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En la pintura de Velázquez que representa una vista del jardín de la Villa Medici en Roma (P1211) se identifica en una logia la estatua de una figura yacente apenas esbozada por el artista. De la figu [+]
The sitter is depicted with a dense head of curly hair, a carefully trimmed beard, thin moustache, and a goatee beard between his mouth and chin. The young man’s elegant hairstyle imitates portraits o [+]
This sculpture consists of a seventeenth-century head of Augustus and a torso of Augustus or Tiberius dating from the beginning of the first century A.D. This type of iconography, with a body based on [+]
This sculpture is a Roman copy of a Hellenistic original dating from the second-first century B.C. Stripped of the baroque additions that distorted it, it is part of a large cycle of Venuses linked by [+]
The Roman image of Jupiter, inspired by a statue of Zeus from the fifth century B. C., shows the god wearing the aegis (protective cloak) which, according to Homer, was used by Zeus as a weapon to cre [+]
This Roman herm, which was probably made to decorate a theatre, uses an image of Dionysus in the form of a mask, created between 425 and 400 B. C. in Athens. At that time, it was usual to hang these m [+]
This is a Roman copy of a famous work by Timotheus (c. 370 B. C.). This Greek sculptor, known for his activity in Epidaurus and in the Mausoleum at Halicarnassus, shows Leda partly naked as a result o [+]
This fragment of a Roman sarcophagus depicts the Titan, Prometheus, modelling a statue of a nude youth. Minerva touches its head with a butterfly (psyche in Greek, meaning soul), bringing it to life. [+]
El torso representa a Ártemis o Diana, la diosa de la caza. El delicado chitón, rico en pliegues, está doblado y levantado por encima de las rodillas mediante un cinturón que pasa por debajo de su pec [+]
Roman copy of a late Hellenistic figure, created in Egypt circa 100 B. C. The cult of Isis was widely disseminated in the Roman world and was practised especially by women. She wears a typical Egyptia [+]
Originally in the collection of the 7th Marquis del Carpio, Spanish Ambassador in Rome (1676-82) and Viceroy of Naples (1682-87), this sculpture consists of a nude, Greco-Roman torso with some survivi [+]
The upper part is a Roman copy of a late Hellenistic original (100-50 B. C.). It shows Polyhymnia, the muse of sacred poetry and dance, placing her cloak over her left shoulder. Another copy in the V [+]
A Roman copy of a Hellenistic original from around 150 B.C: considered the best version of the so-called "Marine Venus". The simplicity of her robes and the detailed analysis of her anatomy, which is [+]
The Roman copy of a late Hellenistic model (125-100 B. C.) which, on account of its relaxed posture, recalls Praxiteles’ art. The god, who is leaning on a herm, a distinctive feature of the late first [+]
The eagle and weapons are part of a funerary monument from the period of Emperor Augustus (27 B.C.-14 A.D.). This sculpture was found with many other works in the country villa of Marcus Valerius Mess [+]
This work is particularly valuable as one of the very few surviving effigies of emperor Clodius Albinus (193-197 A.D.), who fought Septimus Severus with the support of the Senate in 196 A.D., and mana [+]
The sitter is a young man with a robust face, a thick, clipped beard and curly hair typical of the Trajanic period. He wears a lunula: an amulet in the form of a crescent moon that protected him again [+]
This Roman copy of a late Hellenistic eclectic sculpture (c. 100 B. C.) is based on several models: the body on the Narcissus of the School of Polyclitus (c. 400 B. C.) and the head on that of the Are [+]
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