaba con el c [+]

The Vision of Saint Peter Nolasco
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Legrand, Luis Carlos; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Vision of Saint Peter Nolasco
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Legrand, Luis Carlos; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Luis Carlos Legrand (activo en Madrid entre 1829 y 1858) que reproduce el óleo de Francisco de Zurbarán conservado en el Museo Nacional del Prado (P01236). Esta estampa se entrega [+]

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