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Educated as a young man in France and Florence, in 1527 Pier Maria Rossi (1504-1547), Seventh Count of San Secondo, was in the service of Clement VII but that same year entered the employment of Charl [+]
This portrait is one of the most beautiful examples of the great actress María Guerrero’s (1867-1928) lifelong obsession with her own image. She began having her portrait painted by the most fa [+]
An outstanding painter of historical scenes and of secular mural decorations to adorn numerous public buildings, as well as those belonging to fin de siècle high society, Emilio Sala also dedic [+]
This portrait of María Guerrero, Sorolla’s neighbour and friend, is probably the finest and most expressive example of the eminent actress’s lifelong obsession with her own image. From childhoo [+]
A la derecha, sentada sobre un pedestal, la Virgen con el Niño, y a la izquierda, varios santos; dos angelitos sostienen un paño, un santo franciscano y uno guerrero, la santa arrodillada ante la que [+]
Es una litografía de Antonio Guerrero (1777-?) que reproduce el lienzo atribuido a Alonso Cano conservado en el Museo Nacional del Prado (P00624). Esta estampa se entregaba con el cuadernillo CIX e ib [+]
Es una litografía de Antonio Guerrero (1777-?) que reproduce el lienzo atribuido a Alonso Cano conservado en el Museo Nacional del Prado (P00624). Esta estampa se entregaba con el cuadernillo CIX acom [+]
Es una litografía de Antonio Guerrero (1777-?) que reproduce el lienzo atribuido a Alonso Cano conservado en el Museo Nacional del Prado (P00624). Esta estampa se entregaba con el cuadernillo CIX acom [+]
Es una litografía de Antonio Guerrero (1777-?) que reproduce el lienzo atribuido a Alonso Cano conservado en el Museo Nacional del Prado (P00624). Esta estampa se entregaba con el cuadernillo CIX acom [+]
Es una litografía de Antonio Guerrero (1777 - ?) que reproduce el óleo de Guido Reni conservado en el Museo Nacional del Prado (P00212). De esta estampa existen pocos ejemplares. Salió al mercado sin [+]
The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]
This vessel had a pair, now lost (I1416), which must have been very similar and by the same hand as O37, the work of the silversmith Pierre Ladoyreau or Ladoireau, who made part of the silver furnishi [+]
