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The Funeral of Saint Anthony Abbot
Tempera on poplar panel. 1426 - 1430
Angelico, Fra
The Funeral of Saint Anthony Abbot
Tempera on poplar panel. 1426 - 1430
Angelico, Fra

This scene is from the predella of an altarpiece dedicated to Saint Anthony Abbot, the founder of the eremitic movement. Its technical and formal characteristics suggest a dating close to that of The [+]

View of Zaragoza
Oil on canvas. 1647
Martínez del Mazo, Juan Bautista
View of Zaragoza
Oil on canvas. 1647
Martínez del Mazo, Juan Bautista

The view is from the riverbank opposite the city, where several groups of people are spread out, enlivening the composition. In the background one can see Saragossa´s main buildings and Felipe IV ente [+]

Saint Joseph with the Christ Child
Oil on canvas. Ca. 1650
Martínez, Sebastián
Saint Joseph with the Christ Child
Oil on canvas. Ca. 1650
Martínez, Sebastián

Saint Joseph grasps Jesus’s arm to prevent him from taking fruit from the basket. This action is loaded with meaning, given the sacrificial and Eucharistic significance of both the Child’s violet tuni [+]

Mariana de Austria in Prayer
Oil on canvas. Ca. 1655
Velázquez, Diego Rodríguez de Silva y (Workshop Of)
Mariana de Austria in Prayer
Oil on canvas. Ca. 1655
Velázquez, Diego Rodríguez de Silva y (Workshop Of)

This pair of portraits (P01220 and P01222) combines several aspects of Spanish portraiture of the Baroque period. In principle, the figures of Philip IV and his second wife, Mariana of Austria, are a [+]

Prince Baltasar Carlos
Oil on canvas. 1645
Martínez del Mazo, Juan Bautista
Prince Baltasar Carlos
Oil on canvas. 1645
Martínez del Mazo, Juan Bautista

Baltasar Carlos (1629-1646) was the son of Philip IV and the heir to the throne. He is depicted here shortly before his early death in an image that adheres to the type devised by Velázquez for [+]

Francisco Fernández de Córdoba y Mendoza
Oil on panel. 1520 - 1521
Rincón, Fernando del
Francisco Fernández de Córdoba y Mendoza
Oil on panel. 1520 - 1521
Rincón, Fernando del

Francisco Fernández de Córdoba wears a biretta and ecclesiastical robes. He was the son of the second Count of Cabra and of Doña María Hurtado de Mendoza-Luna. He was the B [+]

The Assumption of the Virgin
Oil on canvas. Ca. 1698
Giordano, Luca
The Assumption of the Virgin
Oil on canvas. Ca. 1698
Giordano, Luca

En el plano superior aparece la Virgen sentada sobre una nube sostenida por ángeles; abajo y en sombra, ángeles músicos. El artista señala la existencia de planos a través del color y del detalle, más [+]

Eugenia Martínez Vallejo, Naked
Oil on canvas. Ca. 1680
Carreño de Miranda, Juan
Eugenia Martínez Vallejo, Naked
Oil on canvas. Ca. 1680
Carreño de Miranda, Juan

After the death of Velázquez, Carreño showed himself to be the artist most worthy of continuing the depiction of monsters, jesters, and dwarves that inhabited the Spanish court. Inventor [+]

Tomasa de Aliaga, Widow of Manuel Pablo Salcedo
Oil on canvas. Ca. 1787
Carnicero, Antonio
Tomasa de Aliaga, Widow of Manuel Pablo Salcedo
Oil on canvas. Ca. 1787
Carnicero, Antonio

The inscription on the sheet of paper on the table records that the sitter was nursemaid to one of Charles IV’s daughters, the Infanta María Amalia (1779-1798). A typical portrait of the period [+]

Dwarf with a Dog
Oil on canvas. Ca. 1645
Velázquez, Diego Rodríguez de Silva y (Follower Of)
Dwarf with a Dog
Oil on canvas. Ca. 1645
Velázquez, Diego Rodríguez de Silva y (Follower Of)

The custom of placing the principal figure in a portrait alongside another being that was physically or socially inferior was common practice among artists who portrayed figures from the Spanish court [+]

The Lovers of Teruel
Oil on canvas. 1884
Muñoz Degrain, Antonio
The Lovers of Teruel
Oil on canvas. 1884
Muñoz Degrain, Antonio

Dying of love is a theme often drawn from legendary literature, and was recurrent in nineteenth-century Spanish painting. Beginning with the story Juan Yagüe found in the Archives of the Moot Hal [+]

Philip IV in prayer
Oil on canvas. Ca. 1655
Velázquez, Diego Rodríguez de Silva y (Workshop Of)
Philip IV in prayer
Oil on canvas. Ca. 1655
Velázquez, Diego Rodríguez de Silva y (Workshop Of)

This pair of portraits (P001220 and P001222) combines several aspects of Spanish portraiture of the Baroque period. In principle, the figures of Philip IV and his second wife, Mariana of Austria, are [+]

The Actor Isidoro Máiquez
Oil on canvas. 1807
Goya y Lucientes, Francisco de
The Actor Isidoro Máiquez
Oil on canvas. 1807
Goya y Lucientes, Francisco de

The son of actors, Isidoro Máiquez was born in Cartagena in 1768. Supported by the Duke and Duchess of Osuna, he studied in Paris with the celebrated thespian Francisco José Talma (1763- [+]

Tiburcio de Redín
Oil on canvas. Ca. 1635
Rizi, Juan Andrés (Attributed To)
Tiburcio de Redín
Oil on canvas. Ca. 1635
Rizi, Juan Andrés (Attributed To)

This man, standing in the close foreground and occupying almost the entire height of the painting, is a soldier, as the various elements of his dress attest: the broad-brimmed hat, adorned with a feat [+]

Pyotr Ivanovich Potyomkin (Potemkin)
Oil on canvas. Ca. 1681
Carreño de Miranda, Juan
Pyotr Ivanovich Potyomkin (Potemkin)
Oil on canvas. Ca. 1681
Carreño de Miranda, Juan

Piotr Ivanovich Potemkin (1617-1700) arrived at the Spanish court as ambassador for the Grand Duke of Moscow, Feodor II, in 1668 and returned in 1681-82. Carreño’s portrait is thought to be fro [+]

Eugenia Martínez Vallejo, Clothed
Oil on canvas. Ca. 1680
Carreño de Miranda, Juan
Eugenia Martínez Vallejo, Clothed
Oil on canvas. Ca. 1680
Carreño de Miranda, Juan

In the courts of Spain´s nobility, the sixteenthcentury fascination with oddities of the natural world persisted into the seventeenth and was manifested in, among other things, an interest in people w [+]

The Coronation of the Quintana
Oil on canvas. 1859
López Piquer, Luis
The Coronation of the Quintana
Oil on canvas. 1859
López Piquer, Luis

This work shows politician, poet, playwright and tutor to Queen Elizabeth II, Manuel José Quntana (Madrid, April 11, 1772- Madrid, March 11, 1857) on the day of his coronation in the Senate as [+]

Witches' Sabbath, or the Great He-Goat
Oil on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de
Witches' Sabbath, or the Great He-Goat
Oil on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de

The mural paintings that decorated the house known as “la Quinta del Sordo,” where Goya lived have come to be known as the Black Paintings, because he used so many dark pigments and blacks in them, an [+]

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