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Saint Domitilla
Pencil, Mauve ink on paper. First quarter of the Último cuarto del siglo XVI - XVII century
Anonymous (Copy Pomarancio)
Saint Domitilla
Pencil, Mauve ink on paper. First quarter of the Último cuarto del siglo XVI - XVII century
Anonymous (Copy Pomarancio)

The corresponding figure is that of the Virgin Martyr, St. Domitilla, who stands in the center of Pomarancio´s altarpiece of Saints Domitilla, Nereus and Achilleus in the church of SS. Nereo e Achille [+]

Annunciation
Pencil, Mauve ink, Grey-brown ink, Grey-brown wash on yellow paper. Ca. 1600
Anonymous
Annunciation
Pencil, Mauve ink, Grey-brown ink, Grey-brown wash on yellow paper. Ca. 1600
Anonymous

The treatment of the composition reflects the work of the Florentines, Cigoli (1559-1613), Jacopo Chimenti da Empoli (1551-1640), Jacopo Vignali (1592-1664) and others. [+]

The construction of a building
Pencil, Pencil ground, Mauve ink, Grey-brown ink, Wash on yellow paper. XVI century
Lilio, Andrea (Attributed To)
The construction of a building
Pencil, Pencil ground, Mauve ink, Grey-brown ink, Wash on yellow paper. XVI century
Lilio, Andrea (Attributed To)

It could be by Andrea Lilio who, like Bellini, was one of Barocci´s Marchigian followers. Suggestive of Lilio´s hand is the restrained use of a pale, almost mottled wash to suggest shading; the athlet [+]

The dormition of the Virgin
Pencil, Pencil ground, Mauve ink, Grey-brown ink, Wash on paper. Second half of the XVI century
Bellini, Filippo
The dormition of the Virgin
Pencil, Pencil ground, Mauve ink, Grey-brown ink, Wash on paper. Second half of the XVI century
Bellini, Filippo

Apparently Walter Vitzthum suggested the present, convincing attribution to Filippo Bellini. It seems indeed a characteristic work, if one compares it with the many drawings reproduced in Monbeig Gogu [+]

Design for an architectural decoration
Pencil, Mauve ink, Grey-brown ink, White lead, Wash on dark yellow paper. XVI century
Orsi, Lelio
Design for an architectural decoration
Pencil, Mauve ink, Grey-brown ink, White lead, Wash on dark yellow paper. XVI century
Orsi, Lelio

The decoration consists of putti carrying swags and a caryatid holding up a cornice, beneath which is a large escutcheon. Just discernible on the face of the shield to the right is a man on the back o [+]

The Immaculate Conception
Brush, Mauve ink, White lead on dark toned paper. Early XVII century
Anonymous
The Immaculate Conception
Brush, Mauve ink, White lead on dark toned paper. Early XVII century
Anonymous

La Inmaculada se representa de frente, con las manos unidas, con la cabeza levemente alzada e inclinada a la izquierda.De comienzos de siglo XVII, quizás andaluza. (Texto extractado de Pérez Sánchez, [+]

Right-hand Section of a Panel of Ornament / Separate Studies for the Decoration of a Panel of Ornament
Pencil, Mauve ink, Grey-brown ink, Wash on paper. Mid-XVIcentury
Anonymous (Circle Of Perino del Vaga)
Right-hand Section of a Panel of Ornament / Separate Studies for the Decoration of a Panel of Ornament
Pencil, Mauve ink, Grey-brown ink, Wash on paper. Mid-XVIcentury
Anonymous (Circle Of Perino del Vaga)

This drawing would appear to date from around the middle of the sixteenth century, since the style of ornament recalls that used by Perino del Vaga and his assistants in the decoration of the Sala Pao [+]

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