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Deucalion and Pyrrha
Oil on canvas. XVII century
Martínez del Mazo, Juan Bautista
Deucalion and Pyrrha
Oil on canvas. XVII century
Martínez del Mazo, Juan Bautista

[+]

The Arch of Titus in Rome
Oil on canvas. 1657
Martínez del Mazo, Juan Bautista
The Arch of Titus in Rome
Oil on canvas. 1657
Martínez del Mazo, Juan Bautista

Una figura con la poderosísima personalidad artística de Velázquez no podía por menos que dejar una profunda huella entre los demás pintores de la corte española. Esta influencia se notó especialmente [+]

The calle de la Reina in Aranjuez
Oil on canvas. XVII century
Martínez del Mazo, Juan Bautista
The calle de la Reina in Aranjuez
Oil on canvas. XVII century
Martínez del Mazo, Juan Bautista

A la izquierda, el agua del Tajo y en su orilla, grupos descansando. Un guarda abre la puerta del paseo, sombreado por grandes árboles. En 1794, la obra se encontraba en la pieza de comer el príncipe, [+]

View of Zaragoza
Oil on canvas. 1647
Martínez del Mazo, Juan Bautista
View of Zaragoza
Oil on canvas. 1647
Martínez del Mazo, Juan Bautista

The view is from the riverbank opposite the city, where several groups of people are spread out, enlivening the composition. In the background one can see Saragossa´s main buildings and Felipe IV ente [+]

Margaret Theresa of Spain
Oil on canvas. 1665 - 1666
Martínez del Mazo, Juan Bautista
Margaret Theresa of Spain
Oil on canvas. 1665 - 1666
Martínez del Mazo, Juan Bautista

Margarita was born on 12 July 1651, the daughter of Philip IV and Mariana of Austria. On 12 December 1666, she married Emperor Leopold of Austria and died seven years later in Vienna. The fact that th [+]

Mariana de Austria in Prayer
Oil on canvas. Ca. 1655
Velázquez, Diego Rodríguez de Silva y (Workshop Of)
Mariana de Austria in Prayer
Oil on canvas. Ca. 1655
Velázquez, Diego Rodríguez de Silva y (Workshop Of)

This pair of portraits (P01220 and P01222) combines several aspects of Spanish portraiture of the Baroque period. In principle, the figures of Philip IV and his second wife, Mariana of Austria, are a [+]

Prince Baltasar Carlos
Oil on canvas. 1645
Martínez del Mazo, Juan Bautista
Prince Baltasar Carlos
Oil on canvas. 1645
Martínez del Mazo, Juan Bautista

Baltasar Carlos (1629-1646) was the son of Philip IV and the heir to the throne. He is depicted here shortly before his early death in an image that adheres to the type devised by Velázquez for [+]

Weapons and Hunting Equipment
Oil on canvas. Ca. 1700
Victoria, Vicente
Weapons and Hunting Equipment
Oil on canvas. Ca. 1700
Victoria, Vicente

Although this painting bears a curious apocryphal signature in large letters at the lower left corner of the canvas, Pérez Sanchez (1983) attributed it to Victoria in 1983 on the basis of its V [+]

María Figueroa, dressed as a menina
Oil on canvas. 1901
Sorolla y Bastida, Joaquín
María Figueroa, dressed as a menina
Oil on canvas. 1901
Sorolla y Bastida, Joaquín

Sorolla was the most gifted Spanish painter of his generation, excelling in portraiture. In the early years of the twentieth century, and especially after the encouragement of winning the Grand Prize [+]

Margaret Theresa, Infanta of Spain
Oil on canvas. Ca. 1665
Martínez del Mazo, Juan Bautista
Margaret Theresa, Infanta of Spain
Oil on canvas. Ca. 1665
Martínez del Mazo, Juan Bautista

Margarita of Austria (1651-1673) was the daughter of Philip IV and Mariana of Austria. When Mazo painted her she was betrothed to the Emperor Leopold of Austria, whom she married in 1666. In this port [+]

Diana and Callisto
Oil on canvas. Ca. 1650
Martínez del Mazo, Juan Bautista
Diana and Callisto
Oil on canvas. Ca. 1650
Martínez del Mazo, Juan Bautista

The nakedness required for bathing allowed Diana to discover that the nymph Callisto was pregnant, having been seduced by Jupiter transformed into the goddess of the hunt herself. Within the series of [+]

Dwarf with a Dog
Oil on canvas. Ca. 1645
Velázquez, Diego Rodríguez de Silva y (Follower Of)
Dwarf with a Dog
Oil on canvas. Ca. 1645
Velázquez, Diego Rodríguez de Silva y (Follower Of)

The custom of placing the principal figure in a portrait alongside another being that was physically or socially inferior was common practice among artists who portrayed figures from the Spanish court [+]

Massacre of the Innocents
Oil on canvas. Ca. 1663
Giordano, Luca
Massacre of the Innocents
Oil on canvas. Ca. 1663
Giordano, Luca

A. E. Pérez Sánchez publicó en 1970 su fotografía y su identificación en los inventarios antiguos de El Escorial (Madrid 1970a). En la actualidad, el formato de la obra aparece alterado en todos sus l [+]

Diana and Actaeon
Oil on canvas. XVII century
Martínez del Mazo, Juan Bautista
Diana and Actaeon
Oil on canvas. XVII century
Martínez del Mazo, Juan Bautista

While out hunting, Actaeon intruded on the place where Diana was bathing, surrounded by her nymphs. This chance encounter sealed his fate as he was transformed into a deer and devoured by his own houn [+]

Philip IV in prayer
Oil on canvas. Ca. 1655
Velázquez, Diego Rodríguez de Silva y (Workshop Of)
Philip IV in prayer
Oil on canvas. Ca. 1655
Velázquez, Diego Rodríguez de Silva y (Workshop Of)

This pair of portraits (P001220 and P001222) combines several aspects of Spanish portraiture of the Baroque period. In principle, the figures of Philip IV and his second wife, Mariana of Austria, are [+]

Tiburcio de Redín
Oil on canvas. Ca. 1635
Rizi, Juan Andrés (Attributed To)
Tiburcio de Redín
Oil on canvas. Ca. 1635
Rizi, Juan Andrés (Attributed To)

This man, standing in the close foreground and occupying almost the entire height of the painting, is a soldier, as the various elements of his dress attest: the broad-brimmed hat, adorned with a feat [+]

Watching the Hunt in Aranjuez
Oil on canvas. Ca. 1640
Martínez del Mazo, Juan Bautista
Watching the Hunt in Aranjuez
Oil on canvas. Ca. 1640
Martínez del Mazo, Juan Bautista

Aranjuez, some 40 kilometres from Madrid, was one of the so-called royal residences (Sitios Reales) all situated within a radius of less than 80 kilometres from the capital that were intended for the [+]

Self-Portrait (¿?)
Oil on canvas. 1600 - 1610
Borgianni, Orazio (Attributed To)
Self-Portrait (¿?)
Oil on canvas. 1600 - 1610
Borgianni, Orazio (Attributed To)

This work was registered with the number 227 in the 1794 inventory of paintings at the country estate of the Duke of el Arco (a part of the testament of Charles III), where it was identified as a port [+]

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