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Titian represented the Gospel account of the burial of Christ (Matthew 27: 57-61; Mark 15: 44-47; Luke 23: 50-54; John 19: 38-42) on several occasions. There is a notable difference between his first [+]
We know from a letter of 30 June 1553 from the Spanish Ambassador in Venice that Titian was waiting for instructions from the emperor to paint a panel of Our Lady the same as the Ecce Homo which Your [+]
The position of the figures, looking at each other, is common for diptych paintings. However, we do not know if these were originally painted as pendants to each other. In 1597, this panel and Virgin [+]
Quentin Massys was one of the leading Flemish painters of the late fifteenth and early sixteenth century and developed his professional career in Antwerp. The origin of this painting is unknown. It ha [+]
Charles II was born in 1661, the only son of Philip IV and his second wife (and niece), Mariana of Austria, to survive to adulthood. Charles succeeded his father in 1665 and died without an heir in 17 [+]
Modigliani identified the sitter as Agnese, the painter’s sister-in-law, through her resemblance to the woman who appears in the Portrait of Arrigo Licinio and his Family (Rome, Galleria Borghese, inv [+]
This full-length portrait by Pompeo Batoni shows a young English nobleman dressed in a scarlet coat, posing against the Roman countryside. The picture conforms to the Grand Tour portrait model of whic [+]
According to Hesiod’s Theogony, there were three Graces: Aglaia, which means radiance; Euphrosine, which means joy; and Thalia, which means flowering. Born of one of Zeus’s affairs, the three Graces w [+]
The Triptych in the Museo del Prado labeled as Scenes from the Life of Christ is a pivotal work in the story of Valencian painting in the fifteenth century and in the transmission of the style and tec [+]
On 14 February 1612 Juan Bautista Maíno signed the contract to execute the paintings for the monastery church of San Pedro Mártir in Toledo. Maíno agreed to a period of eight mont [+]
We know from a letter of 30 June 1553 from the Spanish Ambassador in Venice that Titian was waiting for instructions from the emperor to paint a panel of Our Lady the same as the Ecce Homo which Your [+]
Titian represented the Gospel account of the burial of Christ (Matthew 27: 57-61; Mark 15: 44-47; Luke 23: 50-54; John 19: 38-42) on several occasions. There is a notable difference between his first [+]
This portrait presents the lady at full length, dressed in the fashion of the time in a tulle gown with lace details. Goya perfectly captures the translucence of the fabric, through which we see the s [+]
Bacchus, the god of wine, is the figure traditionally associated with Autumn. Accompanied here by a satyr with a wineskin, he leans on a barrel and raises a goblet of wine in a pose inspired by the cl [+]
This triptych presents four scenes: the Annunciation, the Visitation, the Adoration of the Angels and the Adoration of the Magi. Painted around 1445, it is considered the earliest surviving work by Di [+]
Chained to a boulder, Andromeda occupies the left side of the composition, while the right opens onto a seascape from which a monster emerges to threaten the mythological heroine. This episode is from [+]
The scene depicts one of the most dramatic moments of the Passion and Death of Christ, when the Virgin, accompanied by Mary Magdalene who kisses the Redeemer´s hand, and by Saint John who contem [+]
In 1625, Archduchess Isabel Clara Eugenia commissioned Rubens to design a series of twenty tapestries for the Monastery of the Descalzas Reales in Madrid. The subject was the Eucharist, a leading Cath [+]
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