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Josefa Manzanedo e Intentas de Mitjans, 2nd Marchioness of Manzanedo
Oil on canvas. 1872
Meissonier, Jean-Louis-Ernest
Josefa Manzanedo e Intentas de Mitjans, 2nd Marchioness of Manzanedo
Oil on canvas. 1872
Meissonier, Jean-Louis-Ernest

The sitter, a leading figure in Parisian social circles, was the daughter of the Duke of Santoña (the origin of whose fortune came, above all, from the slave trade and real estate investments), from whom she inherited the title of Marchioness of Manzanedo. This small canvas is one of the few female portraits painted by Meissonier, who displays his skill in the almost-miniaturist rendering o

Josefa Manzanedo e Intentas de Mitjans, 2nd Marchioness of Manzanedo
Oil on panel. 1875
Madrazo y Garreta, Raimundo de
Josefa Manzanedo e Intentas de Mitjans, 2nd Marchioness of Manzanedo
Oil on panel. 1875
Madrazo y Garreta, Raimundo de

After establishing himself in Paris as portrait painter to the elegant and cosmopolitan high society of his time, Raimundo de Madrazo cultivated a particularly abundant clientele among the great ladies of the French capital. A posterior trip to America allowed him to expand his client base to include the leading families of New York. In the 1870s, when Raimundo was beginning to make a place for hi

View of Paris from the Trocadero
Oil on canvas. 1883
Rico y Ortega, Martín
View of Paris from the Trocadero
Oil on canvas. 1883
Rico y Ortega, Martín

In 1883 Rico received the most significant commissions of his career: two views of Venice for the Marquis of Casa Riera and this panoramic view of Paris for Josefa de Manzanedo e Intentas, II Marchioness of Manzanedo. One of the wealthiest women of her time, she was a very close friend of Ramón de Errazu, who owned a portrait of her by Jean-Louis-Ernest Meissonier (1815-1891). She had also

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